It feels like the end but could go on forever in unexpected turns

Did those guys shift out of the Teletubbies?

A pretty enjoyable mix of weirdness in this song :)

This track is composed with RipplerX a free modelling synth by Tilr for KVR OSC199, all sounds ar made from scratch
Instruments:
33x  VST3i: RipplerX (Tilr)

Effects:
JS: Delay (Floaty)
JS: Limiter 3 (Tukan)
VST3: MCCGenerator (MeldaProduction)
VST3: MCompressor (MeldaProduction)
VST3: MConvolutionEZ (MeldaProduction)
VST3: MEqualizer (MeldaProduction)
VST3: MTuner (MeldaProduction)
VST3: Raum (Native Instruments)
VST3: AtomicReverbFree (MolecularBytes)
VST3: SkyNet (Shift Line)
VST3: TAL Reverb 4 Plugin (TAL-Togu Audio Line)
VST3: kHs Transient Shaper (Kilohearts)
Master: 
JS: RCInflator 2 (Oxford Edition)
VST3: BLENDEQ (AnalogObsession)
VST3: POORTEC (AnalogObsession)


Tropical Surprise OSC199

One Synth Challenge #200: Zebralette3 (beta) by U-HE

https://sites.google.com/site/kvrosc/2025/osc-200-zebralette-3-beta
https://www.kvraudio.com/forum/viewtopic.php?t=619793

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@The Sound Of Merlin
@Viroo
@SilverPants

Thanks for the likes for the last month's track. :)

For the last month I was a bit late and did not had enough time to finish my track.
Here comes my finished track, while the muse is still on vacation - I hope you guys like.

“OSCiLLiUM” opens with a descending bass line — a slow dive into vibration and inner space,
as a preparion of a journey down the inner sound.
At 88 BPM it moves with punch: tight kicks, crisp snares, and a sub that smoothly breathes.
The track unfolds like a wave — calm, clear, beat-driven, with pulsing depth and a hint of melancholy.

To be honest I used some factory presets as starting points, as they are sooo good! (Well done U-HE)

In the middle of the track, I gave an unedited preset called “Beat Machine 2” a solo appearance because I think it fits so well that I left it unchanged. I know this is rather unusual for OSC, but I just couldn't help myself – I fell in love...

nJoY.

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SiL3NC3_SWX - OSCiLLiUM
https://soundcloud.com/soulwerx/sil3nc3_swx-oscillium-osc200

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DAW: Bitwig 6 Beta 4
23 instances of Zebralette3

FX:
- Bitwig: Arpeggiator, Dynamics, Convolution, EQ+, Delay-2, Compressor+, Reverb, Distortion, KeyFilter+, Saturator
- Valhalla Supermassive
- Wider

Mastering:
- Free Clip 2
- LoudMax
- TDR Kotelnikov
- Peak Limiter (Bitwig)

Analysis:
- MAnalyzer
- YouLean Loudness Meter2


Keep on Looping... ;)

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~ Copyright : SiL3NC3 - 2025 : All Rights Reserved.

SiL3NC3_SWX - OSCiLLiUM [OSC200]

Don't wake me up! "Dreams" is where the magic happens. A place with no space, no time, no dimensions. Only fantasy, freedom...and peace!
 
part1: (00:00) - entering the magic
part2: (03:08) - the chaos
part3: (05:22) - freedom to fly
part4: (06:09) - awakening

made with U-He Zebralette3 for KVR "One Synth Challenge #200

Dreams

Here's my entry for the OSC #200 challenge. A few people in our OSC Discord responded enthusiastically when I said I was planning to make a contemporary hippie piece. A promise is a promise. Dr Bob immediately sent me live recordings of his band from the good old days. But with my background, with Zebralette and the OSC rules, I can't quite match that. But don't worry, I've tried to capture the spirit of the Flower Power generation which was great fun.

DAW: Reaper 7.48
U-he Zebralette 3: 30 instances
EQ: Graphic EQ by Viator
Reverb: Body & Soul Intro by The Sound of Merlin
Delay: TARON Stereo Delay by Taron
Compressor: Frank CS by Analog Obsession
Mastering: TDR Nova, Airwindows Pear EQ and Limiter No6

The Power of Love - (OSC#200-Zebralette3)

This track is created with U-He Zebralette3. Presets used from, init, TSOM, and some great factory presets

Tracks:
38x  CLAPi: Zebralette3 (u-he)

JS: TARON Stereo Delay (v1.0.0)
VST3: Convology XT (Impulse Record)
VST3: MCompressor (MeldaProduction)
VST3: MEqualizer (MeldaProduction)
VST3: MidBoss (AnalogObsession)
VST3: SkyNet (Shift Line)
VST3: TAL Reverb 4 Plugin (TAL-Togu Audio Line)

Master:
JS: RCInflator 2 (Oxford Edition)
POORTEC (AnalogObsession)
MAnalyzer (MeldaProduction)

Relections OSC200

Entry for the KVR One Synth Challenge #200
All sounds were created with u-he Zebralette 3 Beta

Submitted for your approval, something spooky and fun, in the form of a haunted dark ride soundtrack.
(Use headphones for binaural effects)

DAW - Reaper

50x Zebralette 3 Beta (u-he) (CLAPi)

19x ReaEQ (Cockos)
10x DearVR Pro 2 (Dear Reality)
3x ReaComp (Cockos)
2x Raum (Native Instruments)
1x Valhalla Supermassive (Valhalla DSP, LLC)
1x Ultra Simple Eq (TAL - Togu Audio Line)
1x TDR Kotelnikov (Tokyo Dawn Labs)
1x bx_masterdesk Classic (Plugin Alliance)

Dark Ride [OSC #200 Zebralette 3 Beta]

45 x Zebralette 3 (rev. 17567)
DAW: Logic X
Host plugins: ChannelEQ, LinearEQ, Compressor, AdLimiter, DirectionMixer, SampleDelay, TapeDelay, StereoDelay, Echo, Chroma, SpaceDesigner
3rd party plugins: TalFilter, Raum

Circus Zebralette

Entry to KVR's One Synth Challenge #200

Using u-he's Zebralette 3 Beta

22 instances of Zebralette, no other instruments.

Ulaanbaatar

Entry for OSC-200

My concept this month was to use both of my keyboards (I now have 2!) - to their respective strengths.
I used the fully weighted piano controller (Roland FP-10) for very velocity sensitive sounds - like percussion. And I also did fast wild lead breaks with lots of pitch/mod bend (lighter keys and pitch bend on Roland A-70).

DAW: Reaper
21 Instances of Zebralette3

Dead Duck: Filter, Limiter, Delay, TiltEQ
JS Saturation
ReaEQ, ReaXComp
OrilRiver Reverb
SPAN, YouLean Loudness Meter

Button Moon Rave

Composed for KVR One Synth Challenge 200 using only sounds from Zebralette 3 by u-he.

DAW: Reaper 7.49

21x Zebralette 3 (u-he)

8x ReaEQ (Cockos)
5x GrapHack (AnalogObsession)
2x ReaComp (Cockos)
2x TAL-Filter-2 (TAL-Togu Audio Line)
2x TDR Kotelnikov (Tokyo Dawn Labs)
1x HZ Multiplier (HigherHz)
1x TheMasker (Cinemystics)
1x epicVerb (Variety Of Sound)
1x Ambient Reverb 7 (Stone Voices)
1x BootEQmkIV (Variety Of Sound)
1x SPAN (Voxengo)
1x MLoudnessAnalyzer (MeldaProduction)
1x Unlimited (Sonic Anomaly)


Cover by Frances Yeung
https://unsplash.com/de/@yikkiyeung

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