So refreshing to hear music this dynamic,  Sounds like a sixties revival

Excellent mix tape enjoyed, all the tracks.  Happy days :)

oh honey i love you...but what could I do?

this track became one of my favourites after first hearing it many years ago. so happy to find it within this DJ set. many thanks for uploading it!

Hippy

A fantastic Pete Wiggs remix of We Both Know, taken from Au Revoir Simone's new remix album "Spectrums", out today. 

Get it here: http://smarturl.it/ARSSpectrums

Buy "Spectrums"

Au Revoir Simone - We Both Know (Pete Wiggs Remix)

always my fav Eno and Byrne track given a little treatment to invite your listen
when i heard this song way back, I remember where i was, what time it was, my life (in the bush of ghosts) changed forever, and i bought a synth........listened to the world....

Eno and Byrne - Regiment-Now downloadable-sorry didnt realise it wasnt!

This is a clean-up version of the set we performed at Ozora Festival 2025 (Ambyss stage).

Tracks:
       
A MEDITATION GUIDED BY RAM DASS
JAY HO BAGHWAN 
RENGE KYO
THE AMULET 
SOLAR PLEXUS (MANIPURA)
SACRAL (SVADHISTHANA)
GAIA 
THE DERVISH
EGY MÁSIK VILÁG FELÉ
HIRAETH
THE RITUAL
HALHATATLANSÁG
ANCIENT TONGUES
AS ABOVE SO BELOW
INSPIRACIÓN DEL AGUA

Photo by Obari Masaaki

Takkra Live set at Ozora Festival 2025 (The Ambyss stage)

i'm really feeling it now

On Dead Waves - Tape #1

1. The Third Bardo - I'm Five Years Ahead Of My Time
2. Deerhunter - Fountain Stairs
3. Spacemen 3 - I Love You
4. The Brian Jonestown Massacre - Nevertheless
5. Some noise
6. The West Coast Pop Art Experimental Band - Here's Where You Belong
7. On Dead Waves - Blackbird
8. Tamaryn - Love Fade
9. Woo - The Western

TAPE #1

Burial & Four Tet (feat. Thom Yorke) // Mirror

Presence - 01 - Eywa

Midlake - The Fairest Way

Poni Hoax - Tropical Suite

When Lali Puna released "Our Inventions" back in 2010, it was a long overdue return for the band; in fact, more than half a decade elapsed between the current LP and its predecessor. However, the Munich-based foursome now seems to want to make up for that, dropping this new EP in early 2012, at a point when "Our Inventions" is still lingering in the air. It's an afterburner of sorts, a remix addendum, an early continuation fittingly entitled "Silver Light".
Before singer Valerie Trebeljahr and her band mates officially hand over the original recordings, they set the tone with a beautifully rendered cover song: Lali Puna's take on Mort Garson's "I've Been Over The Rainbow", originally released on the LP "The Wozard Of Iz" (1968), a dark parody of the original "Wizard", sounds both forsaken and strangely welcoming as they venture deeper and deeper into the void that is to be found at the very core of this track. With this choice Lali Puna not only pay homage to the late-great moog master who died in 2008, but also present a song that works as a stunningly ruminative prelude to "Silver Light". 
It's obviously dark now, and the night is upon us: Cornelius' remix of "Hostile To Me" washes over the listener like a beautiful lullaby, it's soundscapes shimmering at sundown or night-fall, moments that do not sound hostile at all; instead, by combining multiple vocal parts Keigo Oyamada ultimately even manages to lift this track to almost ethereal heights – obviously something Lali Puna would never dare themselves. Since "Our Inventions" was heavily concerned with the downsides of progress, and posing questions about our constant need to stimulate growth, it's a logical step to present Trebeljahr's lyrics (such as "destroy this place") in this downshifted way. "Leave your signs on the wall", she sings, but these are signs that are no longer tangible; it's nothing but a last flicker in the darkness surrounding us. 
In Los Angeles it doesn't really get that dark; only in the hills, a place a certain Will Wiesenfeld aka Baths calls home. This Will not only has some amazing sideburns, but he's also the perfect guy to deliver a remix of a track like "Move On": Baths will always turn the original into something with a lot of oomph, even if it's just to get things moving in his hometown, the capital of heavy traffic and congestion. However, Baths and his whooshing, brainfeeding approach as a producer are not an unlikely choice for "Silver Light" – after all he's an artist hailing from the anticon. camp, and by now it's almost a tradition to collaborate with musicians from Munich or Weilheim. 
Finally, hailing from the same camp, there's Odd Nosdam, who just recently collaborated with Saroos: "Safe Tomorrow" done Nosdam style is another massive, broad expanse of sound; it's a new take with more internal pressure, even though ultimately, after more than six and a half minutes, he follows Trebeljahr's request to please "try to make it home by night". And it's true: Nighttime is certainly the best time of day to enjoy the silvery glow of this EP.

buy 

Lali Puna : i ve been over the rainbow (coverversion)

American Dreaming :: Dead Can Dance

Late Night Tales: Trentemøller

Lost for Words, Pt. 1

Buy/Stream: https://lnk.to/Involution

http://www.facebook.com/NeilCowleyMusic
https://www.instagram.com/neilcowleymusic

Buy/Stream

Neil Cowley - Involution

'Mantra Moderne' is a stunning, contemporary masterpiece that fuses Anatolian Psychedelia, Brazilian Tropicalia, 60’s European pop and American jazz. A must for fans of Khruangbin, Portishead, Arthur Verocai, Goat, Caetano Veloso, Tom Zé, Os Mutantes, Cortex and co.

The duo is formed of Kit Martin, who lives between London and France and plays all instruments on the album, and Merve Erdem, vocalist and multi-disciplinary artist from Istanbul, now based in London. This is their debut album.

The album explores universal themes such as love, loss, decay, language and ideology, mixing three different languages: English, Turkish and French. Written and recorded by the duo - Kit composed all the songs and Merve wrote the lyrics - in rural France during 2018, each song was completed within a 12-hour window, pawning contemplation for spontaneity.

Dubbed by Kit and Merve as ‘lo-fi-hi-fi’ in reference to the high-end tube equipment that helped it find its way to 8-track cassette tape. The style owes its sound to narrow tape width, valve distortion, spring reverb, the mixture of high end gear with lo-fi equipment as well as a disregard to the norms of hi-fi studio techniques. All instruments were analogue and no samples were used. The instruments that are used range from tablas to darbukas, balalaikas to ouds, MS20 synths to Farfisa organs and a lot of cuica. The mixing techniques were done on-the-fly, tracking immediately to tape: compression, EQ, delay and reverb; meaning mixing could not be revisited!

The deluxe edition of ‘Mantra Moderne’ features two previously unreleased tracks - ‘Kozmos' and 'Rain (باران)’. It also includes remixes of album tracks from Baris K, Halal Cool J, and Natureboy Flako (who also contributes an unreleased cover version of ‘Senden Baska’).

Tracklist:
1) Senden Başka
2) Mantra Moderne
3) Tyranny 20
4) Pangea
5) Kuytu
6) Yanımda Kal
7) Yürüdüm, Büyüdüm, Çürüdüm
8) With A Sense Of Grace
9) Durma
10) Kozmos
11) Rain (باران)
12) Durma (Baris K Dub)
13) Senden Baska (Natureboy Flako Remix)
14) Kit Sebastian vs Halal Cool J
15) Senden Baska (Natureboy Flako Cover)

Kit Sebastian - Rain (باران)

Boards of Canada - dayvan cowboy (Sidewinder re-edit)

We are onDeadWaves... we made a record. It will be released on Mute Records in Spring 2016.
Get tickets for our show at Birthdays in Dalston on June 7th: https://dice.fm/event/on-dead-waves-7th-jun-birthdays-london-tickets

TAPE #1

onDeadWaves

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