Ayé qué me gusta el sonido!! qué vamos a bailar...

Bonus Track Cajón De Muerto Feat Eliades Ochoa

Eliades Ochoa of Buena Vista Social Club Covers Bob Dylan’s “All Along The Watchtower”

Eliades Ochoa - All Along The Watchtower

Cumbia Sobre el Mar - Quantic &amp; Flowering Inferno

http://www.mrbongo.com/product/latin-beats-cd-boxset-1155

Previously only available as separate albums, this boxset contains over 120 tracks from the mambo and boogaloo to the sounds of fania, Latin funk and jazz as well as contemporary remixes from the likes of Gilles Peterson, Masters at Work, Quantic and Bonde de Role.

Artists featured in this release include Tito Puente, Pete Rodriguez, Ray Barretto, Fania All-Stars, Lenni Sesar, La Lupe, Charlie Palmieri All-Stars, Henry & Orlando Fiol, Don Barreto, Havana Casino Orchestra, Lecuona Cuban Boys, Sao Benitez, Cachao Y Su Orquestra, Dave Cortez, Jose Conde, Hanny, Beny More, Jack Costanzo and many many more.

Jose Conde Y Ola Fresca - El Chacal

La Pesada - Cumbia Y Tambo (En La Lluvia)

The beautiful melodies and exotic rhythms of Cuban son are guaranteed to have you dancing the night away.  

The music of Cuba developed from a unique set of historical and social circumstances. African slaves, brought to work on the Spanish sugar plantations, soon outnumbered the European colonists. The attitude of the Spanish political and religious institutions towards African culture, while undeniably oppressive, was more open than in some other colonial societies. Catholic priests did their best to convert the Africans to Christianity, but they overlooked their worship of African deities as long as they gave them Christian names. In fact, santeria, a religion that combines Catholicism with African deities and rituals, is still a key part of Cuban spiritual life. 
Most of the songs on this collection are a style called son, (lit. "sound") one of the most popular and influential Cuban musical forms. Son developed around the turn of the century in Oriente, a region in eastern Cuba. Migrating musicians brought son west to Havana in the 1920s, where it exploded in popularity. The fundamental element of the son is a rhythmic pattern called clave (lit. "key"). Played on two wooden sticks, called claves, this repetitive beat is the foundation upon which all of the other musical elements are structured. It gives son the propulsive swing that has endeared it to people around the world. Most contemporary salsa is based on son. 


10. Los Guaracheros de Oriente - Patria Querida

Inspirado en un track de Los Pibes Chorros, se armó este tema en el medio del Remolido Tour 2011. Y ya está para comprar dentro del compilado Future Sounds of Buenos Aires editado por ZZK Records.
El Remolón + Lido Pimienta = Remolido

http://zzkrecords.com/album/Future_Sounds_Of_Buenos_Aires

http://itunes.apple.com/us/album/future-sounds-of-buenos-aires/id514789281

Atras (feat Lido Pimienta)

"Makala added extra double-bass and piano on his amazing rhumba version of Ventilaor R-80"

Buy / Comprar

Ojos De Brujo "Ventilaor R-80 (Makala Remix)"

Original mix of No te Digan muñeca (2004). Music composed by MSOGA , HUMBERTICO & ELIADES OCHOA.

MSOGA, HUMBERTICO & ELIADES OCHOA- No te digan muñeca original mix 01

Chan Chan - Buena Vista Social Club

Written by Will Holland, Mario Galeano and Nidia Gongora
Words by Nidia Gongora
Arranged by Will Holland

Lead vocals: Nidia Gongora
Backing vocals: Nidia Gongora, Tanya Makú, Sara María Quintero
Wurlitzer piano: Alfredito Linares
Guitars: Will Holland, Eblis Alvarez
Bass: Mario Galeano
Timbales: Wilson Viveros
Drums: Pedro Ojeda
Congas: Freddy Colorado
Trumpet: Jorge Gaviria
Trombone: José Miguel Vega 'el Profe'

Tiene Sabor, Tiene Sazón

El Frente Cumbiero y Quantic presentan Ondatrópica: Un clásico moderno ‹ • › Frente Cumbiero & Quantic present Ondatrópica: A modern classic.

Tiene Sabor, Tiene Sazón

Ondatrópica

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