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Wimp

Jun Miyake & Arto Lindsay - Alviverde

I used to be so fragile, but now I'm so wild.

Follow: http://goo.gl/G3MTRr

Party Girl

Nicolas Jaar - What My Last Girl Put Me Through Bluewave EDIT

Arve Henriksen  Time Lapse...

We Almost Lost Detroit Gil Scott-Heron & Brian Jackson

DARKSIDE is playing LIVE at Music Hall of Williamsburg on December 1st:
TIX here: http://www.musichallofwilliamsburg.com/event/76365/

DARKSIDE - A2

11 Doris Dub

Always high on the list - incredible Bajka. One of the most unique voices of this time. It’s the last song I did for the upcoming album "Bossa Nova Just Smells Funky". So the album is finished now and this remix finally completes a formidable bandwith of unmatched singers and stoned troubadours. Getting the chance to put this track on the new album is another fine godsend from ChinChin Records. “True” is a perfect name as it finished enriching time of work with real pleasure, real artists and real music. So true …"

Bossa Nova Just Smells Funky

TRUE ft. Bajka

Original track taken from the 2010 album The Age of Adz (Asthmatic Kitty)
http://asthmatickitty.com/sufjan-stevens

Sufjan Stevens - Futile Devices (Shigeto Remix)

Arve Henriksen - Blue Silk

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Tosca - My First

You're Goin' Miss Your Candyman - Terry Callier - LateNightTales: The Cinematic Orchestra

Here at Stavroz headquarters, we have some robots lying around. One of them is an awesome saxophone player, the other one knows how to handle the flute like a champ. So we put them together on the street. We didn't get many dimes, cents, euros or dollars, but everyone was in for a little street party! 
So here you can hear what happened that day + very soon you'll be able to buy it online, the guys at Wired Rec are so kind to share it with the world!

Buy this track

Stavroz - Robot Street Musicians

02 The Hop (feat. Bajka)

Saint-Germain-Des-Prés-Café 2

The Cinematic Orchestra - All Things To All Men (feat. Roots Manuva)

Since you've all been waiting so long for our new release we thought it would be fun to have Nathan (on saxophone) give you a wonderful story, drenched in a Stavroz sauce. Eat it while it's hot! 

Buy on Beatport

Stavroz - The Finishing

6. Jan jelinek Masayoshi Fujika_do you know Otahiti

Jeder Mensch hat das Recht auf eine Kruschelschublade
https://www.youtube.com/watch?v=mHZzYYv3PaA&list=PLyKu9Bf4yU4VuhuHqUmMN_FDytTVwuLSU&index=10

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sleeping on the rocks