In Sea (For C)

Recording of OOR_Scintilla's intimate live performance at Edinburgh's Settlement Projects on 20th February 2025, supporting headliners Able Noise during the tour of their debut album High Tide. Also with support by Cowboy Builder. Organised by PX4M. 

Able Noise is George Knegtel and Alex Andropoulos’ experimental baritone guitar and drum duo, based between The Hague, the Netherlands and Athens, Greece. Through the use of voice, tape and alternative methods of playing their instruments, they create a minimal and visual musical performance. https://ablenoise.bandcamp.com/album/high-tide 

OOR_Scintilla are a Scotland based experimental artist duo exploring the material poetics of sound, voice and place. Working improvisationally with numerous forms of resonance across field recording, instruments, electronics + the voice, they produce environmentally-responsive work investigating hybrid and enigmatic territories with reference to ancient folk origins.

Cowboy Builder will perform at this show as a two piece. Slow plaintive music. Warped 2020's interpretation of folk. Harmonies that take a minute to resolve. Backwards sounds. Head nodding beats but half of them are missing.

Able Noise | OOR_Scintilla live at Settlement Projects

Penghu Experimental Sound Studio
www.tumblr.com/penghusound
by Yannick Dauby 澎葉生
www.kalerne.net

Underwater Recording
Equipment = Zoom H5 / Aquarian Audio H2c with USB battery in underwater enclosure
Date/Time = 12.07.2025 14:30
GPS = 23.515714, 119.572440
Habitat = coral reef
Note = Autonomous recorder running during 24h. This extract features loud clicks by snapping shrimps, knocking sounds by damselfishes, boomy sounds probably by Pomacanthus Semicirculatus. Depth approx. 2-3 meters, high tide, about one week after a typhoon. Please use headphones or decent loudspeakers.

250712 JINGAN 井垵

Excerpts from Hitoshi Kojo's album Eclosion.
The release date: 9 October 2016

Hitoshi Kojo - Eclosion (excerpts)

Solowa płyta członka grupy KSIĘŻYC. Tradycyjna muzyka pozaświatowa z różnych regionów.

Jak się ma muzyka w jej osobistym niby straconym czasie, kiedy nikt jej nie słucha tutaj, ani nie wykonuje na żywo, a jeśli gra to już jej odbicie, z inną „osobistością”? Kiedy jej właściciel, twórca, znika wraz z nią jako organiczną częścią siebie samego na zawsze. Na ile zapoznana przez nas forma tej muzyki jest tożsama z jej wzajemnymi relacjami wewnętrznymi z autorem? Co się dzieje, jeśli ta forma, przynajmniej w sensie czytelnej dla nas całości, jest uniesiona poza uwagę i dostępna raczej w bezkształcie?

http://requiem-records.com/pl/albumy/139,0

Remek Hanaj "Nagrania terenowe snów" - Pasiklejnas

Оберт (s.nianio & >IIkutan & A.Strakhov)

Remek Hanaj "Nagrania terenowe snów", Requiem Records 2016

Remek Hanaj | Nagrania terenowe snów -  Do Ciebie / To you

Sans titre aux artifices

Trois Cercles

Les Couleurs Du Prisme

Saint-Palais

A private music label founded by Hitoshi Kojo (aka Spiracle)  in 2010 for the publication of his solo recordings and related projects, as a successor to his former label Octpia, currently based in Brussels

Hitoshi Kojo - Eclosion (excerpts)

omnimemento

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