wow this is a big change for you Scotty -- and it's cool!! I like the Psychedelic sound and groove.

I especially love the beat and voices❣️ Nice collaboration‼️

I'm in love with those magical backing vocals!  Your singing and lyrics are on point Scotty, incredible work!  Scratch really cooked up a banger for your awesome vocals, this is one hell of a great collab guys!

This is really awesome Scotty!! You two are amazing!! 🔥

super cool sounds about the messiness of life

Collaborations

LYRICS:    AS THE DEVIL HIMSELF
Black, his soul is black 
As the blackest night
Harsh, the way he speaks to me
It hurts, the way he screamed at me
I won't ... I will go 
I won't go back ever again
The demon is black... as the devil himself
As the demon himself
Cry, all you want.
It won't do you any good
There's only one thing left to do
you know....
Someone's gotta do the... dirty work
Yeah, It's uh
You should have known
You were warned by family and by friends
You should have known better
Than to get that dark man into your bed.
He fucked with your head
And you're down... down on the ground
Going further down

As The Devil Himself

As The Devil Himself ( collab Scratch Kelly)

'this song'

Scratch Kelly: beats, synths, production 
Scotty: lyrics, vocals, guitars, foolishness

You're incapable of love, I've found.
You've been turnin' these smiles you've made into frowns.
I must've been blind because I was down.
And now I'm just another fool of yours that's hangin' around. 

I know what I want to carry on.
I know what I need to keep me strong.
I thought our stars shone but I was wrong.
And now I'm pouring everything into this song. 

It's hard for me to accept.
I don't want my heart to be full of regrets.
But this is fucked up, you must admit.
And I'm the only one that's giving a shit. 

I know what I want to carry on.
I know what I need to keep me strong.
I thought our stars shone but I was wrong.
And now I'm pouring everything into this song.

this song (with Scratch Kelly)

https://soundcloud.com/scratchkelly?ref=clipboard&p=i&c=0&si=686014E5312E49D3B2B16FBEA592A596&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

THE LEGEND OF BUCK BLAZE (By Scratch Kelly, Ft. Sanders)

Remix of the Blink Twice track Culmination of Dread 🖤

https://soundcloud.com/blink-twice-archival/sets/culminations-of-dread-remixes

Culmination Of Dread ✣ BlinkTwice ✣ Scratch Kelly Hunger Mix

Scratch Kelly / Northfield Lenox Collaboration.
Turns out we live about 15000 km apart.

https://soundcloud.com/scratchkelly
https://www.youtube.com/@ScratchKelly

Blackmail (Scratch Kelly Collaboration)

Brought to live from Vinny’s Lounge and Gambleteria. On the outskirts of Las Vegas. Song by my bandmate Ian Stephen https://www.youtube.com/watch?v=CMRSDBTAeDA

Lyrics

I WAS WATCHIN' A DVD OF ELVIS, IN 1977 IT'S ONE YOU'LL NEVER SEE
IT NEVER REALLY WAS A DVD, I MADE A COPY FROM A TAPE
THAT SOMEBODY GAVE ME, AND ELVIS IS STILL GREAT
 ALMOST 30 YEARS LATER

THE KING LOOKS ALL PUFFY AND FAT, BUT NOBODY IN THE AUDIENCE GIVES A CRAP
ELVIS LOOKS LIKE HE'S ALREADY DEAD, HIS BLUE BLACK HAIR IS RUNNIN' WITH SWEAT 
HE HANDS OUT SCARVES TO HYSTERICAL CHICKS, ALL THE WHILE LOOKS BLOATED UP AND SICK
BUT WHEN HE SINGS "HOW GREAT THOU ART", IT'S SOMETHING THAT TRANSCENDS ART

LET ELVIS FREE, ON DVD 
1977, JUST BEFORE HE WENT TO HEAVEN

YOU CAN'T REWRITE HISTORY, IT'S SO MESSED UP IT'S SOMETHING TO SEE
MAYBE ONE DAY WE'LL GET TO SEE IT, IF PRISCILLA AND LISA MARIE WILL FREE IT (SHE'S DEAD)
NOBODY CAN TAKE THAT AWAY, IT'S A REAL PERSON AND THAT'S OK 
THESE MODERN DAY ENTERTAINING FOOLS CAN'T COMPETE
ELVIS IS TOTALLY COOL

LET ELVIS FREE, ON DVD 
1977, JUST BEFORE HE WENT TO HEAVEN

Let Elvis Live

Tendre

Music, an instrument of transcendence, a universal language that elevates the soul beyond the confines of the material world. Its melodies flow like a river of light, enveloping the listener in an embrace of pure and uncontaminated emotions. Each note is a step upward, toward a dimension where sound merges with the eternal and the heart finds its true essence.

La musica, strumento di trascendenza, un linguaggio universale che eleva l'anima oltre i confini del mondo materiale. Le sue melodie fluiscono come un fiume di luce, avvolgendo chi ascolta in un abbraccio di emozioni pure e incontaminate. Ogni nota un passo verso l'alto, verso una dimensione dove il suono si fonde con l'eterno e il cuore trova la sua vera essenza.

Una Scala Verso Il Cielo

'you can('t) change' with Scratch Kelly 

Scratch: beat, synths, backing vocals, production, art
Scotty: guitars, lyrics, vocals 

I can't even blame you, girl,
after I've learned about your world.
Fucked up, but, still, that is that.
I have given all of me,
and sometimes I did believe
that we'd create a habitat. 

But then tonight happened again,
and I've lost my love, and best friend. 

It didn't need to escalate,
then you wanted to stay out 'late',
drink some more, and party hard.
Then when it was time to leave,
you spoke shit I'd rather disbelieve, 
and now I have to leave. It's hard.

Because when you're straight, you are great.
But, I keep making the same mistake
of forgiving you. Now, it's too late.
My heart is torn, but, so is fate. 

You can('t) change.

you can('t) change (with Scratch Kelly)

instruments: Jeff Gardiner and jo richter
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter

in an accent long unspoken
in an ancient dialect
curses, blessings, symbols, token
the janitor, the architect
born to care and to dissect
and dream the dream of the unwoken

like a bird within a flight of thought
falling upwards, held within
an endless tunnel copper-wrought
bats, the arching acrobats and next of kin
to passage-dwellers of the interim
who cuddle up head-down and midnight-fraught

about to take flight to the light
like a silent spell and serpent word
burning brightly in the night
like a river’s moon shedding a midnight beam
sheathing the last, unseeing and unseen
sheathing the last remaining sword

scalar field pt 6: Toltec Heath--With Sonic Structures and Silent Stretches

Chill theme for the lazy summer afternoons

Beauty In The Tiny

Please excuse me for coming up with something new so quickly.

Tomorrow marks the 22nd anniversary of the death of French actress Marie Trintignant, who was beaten to death by her boyfriend, Bertrand Cantat, on 26 July 2003.

Some people will have seen the Netflix documentary about the case and will therefore also be familiar with the media and public debate at the time. This was a broad and heated discussion, as if the categorisation of such a brutal killing was a matter of opinion.

After that, one might have gained the impression that those who prioritise conservative values and traditional social and family roles tend to view domestic violence as an interpersonal tragedy rather than an unequivocal act of violence. ‘Arguments happen in even the best families.’ – ‘Doesn't an argument that gets out of hand often come from both sides?’ – ‘Did the victim overstep the mark and provoke an overreaction instead of making a diplomatic concession?’…

22 years have passed since then. In that time, #MeToo has emerged, alongside all kinds of discussions.

A lot of noise. A lot of media. A lot of talking-is-the-new-doing. But nothing has changed, apart from the number of reported cases of domestic violence, which continues to rise to this day. Whether this is because more and more offences are being reported instead of concealed is massively irrelevant:

In Germany, one woman or girl is beaten, abused or victimised by her partner or a male family member every single minute of every 24-hour day. According to official reporting statistics, this only happens every three minutes. What is clear, however, is that someone dies from their injuries almost every day.

The murder of Marie Trintignant is repeated every day.

There are many explanations for this. Psychological, social, political, and personal, to name a few. After all, we are living in an age of digital polyglotism where everyone has an answer to everything. Somehow, what you can explain is easier to accept. So, let’s talk about acceptance.

The number of car thefts registered in Germany each year amounts to around one sixth of the reported cases of domestic violence. The number of domestic burglaries is less than half.

What would happen if the number of domestic burglaries doubled, or if the number of car thefts increased sixfold? There might also be discussions about the thieves' psychological state of emergency or their possible negligence, provocation or shared guilt. But first and foremost, everyone would agree:

'This has to stop! We must stop it by any means necessary! … Zero acceptance!"

Is a stolen car, despite insurance reimbursement, really more painful, shocking and unacceptable than a woman being dragged through her flat by her hair?

---

Lyrics, music and production by ©Hans-Michael Albers. Vocal performance by suno4.5

video: https://www.youtube.com/watch?v=Kn16cxiq-64

Google translation:

I won't let you rest
It's the only reason you're hitting me
To get revenge for all your frustration
You just have to do so

It's not even good for you
But what are you going to do with your anger?
It's all my fault
I'm pushing your patience to the limit

Your pain should be mine
I deserve to feel it
You give it my face
So it can break me instead of you

What nobody sees or hears
It destroys the perfect world
Whenever it bangs
I wanted it that way

Only because of me do you see red
And because of me, you beat me to death
Only because of me do you see red
And because of me, you beat me to death

I would have liked to live
How I felt, how I moved freely.
One last pain, one moment
Then it's over, happy end

Ich hätte gern gelebt

New song written and performed by David Cooper.

Lyrics:

High in a mountain sky
Feel yourself fly
Oh spread your wings

Run across the forest floor
Running by a sparkling stream
Just follow your dream

Chorus

Be, will you be the one
Be, will you be the one
Be, ah set us free
Baby let’s run

See, see the eagle fly
Across the sky
Over the mountains high

Fly away
Above the trees
To a place you need to be, need to be

Chorus

Solo

Chorus x 2

Baby, Let's Run

Seem to be in permanent countdown mode: global warming,Trump’s tariffs, days left before the visa runs out. So I thought I’d plan an imaginary escape in this song.   https://youtu.be/WfT0n7nuGxE


Let’s start with the countdown
Whoop, whoop I’m going home
ZEHN
There’s nothing worse than Earthlings
NEUN
They have such weird chromosomes 
ACHT
They’re cruel and they’re deluded
SIEBEN
They’re fools, they’re mean, they moan
SECHS
So I’ve pimped up Elon’s spacecraft 
FÜNF
Just hope to take me home
VIER
Tune those raptor engines
DREI
Gotta fixe those propellent leaks
ZWEI
And fingers-crossed I’m blasting off 
EINS
Should be be home in about a week.
WIR HABEN ABGEHOBEN

The Countdown

This instrumental track, performed by GOLTZ (Gunther Benedict-drums, Christoph Musil-bass, Mario Palaschke-keyboards), is the result of a late-night improvisation over a poem by German writer Christian Morgenstern (1871-1914). 
Cover: Ink drawing by Gunther Benedict

Der Wasseresel

Lumière du matin

Scotty. (almost) everywhere. Hasty home recordings in between realities while the children are (sometimes) quiet or at their mom's.

Official Soundcloud for Dark Electro Songwriter + Producer Scratch Kelly 🖤
West Coast, Tasmania 
Darkwave + Coldwave + Dark Ambient + Experimental

 ⚔️ Please note: I do not use any AI for my music creation and I do not consent to my work being used for generative AI purposes ⚔️
Wanna know if you're listening to human made music? I recommend this tool. https://www.submithub.com/ai-song-checker

Please do not use or reproduce any work without permission. Thank you.

you can('t) change (with Scratch Kelly)

one man verity show

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