ce track devrait avoir au moins autant de vues que le remix Noir Dès !

Ollie - remix, edits, mashup

just do it

Mana Chaninqa

Luego de una convocatoria en la que participaron más de 40 artistas, Fertil se complace en presentar un compilado reuniendo lo más interesante de la escena electrónica  sudamericana. Siguiendo con la oleada selvática iniciada con álbumes como “Amansará” de Chancha Via Circuito o “Selva” de El Remolón,  hemos decidido tomar este bioma como inspiración a través de grabaciones caseras de pájaros, grillos, ríos mesopotámicos, ícaros de ayahuasca y sonidos amazónicos, que se constituyen en leitmotivs de la obra.

El disco cuenta con la presencia de artistas argentinos como El Remolón (Buenos Aires), Juan Sorrentino (Chaco), Pol Nada (Rosario) , Tu Guaina (Misiones), San Ignacio (Tigre) o Jin Yerei  (Munro) y de otros países sudamericanos como Cero39 y Beatfunk (Colombia) o Lulacruza (Colombia/Argentina), entre otros. Ellos son los nuevos exponentes del sonido electrónico sudamericano.

El disco se puede descargar del Bandcamp de Fertil Discos, gratuitamente o a cambio de una donación voluntaria.After receiving contributions from more than 40 artists, Fertil Discos is pleased to announce its first compilation, gathering the most interesting representatives of the south american electronic scene. Following the wave initiated by albums such as Chancha Via Circuito's Amansara and El Remolón's Selva, we've decided to adopt this environment as an inspiration, taking home recordings of birds, crickets, rivers, ayahuasca's ícaros and amazonic sounds as leit motivs..

'Sonidos de la Jungla' puts together Argentinian artists like El Remolón (Buenos Aires), Juan Sorrentino (Chaco), Pol Nada (Entre Ríos), DJ Karen (Rosario) or Tu Guaina (Misiones); and other south-american fellow artists like Cero39 (Colombia), Lulacruza (Colombia/Argentina) and Beatfunk (Venezuela), among other key tastemakers (players) in the new and ever-growing new latin-american sound.




El Remolon - Hoasca

Christine Salem is one of the best voices of Maloya (Reunion Island), a musical and poetic style that talks about metisse roots, crossing culture, slavery and black resistance.
Here is a work in progress version, as a tribute to her, and to all this strong and living movment. 
Thanks to DaHaus São Paulo creative labs for human and technical support.

Christine Salem - Komor Blues (Ollie rework)

Original music written by Di Melo in 1975, during military dictature. About opression, and resignation.
First rework released in 2016, during capitalist dictature. Nothing changed that much.
Dedicated to Bárbara Freitas, my dancing warrior from the suburbs of São Paulo. Never give up, sweet love.
This version was especially made for ETHOS dance solo, with a lot of sounds I recorded in São Paulo streets, and published when the brazilian democracy was under conservative attack.
Final version will be released later.
Thanks to all people from DaHaus for their human and technical support, and to Moviemento Akwaaba.

Di Melo - Conformópolis (Ollie ETHOS strings rework)

another lazy-but-crazy mashup for numb deejays..
maloya runs on quantic beats, through colombia, and south england
danyel waro - reunion
quantic - england

Danyel Waro vs Quantic - Ollie's mashup#4

Unofficial B-side project for first ahef+ollie release :
https://soundcloud.com/ahef/alstone-cest-ecrit-dans-le-ciel-ahef-ollie-remix


Etienne de la Sayette ft Racecar/Take a second (ollie+ahef edit)

A fast edit of a beautiful music from Central Africa.

Gbaya sounds - Mbodomon (Ollie edit)

New remix for my friend Yeahman, great producer from Toulouse, France. 
Part of the EP "Yeahman - Botanas" out on Shika Shika

https://soundcloud.com/dj-yeahman
https://soundcloud.com/shikashikacollective

Yeahman ft.Mina & Hajna - Miniyamba (Rafael Aragon RMX)[Shika Shika, 2018]

This album is part of the crowdfunding campaign of Chakana. With the profit of it, you can help a native community in the Amazon rain forest of Peru. 

Chakana is a nonprofit association, creating a conscious and active audience. Promoting campaigns of care for the environment and preservation of native communities. 

All the songs in the album have icaros from the ancient culture of the shipibos community from the Peruvian rain forest.

Produced By Dharma Collective 
www.dharmaartinbalance.com 
Mastering by Tilman 
Art Cover by Sordi 
www.chakanaproject.com 
2018

Download

Nikosh - Mana Ma Na

@ibu-selva 
www.facebook.com/IbuSelva 
-------------------------------------------
✺✺✺ Sobre: 

Bolo’bolo é o nome de um livro que fala sobre uma sociedade anarquista alternativa, onde é explicado com detalhes desde como desmantelar o sistema político e econômico atual até como se daria sua organização, de uma sociedade nova, autogestionada, que permita, como os Zapatistas dizem, “um mundo onde caibam muitos mundos”. 

A capa é uma máscara olhando para o céu, e caindo no chão, onde nuvens e luas guiam seu caminho. Como na escuridão da noite, a lua guia nossos sonhos para se tornarem realidade. 

Nima é a identidade e a bagagem cultural de um Bolo. Podendo existir muitos Nimas dentro de um Bolo. Nima é o direito de todo Ibu pode escolher, praticar e propagandear sua própria maneira de vida, estilo de roupas, linguagem, preferência sexual, religião, filosofia, ideologia, opiniões, etc., onde quiser e como gostar. 

Sila significa hospitalidade para todos. Porque não existe dinheiro ou trabalho, então todo Ibu deve oferecer a mesma hospitalidade para qualquer outro Ibu. Isso torna todo Bolo um hotel, e todo Ibu com direitos para uma certa quantia de comida, entre outras coisas.

✺✺✺ About: 

Bolo’bolo is the name of a book that talks about an alternative anarchist society, explains details of its organization and how to disrupt the actual political and economical system, and create a new, self-governing society, which allows, as the Zapatistas say, “a world where many worlds fit”. 

The cover-art is of a mask looking at the sky, and falling into the ground with clouds and moons guiding its way. As in the darkness, the moon will guide our dreams to reality. 

Bolo’bolo, the first track, in the book’s language means a place where from 300 to 500 Ibus (people in the common language) live together and live upon basic agreements in a direct, personal context to live, produce and die. It will substitute money, all essential services must exist there, and all Ibu’s are free to leave or stay. So bolo’bolo, is a community of Bolos. 

Nima, the second track is the cultural identity of a Bolo and its cultural background. A lot of Nimas could exist inside the same Bolo. Nima is the right of every Ibu to choose, practice and propagate his own life style, clothing, language, sexual preferences, religion, philosophy, ideology, opinions, etc. wherever and however (s)he wants. 

Sila means "hospitality for all”. For there is no money nor job, every Ibu has to offer the same hospitality for every other Ibu. This makes every Bolo a hotel, and every Ibu has a right to a certain amount of food and things in every Bolo. 

[All info is summed up, for more, please read the book.]
-------------------------------------------
Master: Nathan Hall 
Artwork: Ibu Selva (www.instagram.com/ibu.selva)

Support

Ibu Selva - Nima (Original Mix)

https://soundcloud.com/biomigrant

Frente Bolivarista is proud to present to you the North American multi-instrumentalist Michael Alfred Wagner aka Biomigrant. This brave man took an incredible bike journey throughout the American continent down to Colombia whereas he found himself and settled his studio and inspirations.

"Biomigrant - Las Américas" is a collection of stories, told more through sound than words; a collage of field recordings, original instrumentation, and carefully constructed beats that explore the beauty, pain, contradictions, and joy of everyday life on the American continent.

Street parties in the Colombian pacific,
Rain prayers in central México,
Verses of African resistance in the Caribbean,
Sonic memories of an oasis in Baja California,
Introspective footsteps, lost in the jungles of the Sierra Nevada,
The faded colors of a picó and a taste of palm wine,
A personal reaffirmation of the struggle to learn and grow,
And a collective remembrance of our fragmented history.

Credits:
- Percussions: Arnulfo Mancera , Waidis de Jesus Ortega Miranda (track 6)
- Spoken word: Jaime Ocampo and Natali Fosado (track 2), Eustiquia Amaranto (track 3), Gina, Maya, Emilia, Coral, Vanina, Celina, Miren, and Patty (track 9)
- Production, Analog Drums/Synths: Ueli Peter "Oilst" (track 3)
- Trumpet: Jorge Emilio Pardo "El Leon Pardo" (track 6)
- Guitar: Tomas Salcedo (track 6)
- Voice, Silver Flute, Colombian Gaita, Trumpet, Keys/Synths, Guitars, Percussion, Production, Mixing: Michael Alfred Wagner (Biomigrant)
- Mastering: Sebastián Cordovés
- Cover Art: Juliana Lira (www.julianaalira.com/)
- Distribution: Musicdeli

In Memory of Camilo Jimenez ✞

Buy on Bandcamp!

Biomigrant - (Al Otro Lado De) La Muralla

As a part of our quarantine music series, our family of DJs, producers and artists have created sets to inspire and move you while we #stayhome around the world.  Enjoy this beautiful set by @Yemanjo that will get you into nature and into your body. Stream the full 1 hour set on Soundcloud and let us know where you're tuning in from ! 🎧🌍

Quarantine by Nômade Family: Yemanjo

Tradici๏nes ★ 01 - Paseo Afroandino (Vinyl Set) por @guasaguarriors
⋘ ────── ∗ ⋅ESPAÑOL⋅ ∗ ────── ⋙
DJ Guasá es artista que cultiva los sonidos tradicionales del mundo con un especial enfoque en la rama Afro Colombiana. Además de un gran coleccionista de vinilos e instrumentos, Guasá es un querido amigo y artista de Cosmovision Records desde el día que comenzamos. Es por eso que comenzamos con él esta nueva serie de música tradicional en formato vinilo.

¨Esta sesión junta ritmos del campo colombiano, partiendo de la poesía andina del "Indio Romulo" y la música llanera, llegando a las costas Caribe y Pacífico. Hay una cumbia grabada en México por Aniceto Molina y un homenaje póstumo más reciente a Andrés Landero, "rey de la cumbia". También se disuelven las fronteras rítmicas en una cumbia de chirimía del Chocó. Está presente la resistencia de los ritmos tradicionales frente a la modernidad, bien sea en manera que se tocan o en la forma en que han sido grabados; no es una selección cronológica, porque las grabaciones más recientes muestran que son tradiciones más vivas que nunca en diálogo abierto con esa modernidad¨

DJ Guasá

⋘ ────── ∗ ⋅ENGLISH⋅ ∗ ────── ⋙

¨DJ Guasá is an artist who cultivates the traditional sounds of the world with a special focus on Afro-Colombian sound, as well as a great collector of vinyl and instruments, Guasá is a dear friend and artist of Cosmovision Records from the day we started. That is why we started this new series with this great set of traditional music vinyls.
This mixtape brings together rhythms of the Colombian countryside, passing through the Andes and the Caribbean and Pacific coasts, a mixture of rural poetry by Indio Romulo and the llanera music that Colombia shares with Venezuela. There is a cumbia played in Mexico by Aniceto Molina and a more recent posthumous tribute to Andrés Landero, "king of cumbia". I wanted to try to connect this genre with other music of rural oral tradition and listen to how each landscape permeates them. A certain dissolution of rhythmic borders occurs in a chirimía playing cumbia, a kind of resistance of traditional rhythms against modernity, either in the formats of their interpretation or in the way they have been recorded.
This is not a chronological selection, because the most recent recordings show that the traditions are more alive than ever and maintain an open dialogue with that modernity.¨

DJ Guasá

⋘ ────── ∗ ⋅MÚSICA⋅ ∗ ────── ⋙

1.- El indio Rómulo- Hagame una carta- Lo que la tierra piensa (CBS, Ano desconocido)
2.- Mi orgullo es ser llanero- Alfonso Niño (Divensa, 1980)
3.- Diosa de piedra- Bovea y sus vallenatos (Tropical, 1976)
4.- El cucarrón- Grupo folclórico Corinche (Universidad de Cartagena, 1986)
5.- Cumbia Sampuesana- Luz Roja de San Marcos con Aniceto Molina (1978)
6.- Homenaje a Landero – Ondatrópica (Soundways, 2012)
7.- Llorilé- Tamborito Nuquí (Llorona records, 2015)
8.- So anima anima – Petrona Martinez (Felito records, 1989)
9.- La totuma- Los Soneros de Gamero (Costeño, Codiscos, 1885)
10.- El Son regando flores- Yule Yule (Felito records, 1986)
11.- Pa qué sera- Son Palenque (Felito Ltda. 1985)
12.- Canoa Ranchada- Antun Castro (Sonotec, 1981)
13.- La visita- La Contundencia (Leo records, 1996)
14.- Boga Canoero- Ondatrópica (Soundways, 2017)
15.- Regresa pues – Nilamaye (Bongo Joe, 2016)
16.- La casa de la companía- Canalón de Timbiquí (Llorona records, 2019)
17.- Donde suena el bombo – Ondatrópica (Soundways, 2012)
18.- Mi Gaita- Los Gaiteros de San Jacinto (Llorona records, 2017)

Tradici๏nes ★ 01 | DJ Guasá | Paseo Afroandino

feat. loving human beings live @ Blue Monkey Festival.
Thanks to all souls being part of this magical night.
07-08-2020, Leuenberg, Germany
https://thebluemonkey.club

Picture Credit: Jasmin Morgner

Some of the featuring souls:
MN.JA ( https://soundcloud.com/mn-ja )

Live @ Blue Monkey Festival 2020

French Sound Griot@Movimento Akawaaba (SP/Brazil)
+++ music production+++
+++ dj sets & podcasts +++
+++ remixes, mashups, edits +++
+++ soundscapes & concrete beatz +++

Since 1999, from Normandy to Brazil, I've been creating and recycling past and present sounds from all horizons, from musical to concrete waveforms, through crossover and experimental projects. 
Now starting with Movimento AKwaaba, a project about cultural & social dialogue in XXI world.

Find more sets and podcast on Mixcloud

Christine Salem - Komor Blues (Ollie rework)

Ollie Taanga

Recent comments

Houari Marouane

AIWAA ॐ

Ahef

Ahef

Related tracks