Japanese Acid Jazz/Jazz Fusion/Lounge

RE-SO-LA

Journey

Lovefool

Produced by Micah Tawlks and Stephen Day
Written by Stephen Day

We were leaving 
For the stratosphere 
Easy breathing 
In your atmosphere 
Oh how could I 
How could I ever forget last year 

When we were on top 
When we were on top of the world 
When we were on top 
When we were on top of the world 

The seasons all stopped 
The axis forgot to twirl 
When we were on top 
On top of the world

Sent me flying 
Like a rocketeer 
Without trying 
Now I’m way up here 
Oh how could I 
How could I ever forget last year 

When we were on top 
When we were on top of the world 
When we were on top 
When we were on top of the world 

The seasons all stopped 
The axis forgot to twirl 
When we were on top 
On top of the world 

I can’t see my house from here 
But I can breathe the air so clear 
I can’t see my house from here 
But I can breathe the air so clear 
And how could I ever forget last year 

When we were on top 
When we were on top of the world 
When we were on top 
When we were on top of the world 

The seasons all stopped 
The axis forgot to twirl 
When we were on top 

On top of the world 
On top of the world 
Oh, mmhm, on top

On Top of the World

On Top Of The World

WE ARE MAMAS GUN

You Make My Life a Better Place

健康で文化的な最低限度の生活

LIFE

Spotify
https://open.spotify.com/artist/0rFHElzeddB9ymDjgpBENX

Apple Music
https://itunes.apple.com/jp/album/yume/id805520623

Bandcamp
http://music.botanicalhouse.net/album/dream-cd-2014
--------------------------------
from the album called "Yume".
Lyrics: Kaori Sakaibara
Music: Taiyo Someya
Arrangements: Minami Kitasono https://soundcloud.com/organalog

A都市の秋

Sultry Ember

Ideal for playlists like Smooth Jazz Essentials, Chill Jazz Vibes, and Contemporary Lounge, Skyline Serenade is not just an album but a listening experience—a soundtrack for modern sophistication. Whether streamed in a high-rise apartment, a rooftop lounge, or through headphones on a late-night walk, it invites listeners into an intimate, stylish world where every note feels like a conversation under moonlit skies.

Dancing on a whisper

C'est l'hymne de toutes les femmes qui se sont regardées dans le miroir après un chagrin d'amour et ont réalisé… « Putain, c'est perdu !»

Débordant d'assurance nocturne, ce morceau néo-soul français sensuel propose des voix enfumées flottant sur une basse ambulante et des percussions.

Il célèbre le moment où l'on arrête de pleurer, où l'on se revoit clairement et où l'on réalise que l'on est la récompense.

(This is the anthem for every woman who has looked in the mirror after a heartbreak and realized... "damn, his loss".

Oozing with late-night confidence, this sultry French neo-soul track features smoky vocals floating over a walking bass and brush drums.

It celebrates the moment you stop crying, see yourself clearly again, and realize you are the prize.)

Belle Gosse

Written & Produced by PREP
With thanks to Dave Troke (Bass Guitar), Mike Lesirge (Flute) and Matthew Larkin Cassell (Classical Guitar)
Mastered by Stuart Hawkes at Metropolis, London
Artwork by Sam Coldy

Taken from the forthcoming EP 'Futures', out 14/10/16 on B3SCI Records

open.spotify.com/artist/31SBgHxc8eqZUk9MdveH42
twitter.com/prep_band
instagram.com/prepband
www.songkick.com/artists/1365013-prep

L-O-V-E

Olivia Ong

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