Conceived as an ecotonal space where the multiple sonic reinterpretations of the composition can converge, we are pleased to present the first compilation of EKŌ, a platform inspired by the essence of the spatial and acoustic propagation of rhythmic and experimental phenomena. Which seeks to share through this selection different ideas and creative sensibilities around experimental dancefloor. Where it is sought that, through the value of sharing in equitable and diverse ways, it is motivated to generate changing, thinking and sensitive spaces from, to and with what happens in the world and on the dance floor.

EKŌ baste together and puts in dialogue the personal universes of each creator in this compilation, also as a presentation of what EKŌ is and intends to generate, allowing us to access those meeting points that occur beyond the physical.

Enjoy, dance, share love and music.

Lyo XS & KOI - Crisantemo

Mirror Chamber is, alike other tracks on the 'Thoughts on Manifolds', an audible statement of an otherworldly architecture - a mind's outlook into one of many futures shaped by Blank Wall Season. On this track the Turkish composer & sound editor Kaan Işık teams up with forces (Infinite Machine, Failed Units), sharpening the edges to the glass shards of the chamber. 

Label statement: "Thoughts on Manifolds (GEN050) by Blank Wall Season is a feather light, mixed-material showroom of synthetic objects, constantly rolling, constricting, zooming, bubbling, evoking some vast space. Impossibly thin, transparent foil, crisp, ice cold fluids, metal on rubber impacts etching elaborate diagrams and schemes into ambiguous, lush techno-reminiscent chords. The sound arrangement here is akin to a granular breeze, like an alien meteorology, a particle simulation turning into a textural primordial soup. Constantly in acceleration or deceleration, the listener knows every vast saturated pad is seconds away from the rush of a blast-off, almost intolerable G-forces, images flashing in front of one's eyes, bullet-like hard pans. These operations are like a valve being turned, the sudden pressure release causing a stream of some noble gas being set free, or opening a shutter suddenly providing a flicker of light highlighting the contours of some cavernous lost zone.

Out on August 28, 2022 on tape & digital on Genot Centre. Recorded, produced and mixed by Kaan Işık. Mastered by Wim Dahaen. Designed by Bora Başkan. Limited edition of 55 C29 tapes with on-body printing pro-dubbed by Headless Duplicated Tapes. Artist photos by Cem Güven."

Pre-order: https://genot.bandcamp.com/album/thoughts-on-manifolds

https://soundcloud.com/genotcentre
https://soundcloud.com/blankws
https://soundcloud.com/forces-music

Thoughts on Manifolds

Premiere: Blank Wall Season - Mirror Chamber (with forces)[Genot Centre]

4. Felinto - Prisma (Ausschuss Bootleg)

Timeslave (II)’ sees Kush Arora’s Only Now project return with renewed intensity, in the sequel to the formative Infinite Machine release ‘Timeslave (I)’.

After the groundbreaking hybridity of the debut volume in the ‘Indian Unclassical’ series, the emphatic riddim-focused explorations of dancehall, bashment, and drill found on the Club Yeke EP ‘Vision’ – released under Arora’s own name – and select live dates alongside the likes of Andy Stott, Debit & Nyege Nyege-affiliated metal pioneers Duma, ‘Timeslave (II)’ finds Arora invigorated by aesthetic variation and constructive collaboration.

Enlisting renowned, specialist percussionists including Iggor Cavalera (co-founding member of Sepultura), Dave Sharma (Sub Swara) & Ravish Momin aka Sunken Cages, Arora adds symbiotic fuel to the fire, infusing the resonant, largescale sound world of the Only Now project with raw, frenetic insurgencies of virtuosic instrumentation.

Set within devastating productions that venture into graphic drone, hyperkinetic drum sequences, dub ruination (‘I Am Remembering’), writhing, cataclysmic noise (‘Shiv – Vengeance 2’, ‘EVP Inversion’), and even, degraded, introspective doom metal interludes (‘Endless Defeat’), the restless rhythms of Arora’s...  more
credits
released November 11, 2022

Artwork by Karmazid
Mastered by Micheal Buchanan
all mixing and composition by Kush Arora, and respective guests for drums on each track
Special thanks to Orogen, Tim Wilson, and all who participated in this.
license

Only Now x Dave Sharma - I Am Remembering

Only Now - Eternal Torch (feat. Iggor Cavalera)

Artist: V/A
Album: 5
Format: Digital / Tape
Cat.No: CHI042
Master: Justin Randel
Artwork: Saphy Vong
Release Date: 23rd November 2022

Celebrating five years of the experimental music label Chinabot, longtime collaborators and new acts join together for 5, Chinabot’s latest compilation release on cassette and digital.
The 12-track compilation features music from key artists who have defined Chinabot as a label, such as Jaeho Hwang, Sabiwa, Sarah Haras, Ayankoko, JPN Kasai and Pal Hwang Dan. The mix also looks to the future of the label with new artists Nanzhen Yang, Papaphilia, Chooc Ly and more.

Leaning into the label’s experimental tendencies, 5 journeys through fractured club tunes from Papaphilia, the experimental electronic project of queer Sri Lankan-Australian sound and visual artist Fjorn Bastos, hardcore rave from Jaeho Hwang, percussive broken beats and percussive broken beats and cinematic soundscapes from QwentyZ, and Beijing field recordings (described by the artist as “blurred memories”) from Nanzhen Yang.
It continues the hyper-eclectic vision which has become synonymous with the label, which seeks to take risks and promote the work of exciting emerging producers. The record features Ondo footwork from JPN Kasai, whorecently changed his artist name from Jap Kasai following the racist discrimination against a friend in Europe (“‘Jap’ is a derogatory term for Japanese people,” he says. “I used to dare to use it, but I have changed my mind. I don’t want to encourage discrimination against Japanese people.”) Like the compilation, his track, 早苗 唄 hayanae uta, is about the emergence of the new in this case, growth of rice shoots and the “happiness of harvest.”

Growth and experimentation remain key in the track from new Chinabot artist Papaphilia, who is due to release a full album next year. Inspired in part by the voracious learning of her newborn, ‘no path is forged over the abyss without meeting at the altar’ expresses the “leaps into the unknown that forging radical new meaning requires.”

The new compilation, with artwork by Saphy Vong, pays tribute to London’s experimental music scene, showcasing producers Chooc Ly, Yewen Jin and Nanzhen Yang who have performed at Chinabot’s events in the city over the years.

Album credits:

Track 3:

Name: no path is forged over the abyss without meeting at the altar
Written by: Papaphilia
Production: Kuya Neil

Track 4:

Name: Exaltation Onirique
Written by: Chooc Ly
Production: Alia Pathan

Exaltation Onirique

Chooc Ly - Exaltation Onirique

4th remix out for @matteocoffetti's embryo furafura album

This one is by @dilian ~ n<3 <3n

buy it here: https://pampsychia.bandcamp.com/track/matteo-coffetti-safahriano-dilian-remix-2
:)

original track: https://pampsychia.bandcamp.com/track/safahriano

Safahriano (Dilian Remix)

Taken from SBKT054: Gorgonn - Six Paths
Release date: 31st January

Artwork and layout by Akihide Monna
Mastered by Raphael Valensi

In Japanese Buddhism, it's believed that when someone dies they are ushered down one of six paths depending on the karma accumulated during their previous lives. A being might end up in the world of humans, animals, demigods, or celestials, but it's also possible to end up reborn as a pitiable hungry ghost, doomed to an existence of insatiable desire, or even worse - be sent to hell, or jigoku. Ruled over by the Japanese lord of death Emma-ō, this hell isn't quite like the Christian hell, it's closer to purgatory, and cleansing the karma can take hundreds of millions of years of excruciating torture in extreme cold or immense fire. Japanese bass alchemist Gorgonn takes these themes as the basis of his debut album "Six Paths", assembling a spiritually weighty set of futurist dubs that consider the possibility that our mortal domain might be closer to hell than we realize.

Gorgonn describes himself as a Japalien exile. He left the country of his birth almost two decades ago, and since then has been working tirelessly to formulate Jamaican dub, noise, techno, and no-wave into a sound he calls "sci-fi steppas". If you've not come across his name before, there's a good chance you've heard his reverberations. An established sound tech who's worked with The Bug, Hype Williams, Seefeel and others, he's part of G36 with Kevin Martin, Dokkebi Q with Kiki Hitomi, and a former member of Devilman with DJ Scotch Egg and Bo Ningen's Taigen Kawabe. Just last year he released the acclaimed "Disentegration Dubs" full-length alongside JK Flesh, the veteran producer who's best known for masterminding Godflesh. All this experience blesses Gorgonn's productions with remarkable sonic force, and "Six Paths" is his most crushing display yet, smelting cannonball bass and osmium beats into sharp-edged soundsystem weapons.

Look no further than opener 'Abyss' for evidence of this: psychedelic synths draw the mind away from the mortal realm, while tangled, distorted beats push us back down to earth, our faces crushed into the grit and gravel. Using tweaked sub bass and unsettling drones, Gorgonn lays out a cinematic backdrop for the album, drawing us into a world that's terrifying, viscous, and nauseatingly familiar. There's a militaristic roll to 'Without Beginning and End', a track that juxtaposes spacey halfstep thrusts with death metal distortion, footwork polyrhythms, and unearthly pads that addresses the crushing endlessness of jigoku. On 'Invisible' meanwhile, Gorgonn torches the skeletal remains of D&B, abstracting familiar rhythmic patterns into fuzzy, ritualistic cycles that sound both ancient and humming with prospective technology. But on the closing track 'Life as a Beast', it sounds as if Gorgonn has come to a conclusion, and in a flurry of acid squelches and doomy foghorn bass blasts, he seems to have accepted that being reincarnated as an animal might be the best anyone can hope for. Who knows, you might end up as a cat.

Six Paths

Gorgonn - Abyss

Some nice dance tracks at a low tempo :)

https://lighghtmusic.bandcamp.com/album/mirror-witness-ep

Ray Gun Fumes

Nameless ID (FREE  DL)

FREE DOWNLOAD
https://fanlink.to/compilsans2

Various – Pr. Raoult Secret Weapons
Release Date : April 2020 (Digital)
Label : Comic Sans Records
Cat n° : COMPILSANS2

Design by Virgile Flores
Ilustration by Acacio Ortas
Mastered by Thomas W. Jager
A&R by GBoi & Jean Mi

Only Now - Eternal Torch (feat. Iggor Cavalera)

OnlyNow

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