Ecstatic is proud to welcome new signing Mattheis to the label. Having already gained many fans for his work on the Clone affiliated Nous'Klaer label, Mattheis now graduates to his first full length, entitled 'Luminous Frames’. 

Expanding on the promise of his earlier work, his hallucinogenic arpeggio explorations call to mind the synth driven kosmiche sounds of late 70s and early 80s Germany, this Klaus Schulze, Cluster, Harald Grosskopf and Manuel Gottsching as well as contemporaries James Holden and Steve Moore. ‘Luminous Frames’  takes the listener on an ethereal drift through five masterfully constructed soundscapes of billowing synth drones and enveloping sequences. 

- White cassette with 12-panel J-card newsprint paper. Limited to 50 copies. SOLD OUT!! 

- Second and final re-press on black cassette 40 copies.
credits
released 23 February 2015

http://ecstaticrecordings.bandcamp.com/album/luminous-frames


B3 Mattheis - Volumetric Shadows

Minted

A1. Minted (Alligators Mix)

Ahora (Margot RMX)

Out 8th July 2016
Compilation sorted by COSMO VITELLI.

Cosmo Vitelli's label I'M A CLICHÉ might have run pretty low-key to the eyes of some but during its 12 years of activity, it managed to display a very clear artistic direction strong of 70 releases with a much enviable sonic cohesion while have a fine nose for talent: among other proud achievements, the label hatched the career of Israeli super-duo Red Axes and released Azari & III's "Hungry For The Power" 6 months before it became a worldwide classic.
A dozen years during which the label's tastes bended more and more towards a very peculiar type of synth pop and synth wave, too.

This year will see the release of a few retrospective compilations, each exploring the main traits and moods of its vast catalog.
The first one, "10 TRACKS THAT MIGHT HELP YOU FOR COOKING BUT WOULD CLEAR THE DANCEFLOOR" is obviously not touching I'M A CLICHÉ's arsenal of club weapons.
It's fair to say most of the music here either displays a feel of in-betweenness, or menace and tension—not unlike preparation scenes from a heist movie.

Cosmo Vitelli rounded up a selection spanning over the last decade, from UNCLE O's skeletal beats to ETIENNE JAUMET's modular synth jam, from ENTERTAINMENT's droning melodies and warehouse-reverberating drums to DIRTY 30's (actually Alixander III from Azari & III) twisted jazz-funk-leaning disco, the misty psychedelia of RED AXES' "Dreams Like A Tale". 

It's also a look back at COSMO VITELLI's own discography, through his 2006 single "Delayer" here remixed by Quiet Village over 10 minutes and two tracks from his band BOT'OX' second album (2013), all linked by the idea that escapism can somehow be a modern affair too. Here and now.

Bot'Ox — "Fathers And Sons"

Richard Davis - Singing A War (Ada Remix)

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Sex Of Insects — Om Nah Omn (Original Mix)

Baby I can drive my car in Saudi Arabia.
Monika93S1
from the album "GUDRUN GUT_MOMENT"

Moment

Gudrun Gut: Baby I Can Drive My Car (Single Edit)

Augustė Šimulynaitė's Album

Two hundred years of Solitude

Max cooper

Tabi

──
@zangas
≈ recorded last summer at Kollectif Bunker's HQ livestream

──
Co-organiser and member of NoName, Emilien shares with us here a set that will wake you up from this gloomy crisis. Through this piece, we are sending a message of hope that next year we will be able to find a renewed celebratory energy and find you on the dancefloor as soon as possible!

──
Enjoy !

Two hundred years of Solitude

Onushka

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