oh I missed this one, it's super! Bravi tutti!

Hey Scotty man, I think this is my favorite of your new batch. There's so much to like about this one, and the production value is phenomenal. Way to go, everyone involved!

Damn dude....this sound.....is so sick....perfect vibes and energy....wow...

The percussion choice really drives this track nicely...

Golden Moment

Musique, paroles et arrangements : Richard Gonfrier
Cover Design : Delphine Portier
Mix&Mastering : Freddie M. (Mastering True Music) https://soundcloud.com/masterigtruemusic
* Richard Gonfrier* copyright ©. 2023 - (Dépôt SNAC 09/2023)

Les premières notes de cette chanson me sont arrivées en Mai 2022, juste après avoir composé "Même si tout s'arrête". Peut-être ce qui explique une certaine ressemblance dans la façon de les avoir construites, à savoir des accords de synthés vintage qui servent de support à la mélodie et une thématique parlant d'histoire d'amour. Mais la comparaison s'arrête là car les deux titres ont vraiment chacun un caractère et une identité propres qui les distinguent l'un de l'autre sans hésitation. 
Cette chanson est restée dans les cartons près de 1 an, avant que je n'écrive les paroles en Mai dernier, et que je l'enregistre. Ensuite mon ami Freddie de MTM Production a mis sa "touch" pour re-mixer et masteriser ce titre, en lui redonnant du punch et toute la dynamique nécessaire. Freddie, encore merci pour toute l'expérience et le temps que tu accordes à mes créations. C'est à mes yeux d'une valeur inestimable.
J'espère que vous prendrez plaisir à découvrir ce titre, au moins autant de plaisir que j'ai pu avoir à l'écrire et le réaliser. Comme d'habitude, n'hésitez pas à "liker" et reposter, c'est très apprécié et si important pour Freddie et moi!

The first notes of this song came to me in May 2022, just after composing “Même si tout s'arrête”. Perhaps this explains a certain resemblance in the way they were constructed, namely vintage synth chords which serve as support for the melody and a theme speaking of a love story. But the comparison stops there because the two titles really each have their own character and identity which distinguish them from each other without hesitation.
This song was in the works for almost a year, before I wrote the lyrics last May, and recorded it. Then my friend Freddie from MTM Production put his touch to re-mix and master this title, giving it some punch and all the necessary dynamics. Freddie, thank you again for all the experience and time you give to my creations. In my eyes, it is of inestimable value.
I hope you enjoy discovering this title, at least as much pleasure as I had writing and producing it. As usual, don't hesitate to "like" and repost, it's very appreciated and so important to Freddie and me!

Spleen de toi (Paroles de Richard Gonfrier)

J’viens encore de rêver de toi 
Que tu posais tes mains sur moi
Ma nuit n’a plus d’sens 
J’me réveille comme ça 

Je me retourne mais tu n’es pas là 
Je sais pas bien ce qui ne va pas
Je n’ai pour réponse 
Que des pourquoi

Refrain :
Mais je regarde les avions partir sans toi
Je te cherche dans tous les aéroports 
Je me perds dans le souvenir de ta voix 
Don’t go

Mais quand je regarde le ciel je te revois
Je ne l’ai pas réalisé encore
J’veux revoir ton sourire, j’ai le spleen de toi
Don’t go

J’écris des mots d’amour pour toi
Je crie mes maux que tu n’entends pas
J’me demande si c’est 
pas mieux comme ça 

J’aurais voulu être ton roi
Être ton vice et toi mon versa
Mais le temps qu’j’me lance
Tu es loin déjà 

Refrain :
Mais je regarde les avions partir sans toi
Je te cherche dans tous les aéroports 
Je me perds dans le souvenir de ta voix 
Don’t go

Spleen De Toi

Take Me Bring Me Home

Destination Love.

Since “Particle Guitar” over a year ago, Steve and I have written and performed many new songs together.  And we’ve formed a new band called “Korima” which will soon release its debut EP: “Into Your World”.
 
Along the way, as Korima, we’ve created some short songs.  Not excerpts but, rather, complete pieces to be enjoyed briefly on their own - or as connectors exploring the relationships between songs.
We’d like to showcase some of them here.  This is the first one up: White Sail.  We hope you enjoy it!
 
Korima's songs are written, performed, arranged, engineered, and produced by SuZanne Ledwith (Ireland) and Steve Pumphrey (England).
https://soundcloud.com/candyside-arcade/white-sail-korima

White Sail

'tarnished ground'

Falsestart: drums, bass, production
Little Lone Waltz: lyrics, vocals
Jonathan Beckenstein: lead guitars
Scotty: rhythm guitar, lyrics, vocals

The darkness all around, 
it pulls me down into the ground
and, yet, I've found my being sound.
For the light that shines through found
some truths, confound.
A strange compound.

The fall of light rebounds
and calls on tarnished ground.
The fall of light glows round
and calls a distant sound.

tarnished ground (with Falsestart, Little Lone Waltz and Jonathan Beckenstein)

Words I never thought I would have to write.

The great eSyrup, Thom Palumbo has tragically left us.
I am heartbroken. He has been a frequent collaborator and loyal correspondent over the last ten years. When I play guitar, I think of him and whether he would like it. When I write, I imagine his reaction. And now he is gone. He achieved his lifelong ambition of returning to Maine to live over the last few weeks. I was so proud he had done it. I had hoped for more of his time, his music and his humour. An incredible man.

We never met, but we had an uncanny connection. This was done but not finished nearly six years ago, in December 2017. Life and stuff got in the way. Time was our only enemy and sadly a cruel one.

Please listen to his fantastic legacy here and appreciate his beautiful art 
https://soundcloud.com/esyrup

Released with kind permission from David - I thank you and salute you.

Hedd, perfaith hedd, cariad

Be good

Nick

All other instruments - Thom
Guitars  - Nick

Pic: https://www.terragalleria.com/index.html

In Loving Memory Of ESyrup (Thom) - ESyrup and Nicholas Ridiculous

Tenacity

Tenacity - Kokanostra

When I first heard this I instantly picked up a  blusey mid eastern flavour to it and decided to pick up on that theme. I used Pauls track "Remember" in it's entirety with no edits to do some post production work around it, picking up on that eastern vibe I was getting !! I hope you will enjoy it as much as I did making it.  
A BIG thank you to Paul for this opportunity and for all your great support!!

Track,music bed and inspiration :- Paploviante https://soundcloud.com/paploviante-and-friends/remember-paploviante-open-collaboration-offer
Additional guitars,orchestration,post production mix and arrangement :- Pablo

The Long Journey

The Long Journey // PAPLOVIANTE // CAMBERELLI

"Take aim at his heart now!" he yelled. "And shoot for the head!" shouted back his armed colleague. But with tears in the formers' eyes, he knew he had already lost the fight. The longer he wore on in the battle with his foe, the greater his uncertainty. 
This song is about a mercenary remembering an encounter with a fellow mercenary. They were both after the same target and the first, unarmed mercenary was forced to kill his armed colleague with a car.
Listening to the story of the song, one may get the sense that betrayal and regret are central themes; however, they are only one of the many threads unfurled in the song. Violence and mercy are more central, especially within the mind's eye of the protagonist re-living what had occurred on one fateful day.
A violent mind may not breed mercy, but mercy will never hold a place (or a candle, if you will) in the minds of those whose idea of violence is not honourable and just -- in a moral sense, of course. Moral compasses change direction from person to person, from time to time, and from situation to situation. They can even, sometimes, point to one's own fate -- mercifully or not.

LYRICS:
Somebody once told me
In a ripped-up rage
Had eyes like a monster, and it came
Like the wind against my head.
So Drive Like You Stole It
With nothing to say
Eyes runnin' like water, to this day
I could not relate.

Hearing slowed-down sounds
Of an engine roaring,
Wheels rollin' to a cliff's end
And shot out in escape.
So it seemed
Was a blow to my youth.

Somebody once told me
In a ripped-up rage
Had eyes like a monster, and it came
Like the wind against my head.
So Drive Like You Stole It
With nothing to say
Eyes runnin' like water, to this day
I could not relate.

Seeing moving parts
As it comes upon him,
Devoted locomotion
To bring about elimination.
What I've seen
I have created.

Somebody once told me
In a ripped-up rage
Had eyes like a monster, and it came
Like the wind against my head.
So Drive Like You Stole It
With nothing to say
Eyes runnin' like water, to this day
I could not relate.

Take aim at his heart now
And shoot for the head
A backstabber grieving his existence,
So tortured.
Hold up a candle
In a darkened cave
Canot fix what cannot be seen:
I refuse to replay.

Like You Stole It

Featuring the maestro that is Jamie Rhind! Originally written in Jan 1999 and re-recorded to mark the turn of 2024, showcasing Jamie's sublime laid back keywork.
Jamie Rhind - Piano solo
Andy McLean - Soprano saxophone, EWI, Keyboards, Bass, Drum programming, Composition

New Beginning (feat. Jamie Rhind)

Scotty. Hasty home recordings in between realities while the children are (sometimes) quiet or at their mom's.

tarnished ground (with Falsestart, Little Lone Waltz and Jonathan Beckenstein)

one man verity show

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