by @djsickfvck

Tracklist:
Posthuman - Homecoming 
XXX - Revelation (Meditative) 
Blood Ov The Strong - I
Carrion Sunflower - Long Black Hair
Aversabilis - Foetida Hortus Adtenuaris
Phillipp Matalla - Sloppy Sobbing 
Aversabilis - Gaudeamus Igitur
Forever Grey - People Ask My Age
AAAA - Extended Fantasy

DJ Sickfuck - Seattle

Artist: https://soundcloud.com/jasonburns
Track: Acid 19
Label: https://soundcloud.com/user-198011853
Format: Digital EP
Release date: 18/03/22
YouTube: https://youtu.be/-XudfsaUjDE

Jason Burns breaks the seal for Planet 9 with a 4-track, break heavy EP featuring a remix of the title track by Lauren Flax.

Night Terror 

PREMIERE | Jason Burns - Acid 19 [Planet 9] 2022

Stroke

Funboys is the musical partnership of Audun and a.d.a.m. baby, ably assisted by Poodfy. The three have their roots in club scenes spanning more than three decades, stretching from Oslo and Antwerp, ending up on Australia’s Gold Coast.

The Apparatuses EP is a collection oddball jams blending hardware and organic instrumentation. The result is refreshingly left-of-centre, showcasing the trio’s bent take on somewhat danceable music.

Apparatuses

Was inspired by the spirit of experimentation and old-fashioned laboratory equipment as seen on Australian television last century, courtesy of the late great Professor Julius Sumner Miller. His immortal question, burned into the brains of his young viewers, was always "Why Is It So?"
The practical execution involved an Adrenaline (a recent product from the inventor of the modern-day drum machine, Roger Linn), playing tug-o-war with a Devilfish, a mutant of that essential dancefloor engine, the Roland TB-303.

Take Me To The Cleaners

is based on the rather frankly disturbing 1965 Japanese art-house film "Black Snow", now almost impossible to find, but for which its director was actually arrested and tried. He was acquitted and went on to become known as the "Father Of Pink" films. In a satanic twist, under the demented synthetic orchestration and dub basslines, dialogue samples from the actual film have been spun in backwards.

Step Down

In 1976 when Bowie was making inquiries as just how enthusiastic Tony Visconti might be in regards to helping make his next record, "Low", he received the response "I've got just the thing we need! There's this new machine I've been testing that fucks with the fabric of time!!"
The machine Visconti was referring to was the Eventide Harmonizer, and it stamped a unique sonic character on that album that artists are still in awe of today.
Here it can be heard twisting the journey of a group of young spelunkers that are literally 'stepping down to the underground' for the very first time. The backdrop to this subterranean adventure is an evolving loop of raw acid from an ancient mini Korg 700, Korg's very first synthesizer from 1973.

Crackin' Bones

As its skeleton, a rhythm derived from the Bossa Nova crossed and braced with the Bolero. Over these bones are the flesh of gated noise bursts, ecstatic xylophones, Hollywood sound effects and "more cowbell"…

BUY on BANDCAMP

PREMIERE : Funboys - Take Me To The Cleaners

I HEAR (BORUSIADE REMIX)
Taken from @motherofmars's EP 'We Hear'
Out Now on Ransom Note Records - https://ransom-note-records.lnk.to/WeHear

Earlier last year Vito Roccoforte and Gabriel Andruzzi aka members of the era-defining NY post-punkers The Rapture emerged from their DFA/major label hangovers into a world of sonic wanderlust with their debut long-player ‘I Hear’ under their Mother Of Mars guise.

Emulating all that was good and great about the rhythm section of their previous incarnation but exploring corners all-new, on 'I Hear' they enlisted a third bandmate; Jaiko Suzuki, on vocals. The album ventured down different tributaries, journeying into psych, kosmische, avant-garde, fourth world and new age dreamscapes.
The resulting album provided technicolour bleeps, drones, ethereal singing and a plethora of percussion interweave, like a fractal mosaic in harmonious sensorium.

Now on 'We Hear' the band mobilises rising producers, friends new and old, to remix the best tracks from the LP. First up Russia’s @natasha_bai takes 'Through The' out into the morning light as the sun breaks over the horizon. Natasha’s touch is marked by her ambient-pop influences, transporting the listener through otherworldly universes.

Next up is the amazing Mozambican producer and DJ Nandele (@nndle) with his new project Cntrl Alt Del (a collaboration between Nandele, Marco Dray and Roberto Chitsonso Jr.), going into full band wig-out mode on their take on 'Durga & Demon'. The project sees the three musicians and composers merge local traditional
Mozambican music - in particular, traditional music from Cabo Delgado - with techno and other electronic music genres. Nandele is a well-established figure in the Maputo music scene, being one of the most
innovative DJs and producers to come out of the southeast coast of Africa.

Then @borusiade’s interpretation of 'I Hear' - the LP's title track - disappears down electronic avenues of psychedelic wonderment, marked by their trademark sound, often dark and melodic, filled with piercing bass lines and immersive sonic vibrations.

Finally, Brooklyn-based Abby Echiverri (@echiverri) takes the tempo down a notch, evolving 'Matteruno's haunting vocals atop stuttered beats. A Drexciyan atmosphere seems to halt time for a short interim, releasing ethereal vocals, intertwined with distorted keys of analogue masterpiece.




FOLLOW MOTHER OF MARS
https://www.facebook.com/MotherofMarsMusic/
https://www.instagram.com/motherofmarsmusic/
https://soundcloud.com/motherofmars 
https://twitter.com/mother_of_mars 
https://www.youtube.com/channel/UCc3Y_9ossZpiDi5y3zExXew/

FOLLOW NATASHA BAI
https://www.instagram.com/natasha_bai/ 
https://www.facebook.com/supabai 
https://soundcloud.com/natasha_bai

FOLLOW ABBY ECHIVERRI
https://www.instagram.com/abbyechiverri/ 
https://www.facebook.com/echiverri.abby/
https://soundcloud.com/echiverri

FOLLOW BORUSIADE
https://www.instagram.com/boruborusiade/ 
https://www.facebook.com/borusiade 
https://soundcloud.com/borusiade 
https://twitter.com/bborusiade

FOLLOW CNTRL ALT DEL
https://www.facebook.com/ctrlaltdelofficial

FOLLOW RANSOM NOTE
https://www.instagram.com/thisisransomnote/
https://www.facebook.com/ransomnoterecords/
https://www.facebook.com/theransomnote
https://twitter.com/ransomnoted
https://soundcloud.com/ransom-note-records
https://soundcloud.com/the-ransom-note
https://www.youtube.com/c/RansomNote


All tracks composed and produced by Gabriel Andruzzi and Vito Roccoforte.
Mixed by Dmitrii Garmanov and Natalia Baimesheva.
Track 1, remixed by Natalia Baimesheva;
Track 2, remixed by Nandele Maguni & Marco Dray - Cntrl Alt Del for Awesomakossa Music;
Track 3, remixed by Miruna Boruzescu;
Track 4, remixed by Abigail Echiverri.
Mastered by Leaf Troup.

I Hear (Remixes)

Mother of Mars - I Hear (Borusiade Remix) [Ransom Note Records]

GG1FOX

He didn't consider himself a problem solver, solutions weren't his forte, rather he found himself growing more and more confused or flustered the longer the problem remained unanswered. Thus he'd made sure he was surrounded by others that could work these conundrums out on his behalf, however big or small. From life-changing decisions to trivial everyday occurrences, he let others guide his way, no questions asked.

It's always interesting when two seemingly disparate minds come together for a release. For the first time Capracara, the mind behind music for DFA, Cómeme & Unknown To The Unknown, joins forces with SMBD  (aka Simbad), who has releases under his belt for Hyperdub, Apron and his own Modern Dialect imprint, for a three-track EP that matches their contrasting styles. Raw and rhythmic, Club Ozone kicks off with two rhythmic machine rollers that blend elements of house, industrial and dub, whilst on the flip 'The Ozone' lightens up the vibe with a twinkling dream house number.

Club Ozone

PREMIERE: SMBD x Capracara - Roubaix Cube

https://soundcloud.com/mecanicaclasica
https://soundcloud.com/abstrakce
🛒 https://abstrakce.bandcamp.com/album/danza-sin-nexo
🔊 https://youtu.be/JAuTf_I1AVg

A new mutation on Mecánica Clásica's sound, preserving the essence of previous works: ambient inspired by electronic pioneers such as Craig Leon, K. Leimer, Marc Barreca, Jon Hassell or Cluster. Continuing with their contemporary update of these sounds, this new delivery evolves to more rhythmic tracks, oriental influences and percussive sequences that bring it closer to leftfield vibes, with a wide range of textures and details that appear and disappear. The title of the album "Danza Sin Nexo" refers to this: a rhythm that forms and deforms without an apparent link, but ends up forming a coherent whole.

Tracklist: 

A1 Mantra De Felpa 
A2 Una Dimensión Nítida 
A3 Danza Sin Nexo 
A4 Diseñado Con Un Fin
B1 El Mundo Se Vacía De Cosas 
B2 Reliquias del Futuro 
B3 En Otra Ocasión
B4 Nova

PREMIERE: Mecánica Clásica - Danza Sin Nexo [Abstrakce Records]

•not possible in michigan•
genre-fluid textured dj set: sound poetry, church chants, breaks

recorded in barcelona, catalunya, spring 2023

PIZZERIA LA BON MATIN

I. Opening Invocation (3× cycles, soft but firm)

Call (immersion)
REAL–I–TY DOESN’T EX–IST IN LIEU OF US — — /

Echo (relation)
REAL–I–TY EX–ISTS IN CON–JUNC–TION WITH US — — /

Mirror (seal)
EVERY–THING EX–ISTS (.) WI–THIN A RE–LA–TION OF IT–SELF — — //

(repeat 3×, each time louder as if unveiling a truth)

⸻

II. Mantra Layers

Layer 1 — Relationship of All Things
E–VERY AC–TION / FROM SAY–ING HEL–LO — — /
TO PICK–ING UP PA–PER / TO LIS–TEN–ING TO RE–AL–I–TY — — /
SIGNS ARE A–ROUND US / WE ARE IM–MERSED — — //

Layer 2 — Contrast & Reference
EVERY–THING THAT IS = CON–TRAST — — /
DIFF–ER–ENCE = NEED TO KNOW THE O–THER SIDE — — /
O–THER SIDE NEEDS RE–FER–ENCE — — /
WI–THOUT RE–FER–ENCE DIFF–ER–ENCE DOESN’T KNOW — — /
WI–THOUT DIFF–ER–ENCE RE–FER–ENCE DOESN’T EX–IST — — //

Layer 3 — Duality & Presence
DU–AL–I–TY CAN–NOT CALL US WI–THOUT MAT–TER — — /
EN–ER–GY DOESN’T MAT–TER WI–THOUT BE–ING PRE–SENT — — /
PRE–SENT DOESN’T COUNT WI–THOUT COUNT–ING OUR TIME — — //

Layer 4 — Time as Gift
OUR TIME CAN A–MOUNT FOR MORE MO–MENTS BY BE–ING PRE–SENTS — — /
UN–A–BLE TIME IS UN–DER–STOOD DE–SIGN — — //

⸻

III. Ignition Refrain (seal the axiom)

EVERY–THING = RE–LA–TION — — /
RE–LA–TION = CON–TRAST — — /
CON–TRAST = CRE–A–TION — — /
CRE–A–TION = PRES–ENCE — — //

WE COUNT TIME — — / TIME COUNTS US — — /
WE ARE PRES–ENTS (.) / PRE–SENTS = MO–MENTS — — — — //

Relational Axiom — Everything Is Related

🎵 "DON’T HYDE" – TA BEAUTÉ ÉCLATE SANS FILTRE

Un piano délicat et une boîte à musique nostalgique programmée et interprétée par mes soins créent une atmosphère intimiste.

Les accents profonds du violoncelle de Anita Barbereau enrichissent cette toile acoustique minimaliste.

Une vibe chillout parfaite pour vos moments Late Night Chill, Deep Focus ou Melancholic Moods.

💬 Un message puissant :
"Ne te cache pas, tu n’as aucune raison de le faire. Montre ton visage, car tu es belle."
Une invitation à l’acceptation de soi, à la vulnérabilité assumée – un hymne à l’authenticité.


Vous désirez utiliser ce titre pour vos projets commerciaux, envoyez moi un petit message 👉 ✉︎

www.sambox-music.com
www.anitabarbereau.com

🎹 Plus qu’une chanson, une expérience sensorielle à écouter les yeux fermés.

Stroke

Onushka

Related tracks