Release Radar

Deía Remixes

Deía (AVEM Remix)

Juno

Her Entrance (Innellea's Interstellar Remix)

Eisheimer

Trooper EP

Trooper

Active Child - Johnny Belinda (Matthew Dekay Remix)

Flower of Cane

Relentless (Radio Edit)

♬ Click for more ☞ http://trndmusik.de/2019/06/deeply-melancholic-sainte-vie-releases-his-from-desolate-places-and-forgotten-times-ep/

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Get Sainte Vie's EP on Akumandra here: 
➟ All platforms: https://bit.ly/AK003_Preorder

The latest release by the Mexican avant-garde label @akumandra is founder Sainte Vie’s (@ste-vie-1) three track auditive voyage: „From Desolate Places and Forgotten Times“. Going beyond previous experimentation with sound assemblage and sampling from non-western musical traditions, Sainte Vie crafts his signature mesmerizing soundscapes by combining dreamlike synth textures, monumental drops and vibrant melodies that feel deeply melancholic. (...)

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Sainte Vie - High Seas

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Listen to our Spotify Playlists:
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Artist: BONDI, Roth
Remixer: T.M.A , Kiki
Title: Resize
Label: Bar 25 Music (https://bar25music.lnk.to/home)
Release: 26.06.2020
Cat. No: BAR25-123
Label Code: LC-19112
Release Type: EP
Medium: digital
Territory: ww
Artwork: www.svenjalimke.com
Mastering: Rob Small / analog

Tracklist:
1. BONDI, ROTH - Resize (Original Mix)
2. BONDI, ROTH - Resize (Kiki Remix)
3. BONDI, ROTH - To Forget You (Original Mix)
4. BONDI, ROTH - To Forget You (T.M.A Remix)
5. BONDI - Romeo & Jules (Original Mix)

Bondi beckon you to dance in the meeting of uncompromised beats and melodic persuasions with “Resize”. Joining them on title track “Resize” and follow up “To Forget You” are ROTH, coming together in unison for a melding of artistry. Kiki remixes “Resize” for a twisted interpretation, offering another layer of danceability, with T.M.A editing “To Forget You”. Whichever sound pulls your interest, let BONDI set your mind free.

Listen more music here

BONDI & ROTH - Resize (Kiki Remix)[Bar25-123]

Trident

@acidpauli
facebook.com/therealacidpauli
twitter.com/acidpauli
instagram.com/therealacidpauli
@ouiemusic
facebook.com/ouiemusic
instagram.com/ouie_music

“Basically my albums have developed into my personal field of experimentation” says Martin Gretschmann, aka Acid Pauli. Known primarily for his psychedelic, leftfield club sounds that weave between slo-mo beats and deep burners, his EPs, remixes and collaborations have generally been more focused on the dancefloor. With his latest album, MOD (his third full-length released on his own Ouie label), Gretschmann goes in a tangential direction, drawing inspiration from modular synthesis and the scene that has flourished around it over the last years. The result is an album produced almost entirely with modular systems, inspired by the possibilities and restrictions of carefully shepherding machines that sing to themselves. 
“I know a lot of people who somehow found themselves and electronic music in a boring dead-end alley, and who have now found completely new worlds through modules”, he explains. Experimental as MOD may be, it certainly isn’t ‘difficult’ or inaccessible - or as someone put it, the nine tracks here are “soft, elegant, fluent, dreamy - the tracks achieve the effect of space-time morphing - magical states”. 
The album is best heard as one continuous piece, allowing it to unfold its delights gently. Most of the tracks were recorded live in one take - often with Gretschmann recording up to 10 different versions before choosing the final piece. 
Propagating Flip Flops starts things off - its glitchy textures and sync-shifting set the scene for the album - the sounds evolving and developing before resolving into a warm, ethereal tone. Intellijel Bell is made up of deep loops of rhythmic sounds, while metallic sounds and a submerged jazzy undertone hint at the classic Acid Pauli sense of fun. Acid On Yusef uses looped up rhythmic pulses and bass tones, joined by modulated beeps and blips. A touch of that iconic liquid acid sound pulls it together and gives the track its name. Sublime Frequencies Of Cairo is another beatless, floating collection of loops that shift and morph - seemingly suspended in space, before an ambient orchestral element resolves the track. 
As the title suggests, Du Brecht, Ich Dub revolves around a bass heavy sound, building up a rhythm of disparate elements that develop into a tense yet somehow weightless groove. Life Polarizer is further evidence that an Acid Pauli album will always somehow drift back towards the groove. The track works the effects pretty hard - sounds pinging between left and right and ebbing and flowing into the mix. Peace Waer Schoen also makes heavy use of delay to create a dubbed-out, wonky feel. The freedom of getting away from computer based production is referenced sardonically in Quantize Hell - its bleepy sounds find a rhythm and progression outside of the grid. Finally, No Kick, No Cry brings the journey to a close - it’s the first and only kick drum of the album and adds a structure to the magical unpredictability of the looped sounds. 
The album’s artwork perfectly reflects these sounds within - created by musician and artist Billy Caso. Each track is also accompanied by a minimalist video, created with a device from this modular world - the "Vidiot". It’s clear that in MOD, Gretschmann has produced a homage to the modular scene that might inspire as many people as it delights.

Acid Pauli - Intellijel Bell

Oliver's Hands On EP

Borax (Oliver Koletzki Rework)

Mladen Tomic "Ghost Town EP" (Trapez 228) is available on all sale and streaming platforms: https://geni.us/trapez228

See more at TRAPEZ webpage: https://www.traumschallplatten.de/trapez/228.html

Ghost Town EP

Ghost Town

Mladen Tomic - Ghost Town (Trapez 228)

Anitta - Me Gusta (with Cardi B & Myke Towers)

LYRICS ▶ 
A mí me gusta 
Every time you look at me, that way 
A mí gusta 
All the dirty things you need, every day 
 
En cada detalle que te hago, y que me haces bien 
It’s what I like ya ya ya 
It’s just what I like 
 
A mí me gustan las mujeres
when they shake their ya ya ya 
A mí gusta when they want
they go and get it, ya ya ya 
A mí me guuuuu, a mí me guuuuu
A mí me gus... 

La cardi!
He like to eat the cake like its my B day!
Y to lo dia es mi cumpleanos!
Boy I like it ruff don’t take it easy!
Gangsta, yeah I like it in the Bando
Me gustan lo macho y que coman cuca que haciendo el amor me jale la peluca
El me dijo que le facina mi bunda
Ami me gusta el dinero no te confunda
I like girls that kiss on girls eso me pone on fya yah!
I like birkins I like murking all my haters yah yah yah!
Yo tengo el sazon de una afro latina
y muevo mi cintura como shakira
la Cardi y Anitta two fly mamacitas
Bad bitches me gustan toditas!
 
A mí me gustan las mujeres
when they shake their ya ya ya 
A mí gusta when they want
they go and get it, ya ya ya 
A mí me guuuuu, a mí me guuuuu
A mí me gus... TRA

La Cardi y Anitta two fly mamacitas

Ponte creativa,
Todas las mujeres son hermosas, 
pero las más que me gusta, son latinas.
Ella no es lesbiana, pero a veces escondida,
a su amiga se la tira.
Al ritmo de la música ella mueve las caderas, 
se me pone hiperactiva.
Hace las cosas y no la pillan.
Hemos hecho de todo, de todo he podido 
y que forma y que cómo.
Yo todo.
Todas esa sucierias, las volvería hacer.
Ella es mi alma gemela, los dos somos adictos al sex.
 
A mí me gustan las mujeres
when they shake their ya ya ya 
A mí gusta when they want
they go and get it, ya ya ya 
A mí me guuuuu, a mí me guuuuu
A mí me gus... TRA

Me Gusta (with Cardi B & Myke Towers)

Anitta - Me Gusta (with Cardi B & Myke Towers)

DOWNLOAD

Baobab

Rodriguez Jr. - Monticello

Booking requests:
chris@stilvortalent.de
Management:
music@stilvortalent.de

Borax (Oliver Koletzki Rework)

Oliver Koletzki

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