live performance

Videodrome:
Welcome To Videodrome
801 A-B
Slow Burn
TV or Not TV
TV Passions
Pins And Needles
Long Live The New Flash

Naked Lunch:
Naked Lunch
Hauser And O’Brien/Bugpowder
Mugwumps
Centipede
The Black Meat
Simpatico/Misterioso
Fadela’s Coven
Interzone Suite
William Tell
Mujahaddin
Intersong
Dr. Benway
Clark Nova Dies
Ballad-Joan
Cloquets Paradise/Midnight Sun
Nothing Is True; Everything Is
Welcome To Annexia
Writeman

Crash:
Crash
CiniTerra
Mechanism Of Occupant Election
Mirror Image
Where’s The Car
Sexual Logic
Road Research Laboratory
Mansfield Bower
Chromum Bower
A Benevolent Psychopathology
Two Semi-Metallic Human Beings
Triton
Accident…Accident…
A Crushed Convertible
Prophecy Is Dirty And Ragged

Expanded Radio Research Unit→ Soundtracking of Cronenberg’s Videodrome, Naked Lunch and Crash

The Polish Radio Experimental Studio (PRES) was founded in 1957 in Warsaw by the official state broadcaster of Poland. It was launched as a space for the creation of independent compositions, sound illustrations for radio dramas, soundtracks for theatre, film and dance. 
The establishment of the Polish Radio Experimental Studio was brainchild of Włodzimierz Sokorski, head of the Radio and Television Committee. Between 1952 and 1956 he was Minister of Culture, as well as a strong advocate of socialist realism, fighting against any manifestation of modernity in music. 
Created only a few years after similar experimental-oriented radio units in Paris (1948), Cologne (1951) and Milan (1955), under the direction of the Studio's founder, Józef Patkowski, PRES became a laboratory for experimentation. 
Despite this, PRES' output has been underrepresented in the history of 20th century music.  
Photo: Eugeniusz Rudnik and Krzysztof Penderecki at the Experimental Studio of the Polish Radio, April 1972.

Wlodzimierz Kotonski - Etiuda na jedno uderzenie w talerz 
Wlodzimierz Kotonski - Mikrostruktury 
Krzysztof Penderecki - Psalmus 
Andrzej Dobrowolski - Passacalia 
Andrzej Dobrowolski - Muzyka na tasme no. 1 
Boguslaw Schaefer - Assemblage 1 
Zbigniew Wiszniewski - Trzy Postruda Elektroniczne 
Zbigniew Wiszniewski - Burleska na Tasme 
Tomasz Sikorski - Antyfony 
Andrzej Dobrowolski - Muzyka na tasme i oboj solo 
Eugeniusz Rudnik - Collage 
Boguslaw Schaefer - Synfonia na tasme 
Bogdan Mazurek - Bocetti 
Bogdan Mazurek - Esperienca 1 
Bogdan Mazurek - Esperienca 2 
F.B. Mash - Biala Noc
? - ?
Wlodzimierz Kotonski - Aela
Wlodzimierz Kotonski - Tierra Caliente
Eugeniusz Rudnik - Mobile
Eugeniusz Rudnik - Ptacy I Ludzie
Krzysztof Knittel - Robak Zdorbywca
Krzysztof Knittel - Granice Niczego

Expanded Radio Research Unit: 40 Years Of Polish Experimental Radio From Studio Warsaw

On the occasion of the reissue of her 1984 album The Divine Punishment, today Expanded Radio Research Unit dedicates the entire episode to Diamanda Galás through a selection of her outstanding works. 
Diamanda Galás is an American musician, singer-songwriter, visual artist, and soprano and activist. Her commitment to addressing social issues and her involvement in collective action has made her concentrate on themes such as AIDS, mental illness, despair, loss of dignity, political injustice, historical revisionism, and war crimes. 
Belonging to a very particular field of contemporary vocal research and performance art, she uses the voice as an instrument and enriches it by interweaving the technical with the expressive.
Galás has presented mainly her own work, but her live performances have also included works by other musicians, such as the avant-garde composers Iannis Xenakis and Vinko Globokar, jazz musician Bobby Bradford, saxophonist John Zorn, and Led Zeppelin bassist John Paul Jones, among others.

Expanded Radio Research Unit - Diamanda Diamanda Galás' Finest

Expanded Radio Research Unit 14

Budnikaitė is a Vilnius based visual artist and the co-founder of Insurgency, a label and podcast series focusing on the depths of beat-driven underground industrial and experimental expression of sound. 

She is an honest musical enthusiast, attracted to the bizzare and unorthodox sounds, and constantly inspired by the 80s DIY underground cassette movements. Her introduction to music started at early childhood with her mother being a musicologist, this affected her deep concentration and effort into understanding the complexity of sound. 

Nowadays Budnikaite is the head of curating Insurgency and an occasional DJ looking to explore the hardly visible barriers between contemporary club music, downtempo beats and leftfield.


• https://soundcloud.com/1121212211112121221221/
• https://www.instagram.com/urttttttte/
• https://www.facebook.com/urthh/
• https://soundcloud.com/insrgncy
• https://www.instagram.com/insrgncy/
• https://insrgncy.bandcamp.com/
• https://www.facebook.com/insrgncy/


Follow us:

• https://linktr.ee/commedeslarmes

Art/Designer CDL by Rennst

• https://soundcloud.com/RENNST

• https://www.instagram.com/_rennst_


#podcast
#urte
#urtebudnikaite
#budnikaite
#mix
#idm
#commedeslarmes
#cdl
#newbeat
#mutant
#mutantradio
#electronicmusic
#leftfield
#industrial
#balearichouse
#minimalsynth
#techno
#leftfield
#electro
#ebm
#ambient
#mixtape
#Insurgency
#set
#break
#Vilnius
#lituanie
#downtempo
#breakbeat
#krautrock
#acid

Comme Des Larmes invite Budnikaitė

Budnikaitė

Comme Des Larmes welcomes Luísa Leão is an artist, psychoanalyst and cultural activist based in São Paulo, Brasil, who performs under the name of Blasfemea. Since 2018 she has had the opportunity to
create multicultural experiences through the d.i.y label Darq Distro.

Her intention behind her research is to rescue and update musical memory by mixing different genres and rhythms from different periods, especially within the spectrum of punk, techno, ebm, industrial, among others.

• https://soundcloud.com/blasfemea
• https://www.instagram.com/blasfemea___/
• https://soundcloud.com/darqpunx
• https://www.instagram.com/darq___distro/
• https://darqdistro.bandcamp.com/
• https://www.facebook.com/darqpunx
• https://linktr.ee/lvisaleao
• contact: luisareisdeleao@gmail.com


Follow us:

• https://linktr.ee/commedeslarmes

Art/Designer CDL by Rennst

• https://soundcloud.com/RENNST

• https://www.instagram.com/_rennst_


#podcast
#blasfemea
#luisaleao
#darqdistro
#mix
#idm
#commedeslarmes
#cdl
#newbeat
#mutant
#mutantradio
#electronicmusic
#leftfield
#industrial
#balearichouse
#minimalsynth
#techno
#leftfield
#electro
#ebm
#ambient
#mixtape
#darqsp
#set
#break
#br
#saopaulo
#downtempo
#breakbeat
#punk
#acid

Comme Des Larmes invite Blasfêmea

Blasfêmea - DARQ

Comme Des Larmes welcomes: Sophie C. Kübler has worked extensively in the music industry over the past nine years including a five year working period in Berlin for agencies like Geist Agency and HYTE.

Moving 2017 to Mexico City she became account manager for Boiler Room Latin America, co-founder of Yu Yu nightclubs in Mexico City, and curator for NSNS Magazine. Since the beginning of 2021, Sophie has been studying Audio Engineering in Frankfurt and is particularly following the topics: new technologies in film sound, history of film sound, audio culture and 3D audio for film and media productions. 

She has worked for BOOM Library as Sound Designer and is currently part of Cinematic Media in Mexico City as Sound Editor for film and series under supervision of Martin Hernandéz. Under the synonym S(GBA) she publishes small parts of her artistic works.

Driven by the forces of music, sound and curation, S(GBA) —short for Steve (German By Accident)— believes in music as the key to perpetual wonder and soulful expansion. Her musical project is both culmination and ongoing discovery: as a cultural producer and collector of music, spoken word, literature, sound-design, field
recordings and storytelling, each of S(GBA)’s works are maps to intimate journeys where worlds meet, collide and reconcile. S(GBA) is also inspired and informed by multiple locations which include Berlin and Mexico City each of them representing a crucial figure in her own creative development.

• https://soundcloud.com/nsns_magazine
• https://www.instagram.com/germanbyaccident/
• https://www.instagram.com/nsns_magazine/
• https://nsnsmagazin.cargo.site/
• https://www.facebook.com/nsnsmagazine
• https://linktr.ee/sgba


Follow us:

• https://linktr.ee/commedeslarmes

Art/Designer CDL by Rennst

• https://soundcloud.com/RENNST

• https://www.instagram.com/_rennst_


#podcast
#sgba
#germanbyaccident
#nsnsmagazine
#nsns
#mix
#idm
#commedeslarmes
#cdl
#newbeat
#mutant
#mutantradio
#electronicmusic
#leftfield
#industrial
#balearichouse
#minimalsynth
#techno
#leftfield
#electro
#ebm
#ambient
#mixtape
#set
#break
#frankfurt
#germany
#downtempo
#breakbeat
#punk
#acid
#experimental

Comme Des Larmes invite German By Accident Pres. NSNS

NSNS | S(GBA)

A Po(i)etics of the Disembodied Voice is a work which focuses on the sonic potential of the voice as a phenomenon in its own right, separated from the body.
It is a 47 min composition made using my voice elaborated through spectral processing and granular synthesis techniques – originally composed fo PARA, Parasitic radio takeover and digital sound exhibition on Radio 80000.

Pre-Listening via Radio 80000: March 1 - 25, 2021
Radio takeover & opening weekend: March 26 - 28, 2021
Digital sound exhibition: March 29 - April 30, 2021
The project is funded by the City of Munich Department of Art and Culture & the Goethe-Institut.
Further information: https://paraparapara.org/

A Po(i)etics of the Disembodied Voice is a work which focuses on the sonic potential of the voice as a phenomenon in its own right, separated from the body. In all ancient cultures and traditions, voice and orality have always played a fundamental role in the transmission of culture, and of course in the act of communication among living species.
With the advent of the Gutenberg era, with the introduction of printing, sight took over from hearing: there was a shift from an oral culture to a visual, ocular-centric culture, in which the sense of seeing acquired greater weight and importance than the sense of hearing.
Although this, the hearing has always occupied an important place in modern society through the reinvigoration of media such as radio. In recent years, especially if we see at the past year, when it was physically impossible to move,
see and meet with each other, the voice through radio, podcasts, web platforms of various kinds, vocal messages etcetera has managed to overcome the barriers of the real world to connect people with each other. It has achieved a level of awareness that was previously missing or taken for granted.
If we jump back in history, before the invention of electronic and electroacoustic devices for recording and transmitting sounds, every sound was original and inextricably linked to the source that produced it. This separation of the original
sound from its source and its recording was first discussed by R. Murray Schaefer who conceived this condition of separation as a phenomenon called “Schizophonia”.
Following the operating mechanism of Schizophonia, a similar separation also occurs between the voice and the body: there is a partition of one from the other through the fragmentation and omnipresence of new media and technologies. The voice thus becomes an unknown, mysterious territory, a fluctuating and ethereal phenomenon.
There is a liberation of the voice from the signifying words, from metrical and grammatical structures of discourse through the destruction and fragmentation of the discourse itself, of the words themselves, preferring to the semantic aspect the sound aspect, which is full of expressive and communicative power. Indeed, properties such as voice modulation, tonality, expressiveness, quality, vocabulary, cadence, rhythm, accente, volume etcetera carry a subtext of cultural meanings that are lost with the written text, which is marginalised, as opposed to the evanescence of the voice.
All this provokes an emotional response different from the meaning of the words themselves. Hence, the audio is the text, a sound text in which words act together with sounds and silences creating a dramaturgy of voices without a body.
On the basis of this, I like to think this work can increase and extend the awareness of having a voice, physically and metaphorically speaking, and using it in the most diverse and unconventional ways to explore hidden or seemingly meaningless cultural levels.

A Po(i)etics Of The Disembodied Voice (2021)

Sonoplastiko: An Audio Visual Consultation by Nandele 

Concept:  Sonoplastiko is a sound performance, an audiovisual show of experimental electronic music, and "ambient music". However, the main focus is on sound and how it can be manipulated in a synthetic, or digital, and analog perspective, taking into account the acoustics of the space. 

The performance is compiled with field recordings of urban Maputo the capital Mozambique, plus field recordings from certain parts of Europe, airports, Ikea and others such as dialogues recorded in cassettes from Mozambican journalists and novel writers. 

Artist Bio:  Nandele is one of the most innovative beat makers,sound artists, producers and DJ coming from Mozambique. He is at the forefront of the alternative and experimental music scene with his mix of bass heavy Boom Bap instrumentals, Ambient, Techno, Ebm, dubstep, trap, psychedelic hip-hop beats and the makonde rhythms of Northern Mozambique. 

The son of the first black director of the Mozambican National Radio after the country's independence, this is where he gets his musical background listening in his early age to a vast musical catalog raging from Michael Jackson to Fela Kuti, from Kanda Bongo Man to Santana and Marvin Gaye, which he incorporates it in his beat making. 

A prolific producer and writer, Nandele has written music for contemporary dance performances, films and has a number of band projects including: Cantinho das Cores, The Mute Band (who won best new band at the Mozambican Music Awards in 2016) and Azagaia & Os Cortadores da Lenha. He has collaborated with artists such as Felix Laband (RSA), Dion Monti (CHF), Symbiz (DEU) and Boogz Brown (REU), African Ghost Valley(CAN). 

He has graced stages at some of the biggest festivals in Southern Africa: Afropunk Johannesburg, MTN Bushfire Festival in Swaziland, Azgo Festival in Mozambique. His first E.P. Argolas Deliciosas and his first full length album Likumbi was released through Mozambican independent label Kongoloti Records, he has released Eps/cassettes through label Inserttapes in Sweden (Blu Kidz), Already Dead Tapes 
and Records in Los Angeles (Plafonddeinst) and Cotch International in London (FF). Nandele is also member and founder of an audio-visual group Muave he is part of the Miss collective that recently released a multi-disciplinary performance called Degradação (Re)Generativa, he is part of international collective called Proximal Distal who had recently a residency and will release a publication and a vinyl. 

Nandele has remixed tracks for Dubokaj meets Lee Scratch Perry project and Mothers of Mars, and as producer for Tresor 30 compilation along with techno pioneers (Jeff Mills, Dj Stingray), established and upcoming artists around the world and he is part of artist roaster of Tresor Records as well. He has produced a jingle which was a collaboration with ASAAS Collective from Palestine for Radio Alhara, where he is constantly collaborating and his live performances and mixes are broadcasted. He has produced for the Original Soundtrack for the comic book informais created by Anima Studio Criativo. 

Nandele believes through his music he can do the unimaginable... communicating and taking us on his journey to try to communicate with other planets... 

Tracklist
1 -  Moon Palms(Antada Flute Edit)
2 - OP010
3 - IKEA
4 - Sou Plastiko(Meu Lugar)
3 - Incomati
6 - Estas Trocado
7 - Leaving a Dream
8 - MA118

• https://soundcloud.com/nndle
• https://www.instagram.com/nandelemaguni/
• https://nandele.bandcamp.com/music
• https://www.facebook.com/nandelemaguni


Follow us:

• https://linktr.ee/commedeslarmes

Art/Designer CDL by Rennst

• https://soundcloud.com/RENNST

• https://www.instagram.com/_rennst_


#podcast
#nandele
#orokoradio
#commedeslarmes
#cdl
#mutantradio
#electronicmusic
#leftfield
#industrial
#minimalsynth
#techno
#leftfield
#ebm
#ambient
#Mozambique
#africa
#downtempo
#breakbeat
#acid
#sounddesign 
#soundfiction 
#psy

SONOPLASTIK

Comme Des Larmes invite Nandele

NANDELE

TASCAM DR-40

at Casa Montjuic, Barcelona (3 September 2023)

Club Rooted returns with trailblazing producer/DJ Tammo Hesselink! When it comes to state-of-the-art club (and club rooted :)) electronics he's in a class of his own! thanks so much for this series resurrecting mix @tammohesselink

Pessimist & Karim Maas - A3 (Pessimist Productions)
Koko - #7 (U-Udios)
Carrier - Chlorine (The Trilogy Tapes)
Trim w/ Klaus - Seeker (1-800 Dinosaur)
Jemapur - Inf-Gravity (Omen Wapta)
Howes - 20191210 (Twin System)
QNS - QNS#3 (QNS/Hidden Hawaii)
DB1 – Late Night (Molt Imprint)
uon – surface (Not On Label)
Varuna - Bosco Verticale (Konduku Remix) (A Walking Contradiction)
Ghost Warrior - Hidden Dimension (Well Street Records)
DYL - Glasshouse 2 (Detach Recordings)
Tammo Hesselink - Choice Of Onto (Midgar)
Pianeti Sintetici - Satellite (Hypnus Records)
Vardae - Voices (Annulled)
Harald Uunk - Unseen (Omen Wapta)
Vromb - Amalgame (Ant-Zen)
B.E.F. - Rise Of The East (Virgin)

Club Rooted #7 / Tammo Hesselink

ESI + RYOGYRY + WCAN - LOW FUZZ x MUTANT RADIO [o6] [30.12.2023]

Dj SURGE + NEBBIERI - LOW FUZZ x MUTANT RADIO [o6] [30.12.2023]

ANNA [ALL NIGHT FLIGHT TAKEOVER] [27.12.2023]

NTS x PAN w/ Bill Kouligas - 19 June 2017
www.p-a-n.org
www.nts.live
@nts_live

Jacob Samuel - Self Care
TCF - 49f05cb8022d9adc0f7044590bfcacbfr7c0135b9772dccd7837f8
Nuno Canavarro - -
D.K. - Untitled 5
AYYA - Unreleased
Phillipe Halais - Angela (Square)
Sega Bodega - Bush Baby
Ryuichi Sakamoto - Dolphins
Kanda - Womb
ADR - Open Invitation
Jacob Samuel - Self Respect
Jasmine Guffond - PostHuman
Studio OST - Eventide
Karim El Ghazoly - Al Wadaa3
Oxhy - No Holding Back
Zlo - Zlo
Lokey - Ong Bak
Bonaventure Feat. Hannah Black - Fearlings
Pablito - Honey
Michael O’Shea - Voices
Yves Tumor - Pressure (Subcutis Version)
Jefre Cantu - The Sea Within The Sea
Galcher Lustwerk - Stem
SKY H1 - All I Ever
Rer Repeater - Control Dub (Edit)
Ancestral Voices - Inscriptions 1
You’re Me - Soft Opening

NTS x PAN w/ Bill Kouligas - 19 June 2017

Ahead of the 'Chamber" E.P dropping next week, Havelock has put together a super-eclectic mix of music that has influenced his  production style.

TRACKLIST
-----------------

Gossamer - Truax [Innovative Leisure]
Lotic - Banished [Janus]
Tengui - Mutation [Broken20]
Helm - I Exist In A Fog [Pan]
Gajek - Slimed [Xoul]
Lee Bannon - Towels [Ninja Tune]
Helm - Fluid Cloak [Pan]
FIS - Social [Loopy]
MESH - Thorium [Pan]
The Fear Ratio - Ferm [Skam]
Lee Gamble - You Concrete [Pan]
Massive Attack - Butterfly Caught [Virgin]
Christoph de Babalon - Are You Talking To Me? [N/A]
Two Fingers - Keman Rhythm [Paper Bag]
Lorn - All Corrupt Everything [Symphonic Distibution]
Havelock - Fiction [20/20 LDN]
TLC Fam - Umgcwabo weNdanda (Da 4th Term mix) [Gqom Oh!]
Citizen Boy - Tribute To DSB [Gqom Oh!]
Havelock - Courtney [N/A]
Lukid - Nine [Liberation Technologies]
Hex - Foreign Tongue [Liberation Technologies]
Havelock - Chamber [20/20 LDN]
Hype Williams - Galice [N/A]
 
-------------------------------------------------

HAVELOCK ‘Chamber’ EP
Release Date: 16th February 2018
Label: 20/20 LDN
Format: Digital
Cat No: 2020LDN008

Tracklist:
1. Graphics
2. Chamber
3. Chimes (with Deft)
4. Fiction
5. Graphics (Hi5Ghost Remix)

@nickhavelock
twitter.com/nickhavelock
2020ldn.com

live performance

EDB