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Soramimi - Fresnel Lens (Cory James Remix)
The World Trembles In My Hands [OSL018 / Oslated]

Produced by Celia S. Kim aka Soramimi
Additional Production by Cory James
Mastered by Mattias Fridell, Sweden
Artwork by Clément Davout
Released by Oslated from Jeju Island, South Korea
Release Date : June 04th. 2021

For the release number 018, Oslated is pleased to welcome the Korean-American producer based in New-York : Soramimi. A multi-talented artist who deploys her creativity in the electronic music sphere as much as a composer as a label manager. Indeed she manages the label "Dusk Note" with Cory James who remixed a track from her LP « The World Trembles In My Hands ».
A release composed of 7 tracks that immerses us well in her precise and meticulous work of composition. From the start we are carried away by the flow and the multiple rhythms, the pulsations shift and bring us into a different state supported by alluring layers of intricate and evolving sonic abstractions.
The tracks continue to follow each other and Soramimi continues to intertwine throbbing immersive techno with heady rhythms, like in the track « Oceanic Writhe », which clearly has the dynamics to push us to dance until the end of the night.
The sustained pulsation goes through our whole body, up to the track « Geomancer », where a diaphanous light emanates, inviting us to become aware of all these vibrations.
The atmosphere becomes brighter in the remix of Cory James which closes this release. Our eyes remain closed, our body in motion and our third eye open to radial lights.

Description by Clément Davout

Cory James (New York, US)
https://soundcloud.com/coryjames
https://www.facebook.com/coryjamesdusknotes
https://www.instagram.com/coryjamessounds

Soramimi (New York, US)
https://soundcloud.com/soramimi
https://www.facebook.com/soramimimusic
https://www.instagram.com/soramimi_official

Oslated.
http://www.oslated.com
https://soundcloud.com/oslated
https://oslated.bandcamp.com
https://formaviva.com/oslated

The World Trembles In My Hands

Fresnel Lens (Cory James Remix)

Support & Buy

Soramimi - Fresnel Lens (Cory James Remix) [Oslated]

Kontinum - Ventriloquist Paradox (Laima Adelaide Remix)

French composer Vincent Villuis aka AES Dana follows up on his highly acclaimed [ Perimeters ] album released in 2011 with a vibrant and powerful opus titled [ Pollen ] which presents 10 tracks fusing IDM / Downtempo, Deep Tech and Progressive Trance. 
A cinematic album which offers new perceptions of the work of the composer who weaved symphonic pads into deep bass grooves and haunting themes while bringing out a certain melancholia brushed by stratified rhythms. 

Passionate about the concept of pollination and how it transposes with music, sounds, technology and humanity, the artist recorded and gathered moments of his life as he walked through cities, fields, seaside and airports. Back in the studio, he introduced these field recordings in his electronic compositions to yield tracks that are eclectic yet retain a common essence. 
In this configuration, man and machine are both pollinators and pollenizers; music is the pollen.

Pollen

Conditioned (album Edit)

Download

striped marsh frogs/northern banjo frog/aquatic life
wet season in the kroombit mountains, qld
february, 2016

Morning Chorus: Above and below a creek in the Kroombit mountains

Title track of the 2016 Album "Fluid Focus" (Released Sep 15, 2016)

All Droplitz music >>> www.droplitz.bandcamp.com

Lyrics: Water Focus... Fluidity Focus..... Trippy, drip, drop, bass beats, uh, making me move me feet, yuhh. Different shades of gray fillin the sky today, got me reflecting on my life in more than one way, uh..... Droplitz of cold rain got makin slick drippin beats, with water and the sounds of my feet..... Got me, aiming to please your vibe needs, uh. Trippy, Drip, slip, drippin beats yuh. Trippy, Drip, Drop, Bass Beats, uh, making me move me feet, yuhh. Droplitz got me trippy, uh (x3) Water drop bass beat makin me move me feet, yuh. Drop Drop Droplitz . Fluid Focus, Water Focus, Music ocean for your soul, uh, music my life you know, yuh. Trippy, drip, drop, bass beats, uh, making me move me feet, yuhh. Droplitz.

IF YOU WANT:
My presets and Samples: http://www.johndroplitz.com/shop
Or my vital presets here: https://johndroplitz.gumroad.com/
Free songs >> https://soundcloud.com/droplitz/sets/droplitz-flips-bootlegs

Follow me on 
TW- https://twitter.com/droplitz333
FB- https://www.facebook.com/droplitz
IG- https://www.instagram.com/johndroplitz

BOOKING >> https://linktr.ee/droplitz

Fluid Focus

Fluid Focus (Full 11 song album on bandcamp)

Here’s a Cwejman PH-8 wave-shaping four VCO-6s. The VCO-6s are tuned in fifths. The Triangle outputs of the PH-8 trigger the VCO-6s via FM2, the pulse/saw outputs of the PH-8 (45 degrees shifted) are routed to the PWM inputs of the VCO-6s.

A RG-6 creates the pulse, its Gate output is triggering a D-LFO, which is modulating the Offset level of the PH-8. I wiggle the waveform of the D-LFO, this reduces or increases the attack of the pulse. The Random SAW output of the RG-6 is modulating the PWM of the PH-8. The High output of the RG-6 is triggering the Sync input of the PH-8. 
The Sine Output of one of the VCO-6s is routed to the External Input of the RG-6. Sampling signal level is at about 50%.

The four PWM Saw outputs of the VCO-6s are routed to a MX-4S. A PH-4 is modulating the panning. The gate output of the RG-6 is modulating the Rate of the PH-4.

I wiggle the frequency and pulse-width of the PH-8. And I sometimes change the octave of the fifths. 

Recorded straight into ProTools via a RND 5059 summing mixer and Prism ADA-8XR. No overdubbing. Bit of Reverb (Adaptiverb) and limiting (Ozone 7) added.

Fifth twister

Percussive patch featuring a Cwejman RG-6 as the rhythmical brain. A trio of Cwejman FSH-1, RM-2S and MMF-1S are used as sound sources, modulating each other, and shifting between skin-type sounds and glassy or metallic tones. The FSH-1 is wiggled between ring-mod and freq-shift modes. The MMF-1 is in dual slope mode and its spacing and resonance are modulated by the RG-6. The RG-6 also modulates the rate and lag of a Cwejman NS-1. The S&H output of the NS-1 is routed to one of the audio inputs of the FSH-1. The gate output of the RG-6 triggers a CV-CTG that feeds a percussive pulse to the other input of the FSH-1. A Turing machine is synced to the RG-6 and locked into patterns, its Seq output modulating the pitch of the MMF-1S.

Recorded straight into ProTools via a RND 5059 summing mixer and Prism ADA-8XR. No overdubbing. Bit of Reverb (Adaptiverb) and limiting (Ozone 7) added.

Shards

Patch featuring two Cwejman PH-8’s. There are two layers:

Melodic layer: two PH-8s acting as VCOs and modulating each other. The Pulse outputs of PH-8 no.1 are routed to the audio inputs of a VCA-4MX, the Triangle outputs PH-8 no.2 are routed into the CV inputs of the VCA-4MX. The 0 degrees Sine output of PH-8 no.1 is routed to the PWM input of PH-8 no.2  Both PH-8s also modulated each others offset inputs. A Turing Machine is locked into a pattern and modulating pitch of both PH-8s through their CV2 inputs. Both PH-8s are synced to different pulse outputs of the Turing Machine. The four individual outputs of the VCA-4X are routed to a MX-4S mixer and the voices are panned by a PH-4.

Rhythmical layer: The bass drum and woodblock type sound are done with a MMF-1S pinged by one of the pulse outputs of the Turing Machine. The output of the MMF-1S is compressed by a DP-2. The hihat / snare type sounds are done with CTG-VC shaping the envelope of noise from a NS-4. This is modulated by a FSH-1 and panned in stereo to the MX-4S mixer. The rhythm is triggered by another pulse output of the Turing Machine. 

This was a jam of about an hour recorded straight into ProTools via a RND 5059 summing mixer and Prism ADA-8X. Then cut up to this bite-size snack. Bit of Reverb (Adaptiverb) and limiting (Ozone 8) added.

Miah's Place

Pre-order: http://bit.ly/2FnMHTn

Melbourne native Mosam Howieson debuts on Butter Sessions with two original techno cuts. 

On the opening track ‘Napalm (Romance)’ an advanced pulse pushes against intricate bleeps and soundscapes until we are rewarded with an emotional vacation drenched in euphoric pads before being locked back into the grind of the beat. Next up on ‘Brain Scatter’ Howieson goes in for a heavy drum workout bolstered by unique sound design and expertly crafted dynamics.

On the flip, label heads Sleep D step in and expand on the minimalism of ‘Brain Scatter’ with a hypnotic bassline and industrial leaning SFX . Wrapping up the EP we have one of Japans leading producers Wata Igarashi, debuting on Butter Sessions with his signature take on deep electronics...Peak time acid infused techno glory at its finest!

http://bit.ly/2FnMHTn

BSR016 - Mosam Howieson - Napalm (Romance) + Wata Igarashi & Sleep D Remixes

Is fire trip hop. Thanks for all the support. You can download this and any of my other eps, albums and singles at https://droplitz.bandcamp.com

If you want a full album of this style by me go listen to "Urban Overgrown"
https://soundcloud.com/droplitz/sets/urban-overgrown-album

IF YOU WANT:
My presets and Samples: http://www.johndroplitz.com/shop
Or my vital presets here: https://johndroplitz.gumroad.com/
Free songs >> https://soundcloud.com/droplitz/sets/droplitz-flips-bootlegs

Follow me on 
TW- https://twitter.com/droplitz333
FB- https://www.facebook.com/droplitz
IG- https://www.instagram.com/johndroplitz

BOOKING >> https://linktr.ee/droplitz

ONYX

Fire

Here’s a patch with at it’s heart the Cwejman MBC-3, it is used for compression, colouring and sound design. 

There are two layers:

1. The rhythmical source is a RG-6 clocking a PH-8. The 0 and 270 degrees Saw/Square outputs of the PH-8 are routed to two FSH-1’s. The outputs of the FSH-1’s are routed to a MX-4S which is panned by a PH-4. The RG-6 modulates the two FSH-1’s via the CV1 inputs, and also modulates the PWM input and FM1 input of the PH-8. 

2. The gate output of the RG-6 triggers a CTG-VC, which pings a MMF-1S. This creates the percussive layer and bell-type sounds. The VCA/Mix output of the MMF-1S is routed to the MBC-3. Two of its compressor bands are routed to the audio inputs (no2) of the FSH-1s and are mixed with layer 1. The third (upper) band of the MBC-3 is used to FM the PH-8 via FM input2. The RG-6 also triggers a Turing Machine that is locked into loops. The Seq output of the Turing Machine modulates the frequency of both the MMF-1 and PH-8. This creates the repeating motives.

I wiggle the two frequency knobs of the FSH-1s and the frequency knob of the PH-8. The PH-8 is used in audio rate as well as LFO mode. The latter creates the clicky percussion sounds. 

Recorded in one long take into ProTools via a RND 5059 and Prism AD. Then cut up to make it slightly less boring. Bit of reverb and limiting added on the master fader.

Spil - Plunge

A Cwejman RG-6 triggers two FSH-1's and a CTG-VC.

Two layers, recorded in ProTools via a RND 5059 and Prism AD. Then cut up to make it slightly less boring. Bit of reverb and limiting added on the master fader.

C73a's Clock

https://aex-series.bandcamp.com/album/x010

On the 10th disc it's another collection of familiar faces. ESHU's Tetelepta is up first with his dusty deep-house floater followed by De Lichting affiliate Human Space Machine jamming his way through melancholic melodies. Nathan Surreal makes his debut on AEX, with recent outings on Analogue Solutions and Biologic Recordings he here brings his bright and powerful grooves to a place that feels like home right in the middle of his De Lichting friends. On the b-side Kaap shows his love for traditional dub-techno once more with a stretched out and carefully crafted dub excursion. A wonky beat trip by Denote wraps things up on this versatile and sparkling slab of vinyl.

Nathan Surreal - Trunk [ÆX 010]

Blue Hill - Inside A Nebula

The lights gleamed brightly through the factory windows. The building stayed open day and night, nobody ever clocked off. Hundreds of people worked the production line to make sure everything ran like a well-oiled machine. They went beyond their duty, it had to stay that way. If something were to fall short, technology could replace them in the blink of an eye...

For the inaugural release on their new label Balagan, American duo Joonam - the project of Elon Admony and Nima Khalilian - craft three electro cuts backed up by a remix from electro mainstay Silicon Scally. Following the pair's releases on Cultivated Electronics and Vakant, they decided to create Balagan as a platform for their own music and remixes from friends and artists they admire.

Dirt Nap EP (incl. Silicon Scally Remix)

PREMIERE: Joonam - Dirt Nap (Silicon Scally Remix) [Balagan]

We are proud to announce TV.OUT's debut on BANK, "Insufficient Funds"

After stellar releases on Dark Entries and L.I.E.S. TV.OUT has submitted a stripped down, heavy, techno electro club tool to follow for March 13th 2020. The tracks are live takes packed with nuanced FX dubbing and knob tweaking with emphasis on the drum kit. Delay pedals and weed smoke, baby.

Limited hand stamped white label LPs 
Produced, Written, Recorded by TV.OUT
Mastered and Cut by Dietrich Schoenemann
Pressed in Detroit
Stamps by the legend geezer John Casey
Art, Design, and labor by Jon B
comes with insert
available for pre order on bank.bandcamp.com

TV.OUT - INSUFFICIENT FUNDS (BNK-032)

Shaytoon

Sepehr - Consortium

Serge/Random*Source
DUSG on kick/bass
Pinging VCFQ for percussion
Noise.

Serge 'Percussion'

Cwejman - 'Percussion' - Hermetic

Serge - Ran100

Serge - Ran300

The third week of June 2020.
Oslated Mix Episode 205 - Toki Fuko

* This live set includes only his original works.

Affin, Silent Season
Lipetsk
Russia

Toki Fuko music can be described as mechanical signals are structured in a hypnotic substance. Their constant musical experimentation actor perceives as an analysis of the surrounding world.

Deep techno groove and rhythm sequences, such as information a way of thinking meditative space.

Most unique experience in research in the field of sound was obtained through to his hometown, where the predominant form of various mechanisms: the sounds of machines, plants, industrial costing; and together with the unique nature.
In an attempt to combine these components, it uses electrical impulses and field records, transforming them into musical pictures.

"I always liked the tactile writing music and I've always wanted to control the electric wave by using drum machines locking them into a chain.
And it was hard to get results with the use of virtual instruments, and then decided on the purchase of his first synthesizer.
As a result, it has become a unique experiment in the search for new forms and race for the best sound in order to achieve better results. "

Nowdays Toki Fuko most of his time work in his laboratory of sound, actively cooperates with Russian and foreign artists, and every day are discovering new insights into the modulation sound.

Toki Fuko 의 음악은 최면적 물질들로 구성된 기계적 신호로 묘사된다. 그의 지속적인 음악 실험 행위소들은 세계에 대한 분석으로 여겨진다.
명상적 공간에 대한 사유로서, 딥 테크노 그루브와 리듬 시퀀스들을 나타내고 있다.
그의 음향 분야 연구에서의 가장 독특한 경험은 기계 소리, 식물 소리, 산업적 소리 등 다양한 메커니즘의 지배적인 형태, 또한 그의 고향의 독특한 자연으로부터 얻어졌다. 
이러한 요소들을 결합하기 위한 시도로, 그는 전기적 임펄스와 현장 녹음을 사용하여 음악적인 묘사로 변형시킨다.

"나는 항상 촉각적인 음악을 좋아했고, 항상 드럼 머신을 사용하여 그것들을 연계하는 드럼 머신을 통해 전파를 제어하고 싶었다.
이러한 작업에서, 가상  악기를 사용해서는 결과를 얻기 어려웠고, 첫 신시사이저 구입을 결정했다.
그 결과 더 나은 결과를 얻기 위해 새로운 형식을 찾고 최고의 소리를 얻기 위한 과정들에서, 그것은 독특한 실험이 되었다. "

최근 그는 대부분의 시간을 그의 음향 실험실에서 작업하며, 러시아, 해외의 아티스트들과 적극적으로 협력하고 있으며, 매일같이 변조적 소리에 대한 새로운 통찰력을 발견하고 있다.  

Discography
Toki Fuko - Spring Ray [2019 / Silent Season]
Toki Fuko - Caesia [2019 / Blind Allies Digital]
Toki Fuko - Archives [2019 / Affin]
Toki Fuko - Floating [2018 / Affin]
Toki Fuko - Sept (Tagir Edit) [2017 / .elliot.project.]
Corvum & Toki Fuko - Experiment EP [2017 / Att Series]
Toki Fuko - Radial Magnetization [2016 / Space Of Variants]
Toki Fuko - Strontium [2016 / Affin]
Toki Fuko - Immersion EP [2010 / Pong musiq]
Toki Fuko - Click EP [2008 / DP-6 Records]

https://soundcloud.com/tokifuko
https://www.facebook.com/toki.fuko
https://www.instagram.com/tokifuko
http://twitter.com/tokifuko
https://www.residentadvisor.net/dj/tokifuko

- Translated by Taegyun Yoon
- Artwork by Clément Davout

Oslated Seoul.
http://www.oslatedseoul.com
https://soundcloud.com/oslated
https://www.facebook.com/oslated
https://www.instagram.com/oslated
https://oslated.bandcamp.com

Oslated Mix

Oslated Mix Episode 205 - Toki Fuko

https://modulisme.bandcamp.com/album/modulisme-session-035

Poly Serge

READ > https://inverted-audio.com/premiere-varuna-ratu

Delsin Records add two new chapters to their Mantis sublabel, with a double drop of 12" EPs from Varuna and Konduku continuing the series' trend of enigmatic and organic techno.

Mantis 04 (DSR/MTS04)

Varuna - Ratu [Delsin]

https://onyxzones.bandcamp.com

Modular Synth - Experimental  - Moods - Tones - Drones

Cwejman - 'Percussion' - Hermetic

OnyxZones