Signal/Noise: The Badon Experiments is a bold exploration of creative collaboration between human intention and algorithmic possibility. Producer OMFGitsMateo and composer Michael Badon created an experimental album where Badon's original tracks became raw material for radical reimagination through Suno AI's generative capabilities.

Acting as creative directors rather than traditional musicians, Mateo and Badon fed original compositions into Suno, steering the AI through genre transformations, lyrical concepts, and production aesthetics that pushed each track into unexpected territories. With lyrics developed in partnership with Claude AI, the album spans an extraordinary range: gospel-soul ballads meeting conscious hip-hop, southern rock grit, dark Memphis phonk, aggressive UK drill, atmospheric vaporwave, festival-ready EDM, and genre-defying spiritual pop.

The same DNA appears across wildly different forms. Badon's "Neat Stuff" becomes both a soaring cathedral anthem ("Heavy Heart, Open Wounds") and whiskey soaked blues rock ("Big Thunder, Hard Rain"). "Lounge Hip Hop" transforms from chill instrumental to menacing drill banger. The experiments prove that AI isn't replacing creativity, it's expanding the canvas.

Signal/Noise: The Badon Experiments

NICA NOCHES NICAS

A 23-track odyssey through Nicaragua's soul.

From the sacred fires of desert rituals to the healing waters of volcanic lakes. Through Managua's neon pulse, Granada's colonial whispers, and Corn Island's Caribbean clarity. Past smoky cantinas, crowded markets, and empty rooms where ghosts of friends still dance.

This is transformation set to 808s. Heritage fused with house drops. Four hundred years of trickster wisdom meeting crypto-age beats. Crying lap steel over dembow riddim. Marimba de arco through festival sound systems.

Every track a location. Every location a lesson. Every lesson burned, drowned, and reborn into something new.

Bilingual. Bicultural. Between two oceans.

"¿Quién soy ahora?" the album asks.
"Nica para siempre," it answers.

Written & Produced by OMFGitsMateo in Nicaragua Nov 2025

Nica Noches Nicas

Tribal Psych Groove is an electrifying fusion of psychedelic indie, cinematic electronica, and deep house tribalism

Wolf Lodge: Moonlit Pines

Wolf Lodge: Alpine Sunset

Wolf Lodge: Volcanic Ridge

Wolf Lodge: Glacier Lake

Wolf Lodge: Canyon Depths

Wolf Lodge: Winter Summit

Wolf Lodge: Copper Mountain

Wolf Lodge: Thunder Valley

Wolf Lodge: Neon Pulse

Wolf Lodge: Digital Storm

Fall in Aspen hits different when you're not just visiting. While tourists come to watch the aspens turn gold, we've been grinding gold all year. This one's for everyone working the mountain - ski instructors, bartenders, valets, IT, servers at Matsuhisa. The ones living four deep in staff housing but still building something bigger than the view.

#TrappinInAspen #GoldenSeason #AspenColorado #WorkingClassAnthem #MountainLife #SkiBumMusic #AtmosphericTrap #FallVibes #ColoradoMusic #StaffHousing #Matsuhisa #MaroonBells

Golden Season

The ironic anthem for every broke skier living their best life
They say I'm wasting my potential. I say I'm skiing powder while they're in cubicles.
This one's for everyone who chose the mountain over the money. Sleeping in cars, working night shifts, eating ramen three meals a day, but getting first chair every morning. Living in staff housing with five roommates while trust fund kids complain about their Airbnb. Patched jackets, mismatched gear, negative bank account, but technique smoother than anyone on the hill.

Mountain Bum

You're in the room where it happens. Proximity is power. While they eat, you absorb. How they network, how they talk, how they move. Watching Starwood real estate deals close over yellowtail. Learning the game from the one percent while they don't even notice you exist.

Matsuhisa Lessons

For everyone who's watched their neighborhood change. Every local spot that closed too soon. The communities that built cities before being priced out. Mi Chola, Eric's, and every beloved place we lost to "progress."
They can change the buildings, change the name - but they can't change how we came. 

Mi Chola Memories

An upbeat, anthemic country-folk celebration of Roxy's Big Red Barn in Carbondale, Colorado. This track captures the energy and spirit of a state-of-the-art equestrian facility where champions train and dreams take flight. Featuring driving acoustic guitar, stomping percussion, and soaring vocals with a modern Americana sound.

Roxy's Big Red Barn (Red)

A cinematic, atmospheric piece blending folk elements with Puerto Rican percussion for Roxy's Big Red Barn. Features ethereal vocals, tribal hand drums (congas, bongos, panderos), and airy production with heavy reverb.

Roxy's Big Red Barn Atmospheric (Purple)

A modern atmospheric trap fusion celebrating Roxy's Big Red Barn with a contemporary edge. Blends 808 bass, trap hi-hats, and Latin percussion with ethereal vocals and cinematic production. Heavy reverb, spacious mix, perfect for modern branded content.

Roxy's Big Red Barn (Blue)

Gold in the Air

Melodic tech house meets emotional uplift at 124 BPM. Driving through the mountains with the windows down, watching ten thousand trees dance as one. This is that moment when you feel it in your bones—gold in the air tonight.

Story Behind the Track:
September painted everything in gold. Sometimes you gotta let go to hold. This track captures that feeling of connection and freedom when the aspens start to turn. Uplifting melodic drops with moody undertones—the perfect balance of introspection and celebration.

Lyrics:
"Gold in the air, gold in the air
Feel it everywhere, feel it everywhere
We're shining bright, under mountain light
Gold in the air tonight"

Production:
Progressive house with funky basslines and groovy four-on-the-floor rhythms. Catchy piano chords drive the emotional core while melodic drops create peak moments. Danceable pop-electronic fusion built for both the festival stage and late-night drives through Telluride canyons.

Vibe:
Uplifting. Emotional. Connected. We move together like the aspens in the breeze.

Recorded in Telluride, Colorado - Fall 2025
🔥 Part of the Telluride Gold Season collection 🔥


Gold in the air (Red)

Golden Hour

Tribal psych groove meets orchestral epic. Standing in the cathedral of the fall where ten thousand golden voices sing through the mountain air. This is cosmic ceremony—psychedelic indie textures layered with deep house tribalism and cinematic western grandeur.

Story Behind the Track:
Time moves through golden leaves like water through our hands. The aspens taught us what the miners never understood—you can't control what's meant to transform. This track is about standing in that sacred moment, feeling how small we are and how vast, when golden hour light bends through the trees and time itself seems to pause.

Lyrics:
"We are standing
In the cathedral of the fall
We are standing
Where the ancient answers call
Ten thousand golden voices
Singing through the mountain air
We are standing
Finally here, finally here"

Production:
Dreamy guitar riffs and lush vocals meet sweeping cinematic soundscapes. Driving basslines and percussive grooves built for late-night dance floors. Hypnotic tribal chants and polyrhythmic drum patterns ground the ethereal in something ancient and raw. Shimmering synth arpeggios spiral upward while pounding low-end rhythms anchor the body. Festival-ready cosmic ceremony blending psychedelic transcendence with tribal dance circle ecstasy.

Vibe:
Cathedral energy. Mountain spirituality. Time bending. Overwhelming beauty.

Recorded in Telluride, Colorado - Fall 2025
🔥 Part of the Telluride Gold Season collection 🔥

Golden Hour

Rosemary's Lullaby - Halloween 1 (Track 9

"This is no dream... this is really happening..."

The Bramford apartment. Helpful neighbors. Tannis root tea. Something sinister lurking behind kind smiles.

"Rosemary's Lullaby" captures 60s paranoia and satanic pregnancy horror through a corrupted music box melody. What starts as innocent lullaby warps into twisted ritual—vintage tape crackle, VHS warmth, and hypnotic minor key loops create claustrophobic atmosphere. The music box melody gets chopped over trap beats while cult chanting hides buried in the mix.

Chopped Memphis vocals drift through hazy layers. Female vocals grow desperate. The bridge strips to just music box alone before it breaks, springs unwinding, heartbeat bass drum pounding. Final drop: full ritual chaos, sanity lost.Sophisticated 60s horror meets modern trap production. Track 9 of 12. 👶🕯️

Rosemary's Lullaby VHS

Halloween 1 (Cemetery Gates)

Gates open. Fog rolls. Spirits rise.

Psycho violins. Carpenter piano. 808s.

Deep vocals. Memphis phonk. Cemetery ritual.

"October 31st... the witching hour..." 🎃⚰️

Cemetery Entrance

This one's special to me. When Michael Badon first played me his original track "Neat Stuff," I heard something beneath the surface, a raw vulnerability that deserved to be pulled into the light. Working with Claude, we completely reimagined it as this emotional journey that starts in a cathedral and ends in the streets.

I wanted to blend worlds that don't usually touch. The first half channels Sam Smith's aching falsetto and Chris Stapleton's bluesy soul, all church organs, strings, and sparse piano. It's intimate, confessional, like you're overhearing a prayer. Then we flip it entirely. The second verse drops into this Kendrick-inspired conscious rap section with trap production, 808s hitting hard, rapid hi-hats, the whole West Coast hip-hop treatment.

Claude helped me craft lyrics that move from personal struggle to broader social commentary, weaving intricate wordplay with real emotion. The production mirrors that arc, starting with cathedral acoustics and building to this explosive gospel choir climax with a key change that just lifts everything skyward.

This track represents what "The Badon Experiments" is all about: taking Michael's original DNA and running it through Suno's AI with genre styles and concepts that transform it into something completely unexpected. It's soul meets hip-hop, vulnerability meets strength, human creativity meets algorithmic possibility. The outro still gives me chills every time.

Original: "Neat Stuff" by Michael Badon
Remastered/Reimagined by: OMFGitsMateo via Suno AI
Lyrics developed in collaboration with: Claude AI

Heavy Heart, Open Wounds

Same source material, completely different universe. This is the second reimagining of Michael Badon's "Neat Stuff," and it shows just how wild Suno's range can be. Where "Heavy Heart, Open Wounds" went celestial and introspective, this one plants its boots firmly in the dirt.

I wanted pure southern soul grit, the kind of track you'd hear in a smoky dive bar at 2 AM, where everyone's got a story and a half empty glass. Think Chris Stapleton meets The Black Keys, with that raw, lived in vocal delivery and guitars that grind instead of soar. 

The production is intentionally loose and organic. We're talking Hammond B3 organ swells, brushes on the drums during verses that build to a full kit on the chorus, and this walking bass line that just grooves underneath everything. The electric guitar solo in the bridge is absolutely filthy, bending notes, screaming through overdrive, the whole nine yards.

What I love about this track versus the first one is it proves the concept of "The Badon Experiments." Same original track from Michael, completely different emotional territory. One's a gospel rap fusion reaching for the heavens, this one's earthbound and unapologetic. Both came from the same creative DNA, just filtered through different genre lenses in Suno.
This is what happens when you let AI be your creative co-pilot instead of your replacement.

Original: "Neat Stuff" by Michael Badon
Remastered/Reimagined by: OMFGitsMateo via Suno AI
Lyrics developed in collaboration with: Claude AI

Big Thunder, Hard Rain

Alright, this is where we go completely off the rails with Michael Badon's "Neat Stuff." If "Heavy Heart" was gospel-soul and "Big Thunder" was southern grit, this one's pure underground Memphis phonk energy, distorted, aggressive, unapologetic.

I wanted to show Suno's range in the darker, more experimental territories. We're talking chopped-and-screwed vocals, hypnotic loops, absolutely crushed 808 basslines that rattle your subwoofer. The production aesthetic pulls from '90s Memphis hip-hop but filtered through that hazy lo-fi/vaporwave lens—heavy distortion, vinyl crackle, deliberately degraded sound quality that somehow makes it hit harder.

Claude helped me craft lyrics that lean into the braggadocious, confrontational energy of classic phonk. It's raw, it's aggressive, it's got that street racing drift phonk intensity with the cowbell hits and eerie melodies lurking underneath. The repetition is intentional, hypnotic, trance like, almost mantra-esque.

This track proves "The Badon Experiments" isn't just about pretty reimaginings. Sometimes you take the source material and run it through the muddiest, grittiest filter possible. Same DNA as the soul ballads, completely different universe. This one's for late night drives with the bass maxed out, windows down, not giving a single fuck.

Pure atmospheric chaos.

Original: "Neat Stuff" by Michael Badon
Remastered/Reimagined by: OMFGitsMateo via Suno AI
Lyrics developed in collaboration with: Claude AI
Vibe: Dark phonk / Memphis rap / Drift phonk

Big Bluff

This is where we took Michael Badon's "JACKUM.HIJACKED.2725" and pushed it into full UK drill territory with that Memphis phonk DNA still running underneath. It's a completely different energy from the other "Neat Stuff" covers, this one's aggressive, menacing, street coded.

Working with Claude, we built this around the hypnotic repetition of "deep within", it's almost mantra like, drilling into your head (pun intended) while the 808s slide and snap underneath. The production opens with that classic VHS crackle and ambient synth pads before the beat drops into tight hi-hats, glitchy cowbells, and absolutely crushed bass that rattles your chest.
The vocal treatment is pure chopped-and-screwed Memphis influence but delivered with UK drill's rapid-fire flow and ad-libs. We layered in those eerie vaporwave keys floating in the high end, keeping that retro-futuristic aesthetic while the low end stays dirty and distorted. Gun sound effects, snare rolls, the whole aggressive drill toolkit.

What I love about this reimagining is it shows Suno can handle not just genre fusion but full cultural blending, taking Badon's original experimental track and running it through Memphis phonk, UK drill, and vaporwave filters simultaneously. The lyrics Claude helped craft walk that line between street narrative and almost spiritual introspection with the "deep within" concept.
This one hits different in the headphones. Turn it up.

Original: "JACKUM.HIJACKED.2725" by Michael Badon
Remastered/Reimagined by: OMFGitsMateo via Suno AI
Lyrics developed in collaboration with: Claude AI
Vibe: UK Drill / Memphis Phonk / Dark Trap

Deep Within VHS

This one's pure aggression. We took Michael Badon's "Nice to see u" and flipped it into this relentless UK drill banger at 140 bpm, sliding 808s, syncopated percussion hitting hard, industrial textures layered with grime-inspired samples. It's menacing from the first bar.

Working with Claude, we built these lyrics around internal conflict and unfiltered honesty. The wordplay is dense—"noise versus noise, oxymoron paradox," "diamonds in the damage," "balance on bars, fate acrobatical." It's stream of consciousness but structured, chaotic but intentional. The delivery needed to match that energy, aggressive, relentless, no room to breathe.

What I love about this reimagining is how different it is from the phonk and soul covers. This is pure street energy, grime textures, UK drill drums punching through with those characteristic synth stabs. The minimal production lets the vocals cut through—every syllable hits.

The lyrics Claude helped craft explore that tension between wanting peace and needing to speak up, between staying quiet and letting the roar out. "This roar is eternal, I won't back down", that's the whole energy of the track. It's confrontational, unapologetic, raw.

This is what happens when you run Badon's original through a UK drill filter and don't hold back.

Original: "Nice to see u" by Michael Badon
Remastered/Reimagined by: OMFGitsMateo via Suno AI
Lyrics developed in collaboration with: Claude AI
Vibe: UK Drill / Grime / Dark Trap

Pulse Irregular

This is the only completely original track on the album, just pure creative expression. I was listening to a lot of Sabrina Carpenter and thinking about how pop music intersects with capitalism, consumerism, spirituality... and I wanted to make something that captured that absurd, beautiful, dystopian reality we're all living in.

Working with Claude, we built this concept around finding enlightenment in the most unlikely place: the mall. "Meditation between the Gucci and the Nike", that line sums up the whole vibe. It's satirical but also kind of sincere? Like, maybe the only transcendence available to us now IS through our screens, our purchases, our algorithms.

The lyrics explore that weird space where the sacred and profane collapse into each other, Buddha on your iPhone, Greek statues in Air Force Ones, corporate mantras as spiritual practice. It's commentary, but it's also just... honest about where we actually find meaning now.

Neon Dharma

Electrocorrido meets tribal guarachero in this spiritual transformation anthem. Traditional bajo sexto and accordion collide with massive EDM festival drops, pre-Hispanic flutes, and 808 cowbells. A ceremonial fire burning away the old self.

"El fuego limpia, no destruye" — Fire cleanses, it doesn't destroy.

Written & Produced by OMFGitsMateo
Part of the Nicaragua-inspired journey "Nica Noches Nicas"

Santo Fuego

Melodic deep house anthem for the city that never sleeps. Warm piano chords and lush synth pads build to festival-ready drops as the streets of Managua come alive at night.

"La ciudad me llama, no puedo resistir / En la noche somos libres aquí"
The city calls me, I can't resist / At night we're free here

Written & Produced by OMFGitsMateo
Part of the Nicaragua-inspired journey "Nica Noches Nicas"

#deephouse #melodichouse #managua #latinhouse

Managua Nights

Friday night seduction powered by Nicaragua's finest rum. Starting at 95 BPM reggaeton and escalating to 135 BPM house as the night — and the tension — intensifies.

"Flor de Caña en mi vaso, pégate más paso a paso"
Flor de Caña in my glass, get closer step by step

Written & Produced by OMFGitsMateo
Part of the Nicaragua-inspired journey "Nica Noches Nicas"

#reggaeton #dembow #latinhouse #flordecanaronclaroofficial #perreo


Flor De Caña Late Night

The 400-year-old Nicaraguan trickster meets crypto-age scammers. Dark theatrical trap with traditional marimba, telling the story of El Güegüense — the wise fool who's been outsmarting exploiters since colonial times.

"Cuatrocientos años de experiencia / You can't scam the trickster, esa es la diferencia"
400 years of experience / You can't scam the trickster, that's the difference

Written & Produced by OMFGitsMateo
Part of the Nicaragua-inspired journey "Nica Noches Nicas"

#latintrap #darktrap #elgueguense #nicaraguanfolklore #storytelling

El Güegüense Trap

A melancholic meditation on friends scattered across continents, fading like ghosts in the distance. Stripped-back production lets the emotional weight breathe.

"Amigos como fantasmas / Desvaneciéndose en la distancia / Hermosa resistencia"
Friends like ghosts / Fading in the distance / Beautiful resistance

Written & Produced by OMFGitsMateo
Part of the Nicaragua-inspired journey "Nica Noches Nicas"

#downtempo #melancholic #emotionaledm #spanishvocals #nostalgia

Amigos Como Fantasmas

"We'll find our way back, algún día / Through all the dust and time, we'll see clearly"

Written & Produced by OMFGitsMateo
Part of the Nicaragua-inspired journey "Nica Noches Nicas"

#melodichouse #worldmusic #journeymusic #nicaraguan #cinematicedm

Hasta Que Volvamos

From the album "Nica Noches Nicas"

Last day in paradise, but the party doesn't end. A vacation anthem packed with real memories: Kevin's legendary Nica Mules, endless papaya breakfasts, Flor de Caña con Coca sunsets, and Sean's infamous stingray incident.

"Costa Dulce, una semana no es suficiente / Costa Dulce, aquí la vida es diferente"
One week isn't enough / Life is different here

Written & Produced by OMFGitsMateo
Part of the Nicaragua-inspired journey "Nica Noches Nicas"

#tropicalhouse #vacationanthem #costadulce #beachparty #summerbanger

Costa Dulce

From the album "Nica Noches Nicas"

No lyrics needed — just the conversation between steel and sea.

Written & Produced by OMFGitsMateo
Part of the Nicaragua-inspired journey "Nica Noches Nicas"

#instrumental #deephouse #ambient #pacificocean #pedalsteel #meditation

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