I'm a Field Recordist and Sound Designer living in Northern CA. I'm currently working as a Sound Designer, Sound Effects Editor, Foley Recordist & Editor, Re-Recording Mixer, etc. on several projects. I try to post recordings on Soundcloud whenever I get the chance. For more information about me, and the projects that I'm working on, please visit my website... http://Eric-Mooney.com.

GEAR
For field recording I use a pair of Sennheiser MKH 20s that I have mounted inside of a "modified" SASS housing, a pair of Sennheiser MKH 8040s inside the ORTF Rycote blimp, or a mid-side setup with an MHK 8040 and an MKH 30 inside of a Stereo Cyclone. More recently I've also been using an AKG C 411 contact mic, a pair of Barcus Berry 4000 contact mics, and an Aquarian Audio H2a hydrophone, that can also be used as a contact mic. I run all of these into either a Sound Devices 744T or a Sound Devices MixPre-6 recorder.

I use a Sony D100 when I need a smaller and more portable setup. I have the Rycote pistol grip, which helps prevent any handling noise, and the Rycote Windjammer that helps reduce wind noise when I'm recording outdoors.

In the studio I'm running both Pro Tools 10.3.9 and 12.4.0 concurrently to avoid any compatibility issues. When I’m designing sound or mixing I frequently use the Soundtoys bundle, GRM Tools, iZotope's Neutron Advanced, Kilohearts Multipass, Waves Gold and Renaissance Maxx bundles, NI Komplete, and a wide variety of other various plugins. I use iZotope RX Advanced on recordings that need to be cleaned up, although I never de-noise nature recordings. Nature, and outdoor recording in general, is all about finding the right location anyway. 

I'm using (5) Genelec 8030s and a Tannoy Sub in the studio, and occasionally I either use a pair of Beyerdynamic DT 880 Pros or Sennheiser HD 600s for additional reference, or if I need to do some work away from the studio.

Pour retrouver toutes mes pièces sonores c'est ici : www.sophieberger.com

Asu encadre des actions radiophoniques ouvertes et collectives et produit des pièces sonores. Expérimentale et sans lendemain déjà écrit, elle ne s’apprend pas, elle se prend au sérieux

Works in electronic sound patterns, currently exploring the strata of sound. Her work is a hybrid between natural sounds and synthetic noises. She is incorporating paths on dark ambient, field recordings, industrial strength drones, art-techno, noise, and synth experimentation into her work. She lives between Mexico and Barcelona.

contact: syntaxerika@gmail.com
f/c  @Ambientflux d^_^b

🎧MAIRA....field recordings dedicated to holistic acoustic landscapes and experiments in art and music.  The Omaira team studies the impacts of sounds/noise/vibrations on the environment, health, perception and cognition and uses of sound/vibration in various therapies.

 🎧  J, Rojas Routon, PhD. development,embodiment, materiality and distributed cognition.

 🎧  Cristina Lammer, PhD. methods, technology, visceral themes, analogue-digital transition

 🎧  W. Lee Allen, MA. Artist, Composer

 🎧 Material and technical support from CSIC/Doñana [2020.06 Estudio integral sobre Sonido y Paisaje] and Vienna Academy of the Fine Arts.

 🎧 'Liquid Vinyl' painting and thumbnails are Lee's work.

We like to collaborate. If you want to use any of these materials, get in touch through Soundcloud messaging or email soundandlandscape [@] gmail.com

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