Exactly how this song should have been mixed!

good! with this one,you found the right track: ''magic night. Source cream'' is the author, so it's a mashup, but well done)

This mix is just as the title of the song: "Deeper than the Night" very important, not to lose the sexiness but also captivate the sweetness of Olivia. That's the key 🗝️ Thanks!

The original Steve Anderson mix of Xanadu lasts for 10.5 minutes (including quite a bit of dialogue). The Sydney DJ David Hiscock painstakingly went through and edited out all the dialogue and then I believe they sent the new audio over to the states and re-cut the video ...to go with his new edit. I spent a while listening to both versions when I got it and was very impressed with what David had managed to do. There was just one little piano riff that he missed (at 1'28) which i have put in (wasn't sure if I could get it to fit in but it does lol). Anway, hope you all enjoy it...


Xanadu - DMC Remix (Edit by David Hiscock) (7.53)

George Michael - I Want Your Sex (Daniel Mustafovic Remix)

Released today: "Remixes United: Megamix" - the first of an annual release.  16 tracks, 4 remixers compiled onto 4 CDs.

The artwork can be printed out at https://www.mediafire.com/?gzsdfum06b16n2n

The Royal Megamix (RCB Extende

Totally Hot is Olivia Newton-John's ninth US and tenth international studio album. Released in November 1978, it became her first solo Top 10 (No. 7) album since 1975's Have You Never Been Mellow. Dressed on the album cover all in leather, Newton-John's transformation in Grease from goody-goody "Sandy 1" to spandex-clad "Sandy 2" emboldened her to do the same with her music. The album's singles "A Little More Love" (No. 3 Pop, No. 94 Country, No. 4 AC), "Deeper Than The Night" (No. 11 Pop, No. 87 Country, No. 4 AC), and the title track (No. 52 Pop) all demonstrated a more aggressive and uptempo sound for Newton-John.[3] (The "Totally Hot" single was remixed for commercial release adding an instrumental bridge that lengthened the song by over thirty seconds from the original album track. As well, "Deeper Than The Night" was remixed to 4:56 and released in Europe on a 12" disco single format.) Newton-John filmed promotional videos for all three singles and wrote two of the album's tracks, "Borrowed Time" and "Talk To Me".

Although the album de-emphasized country, it still reached No. 4 on the Billboard Country Albums chart. Newton-John released the B-side, "Dancin' 'Round And 'Round," of the "Totally Hot" single to Country radio - the first time since her 1975 single, "Let It Shine/He Ain't Heavy ... He's My Brother", that Newton-John worked both sides of a single to different radio formats. "Dancin' 'Round And 'Round" peaked at No. 29 Country [4] and is her last charted solo Country airplay single to date. (The song also charted Pop (No. 82) and AC (No. 25) after Totally Hot completed its chart run.)

The album was certified Platinum in the United States[5] and the single, "A Little More Love", was certified gold.[6] The album only reached No. 30 in the UK (where it was also released as a limited edition picture disc) but it was certified Gold[7] and the single "A Little More Love" reached No. 4 on the UK Singles Chart (itself certified Silver), and was even a surprise Number One single in Israel. The album was a Top 10 success in Australia, Canada and Japan (although none of its singles charted in Japan). The album was re-released in Japan during 2010 featuring two bonus tracks - an extended version of "Totally Hot" and "Love Is Alive" from her 1981 live album, "Love Performance."

Olivia Newton-john - Deeper Than The Night (Mirror Ball Club Mix feat. Moto Blanco)

This mix was made using:
Soul Kiss (Radio Edit)
Soul Kiss (Extended Remix Version
Soul Kiss (Dub Mix)
Jealousy (Moto Blanco Instrumental)

The album that effectively ended Olivia's popular music career and represented her final proper pop 'hit' turns a remarkable 30 this month. 
http://forums.stevehoffman.tv/threads/30th-anniversary-of-olivia-newton-johns-soul-kiss.468733/

Boasting album photography by Helmut Newton (front and rear) and Herb Ritts (inner), this was a sultrier Olivia than anyone had seen before. She has since conceded that this was part of MCA's vision for the album, pushing the image change prompted by the end of 'Grease' and the 'Physical' single to new extremes. Produced by longtime mentor John Farrar, 'Soul Kiss' took his signature warm sound and gave it a more synthesised edge. The result is an album that sounds both like and unlike Olivia, a sort of sonic experiment that most fans would admit yielded mixed results. The critics felt the same way...

People magazine wrote:

'Olivia convinced everyone with her 1981 album Physical that she was aware of sex. Recent events in her personal life would seem to have sufficiently reaffirmed that awareness. So why this exercise in supersleaze, which runs from the kink of the jacket photograph through the tune Culture Shock, which seems to be a musical tribute to ménages à trois? Overnight Observation is about a doctor trying to seduce a woman patient. You Were Great, How Was I?, an otherwise appealing duet with Beach Boy Carl Wilson backed by producer John Farrar's version of B.B. harmonies, tries to play on its title, without a smattering of wit. In the title tune, Olivia wails on about getting down on her knees and sighs passionately. So curious is this preoccupation with the details of mating that it detracts mightily from the musical aspects of the LP. Farrar and Newton-John have developed a distinctive style for her that carries over across country-pop-rock boundary lines. There's still that almost eerie combination of her cool, frail voice (now mixed with occasional snarls that are apparently supposed to be sexy) and the hypnotic riffs of his synthesizers. As the clever Physical proved, there's a dry ice kind of heat to Newton-John's music that stands on its own; there's no need for all the blatant tarting up. If Olivia's career keeps going this way, just about the only thing she will be able to do next is record an album of duets with Dr. Ruth'.

Rolling Stone called it a 'good-to-excellent album':

After a long period of corporate fine tuning, MCA released Olivia's Soul Kiss with a kinky Helmut Newton cover, a lean John Farrar production and a fun single, the album's title track. Originally (and wisely) passed on by Tina Turner, "Soul Kiss" is just right for Newton-John. She proves once again that she is the best pure pop singer working today. Check her out live sometime, mark her for range, pitch, phrasing, energy, ballsiness and, yes, commitment to the songs, and see if you don't agree.

Too bad the rest of the material doesn't match up. There are good songs, but no other bull's-eyes, and a pair of embarrassments. "Queen of the Publication" is a Livvy-as-crack-journalist fantasy that would have worked better as the storyboard to a feminine-deodorant commercial. In "Culture Shock" Newton-John asks her hurt beau if her other beau can move in with them. It's a male pipe dream in which nothing but the pronouns have been changed.

Olivia... may be cut wrong for this week's pop meat rack, and maybe for next week's too. If that's so, the fault lies with wardrobe and one or two ill-chosen songs'.


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LOS CLASICOS -  LOS  HIMNOS DE ETERNA - TRIBUTO A  MADONNA , COMO TODAS LAS  FIESTAS   QUE RELIZAMOS ,    EL TRIBUTO A  MADONNA   LA REYNA DEL POP...  EN ETERNA  5.0   .  5 AÑOS    JUNTO  A VOS ...

Olivia Newton-john - Deeper Than The Night (Mirror Ball Club Mix feat. Moto Blanco)

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