Very fascinating track. I posted it on my mastodon profil. https://musicworld.social/@elwud

im trying to investigate that feeling
just felt
differently
liberation
word that caught space inside my ear
breaking patterns leads to it
i felt it before

https://perilazone.bandcamp.com/album/folds-now

perila – memory latency

xenoplex.bandcamp.com/album/magical-assistance-2

xenia reaper - just honest

Panoptikon is a suite of vocal & electronic music composed by Maria W Horn for an installation in the disbanded Vita Duvan panoptic prison (The White Dove Prison) in Luleå, Sweden.

Längtans Vita Duva

Infant joins Warm Winters Ltd. with “sigla, sone”, an album of strikingly personal and diaristic sound postcards. It’s an album conveying the most intimate of moments and memories, encapsulating the feelings of entanglement and interdependence. The Michigan-based producer utilises various field recordings from his personal archives (sounds of a burning garage, conversations, Lake Michigan waves, crunching beach shells, starlings nesting in a bathroom vent…) alongside various treatments of the human voice and reworked/resampled work of his to create music that’s both tender and unassuming, as well as fascinating and complex. The whimsical and the deeply touching sit side by side on an album that exhibits the magic of what ambient music can mean in 2023.

sigla, sone

Infant - Pebble

collabo with tysk raider for a dedicated series.

tysk raider logo stamped and numbering stamp numbered (x/85)
light gray vinyl with printed insert, designed by tysk raider
housed in a pvc bag, limited edition of 85 copies

digital version available here:
https://tyskraider.bandcamp.com/album/tysk003

2024 all music, artwork & logo by tysk raider

bandcamp

tysk003 by tysk raider - 12'' snippets

Taken from 'Alien Intelligence' out now on a limited edition vinyl and download > https://ooh-sounds.bandcamp.com/album/jasmine-guffond-alien-intelligence

Through the medium of a distinctly synthesised, sustained ambience, seasoned artist and composer @jasmineguffond arrives on OOH-sounds to explore the tension between technology and human creativity in an increasingly ambiguous playing field.

Alien Intelligence came into being during Guffond’s residency at fabled Parisian institution GRM in 2021. While learning how to generate sound and make music with the in-house Serge modular synthesiser, the Australian artist noticed the typical role of human input for machine output was being subverted by the behaviour of certain electronic elements, which came to exercise their own influences on the direction of the music.

Taking this idea one step further, Guffond proceeded to explore the programming environment MaxMSP, a customisable interface which allowed her to blur the lines between human input and machine directives even further. Across the three extended pieces which make up Alien Intelligence you can hear the results of Guffond’s inquisitive approach as she coaxed the machines into bringing their own ideas to bear on the music.

The tension inherent in this thematic duality is mirrored by the contrast between glacial ambience and chaotic interference across the album. On ‘Serge & Maxine Variation One’ the presiding mood is a slow and patient one, as undulating waveforms rich with harmonic overtones spill out over one another across 10 minutes. The track’s latter passage, driven by steadily intensifying oscillations, is then interrupted with an unexpected flurry of pitch shifting. This kind of complex technical movement features more prominently at the start of ‘Serge & Maxine Variation Three’, which then gradually shifts into a gentler ebb and flow of rising and falling frequencies.

Angled slightly differently and residing on the B side of the album, 15-minute quiet epic ‘Serge & Maxine Variation Two’ bookends a louder passage of synth work with serene, sustained notes that ring out a sort of hymnal melody. Throughout, the movement in the music evolves in subtly modulating, hypnotic, ways, but there are also unexpected turns or melodic diversions which feel much more incongruous. In its closing stretch, the notes dart around more freely as though played by hand, but it’s hard to be sure whether these shifts in the otherwise delicate tonal music were a human conceit or a programming by-product. In the end, the two inputs logically become one.

As Guffond says herself, “More-than-human logics emerge, a kind of alien intelligence that questions an assumed central position of human subjectivity in socio-technical assemblages and considers the philosophical, socio-political and cultural implications beyond music practice in an increasingly technologically mediated world.”

As AI creeps into art as much as other aspects of modern life, Guffond applies her playful instinct to the theme of these works by reconsidering machine intelligence as ‘alien’, crediting its contributions with a more robust yet enigmatic identity in the creative process, leading to an end result which is far from artificial.

A1 Jasmine Guffond  - Serge & Maxine Variation, One [OOH-040]

https://www.stefanogervasoni.net/index.asp?page=catalogue&id=136&cat=vocal

for: mixed choir
detailed instrumentation: S.A.T.B. (at least 24 singers)
duration: 12'
commission: FIMS Fribourg - Festival International de Musiques Sacrées
first performance: 6.7.2024, Fribourg, Eglise du Collège St-Michel, Nederiands Kamerkoor, Peter Dijkstra (conductor)
publisher: Ricordi
catalogue number: 142824

The World Grown Dark (2024) - NKK, Peter Dijkstra - live, FIMS Fribourg 6.7.24

Santebela
Dj strawberry
Nil
King softy 
Sseq

Sseq [15.09.2024]

Resurrection

Die andere Seite

"Nés à la croisée de l’ancien et du nouveau monde, les enfants des années 90 sont habités de paradoxes.
Mélancoliques chroniques, habités par les sonorités d'antan et par la low technologie, c'est pourtant avec insatiabilité qu'ils arpentent les sentiers de l'apocalypse, croquant à tous les artifices du progrès. Ces sales gosses de naissance ne sont jamais « ici et maintenant », ils errent et créent parmi les déchets et traditions de leur ailleuls, se téléportent avec urgence dans le nouveau Sion, tuent le temps en trainant leur botte dans d’immenses cimetières de Gamboy Color. C’est à coup à coup d’électronique stellaire et de substances corrosives qu’ils  Ils tentent d’anesthésier leur courrou de grunge romantique, le tout sous la lumière cancéreuse de leur écran d’ordinateur" 

///TRACKLIST///
Hematic sunsets- Tristesse aromatique (1998)
Mystic Inane- Deep Creep (Children of 90’s)
Violenca de género- Fuck Tha Police n Gimme yr Money (Child of 90’s)    
Officium- Issue One (Child of 90’s)
Sound of the West interview Massive Attack (1996)
The Future sound of London- Vit (1994)
4E- 91 Killer (1995)/ Vocals Marylin Manson-This is the new shit
Maoupa Mazzochetti- Another Sinistra Century (child of 90’s)
Vaporspace- Gravitational arch of ten (1993)
Matrix Oracle Scene (1999)
Ryoki Ikeda- Headphonics (1999)
Voices of : DRP-The acider (1990)
The Dust Brothers- Single serving Jack (1999)
AIR LQD & ABDULLAH MINIAWY - How do you burry a paperless man (Children of 90’s)
Hematic sunset- Nach den Stunden (1998)
Coil- Disco Hospital (1991)
S.S WHITE- Words to Worlds (Child of 90’s)
ExistenZ Chinese restaurant scene (1999)
IVG- Japanese Whore (Child of 90’s)
Snottebel es principa- 4 Ballade du troisième jour (Child of 90’s)

A1 Jasmine Guffond - Serge & Maxine Variation, One [OOH-040]

OOH-sounds

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