Totally works for me. Great feel. And the lyrics describe exactly how I feel after one of my titanic drunk Facebook political brawls.

Excellent jam and such a great listen for me.

Fab Collab here, Dan & Oor! Most enjoyed, Friends. Superb performance, vocals, guitars, drums, and production. Perfect amount of Delay on the Vocals, as well. Photographers come from all over The world to photograph lightning here in FL! :D))) We have both Jellyfish in our waters, on our beaches, and Jellyfish Sprites in our Skies quite often.

Collaborations

As this is called ‘Wordlessly’ I’ll try to keep this brief. http://soundcloud.com/progrockdan1 approached me with this beautiful and unusual piece and I had his melody going around in my head for months with several sets of lyrics on different themes but I found myself drawn to this almost wordless version. http://soundcloud.com/progrockdan1 loved this but felt a female vocal would give more of a sense of dialogue and suggested https://soundcloud.com/lamara-marie, who brought a whole new dynamic to the piece. Behind the scenes, we ended up in a 3-way philosophical debate on the role of communication within relationships. Our communication was far from wordless.

I’d like to thank Dan and Lamara-Marie for their help and inspiration in this experimental journey. Please check out their clouds and also leave a comment if you have time.

All Music, Arrangement and Mix - http://soundcloud.com/progrockdan1

Additional Lyrics, Lead and Backing Vocals - https://soundcloud.com/lamara-marie

Lyrics, Lead and Backing Vocals - Me

My love and I, 
Have found the way 
To express, 
Our love, 
Wordlessly.

Wordlessly (collaboration with ProgRockDan1 & Lamara-Marie)

Painless Moon Kiss feat. Martin Jansen & joerxworx

Check out Walker on #SoundCloud
https://on.soundcloud.com/THOtpFO0iSwUAEAf9M
This song was seeded by wonderful UK artist Walker and a chat we had on a previous track. Thanks a mill buddy 🫡


Tuning 432Hz A
Frequency Focus 963Hz
(Sine wave B6 & Tuning Fork)
Tempo 963bpm
Timing 32/1

The 963bpm is an attempt to get the rhythm resonant with the tuning and frequency in focus... Hertz=Wave cycles per second so should align them given BPM is aligned to a minute making them divisable or at some level, in harmony with one another.

The lyrics were built after absorbing these two videos, I avoided the speculative ones for now:

1)
https://youtu.be/58WaZYZCV_4?si=gZFnAleKio0kg6gX

2) https://youtu.be/ZEL68kt1Q-8?si=989MU7-v3MJcb_h9

Also big thanks to Valerio and Mary from Beating Edge for their valuable input. They are experts in brain stuff when they are not showing us how it's done with music! 🎵 🧠
Check out Beating Edge on #SoundCloud
https://on.soundcloud.com/j2zQ3LicQe7enBuHoj

The Pineal Gland

Circadian rhythms
Put me to sleep
As I close these eyes
Dream diurnal relief
Reset the reason drenched in this brain
New light will come soon
More chance of sane
First we must wire head PC with sub stitch
Asleep time for rewire taht mind cannot glitch
Carve those fine memories into this grey matter
Create more unknown while I've stoppe dthe chatter

Some say third eye
Activation of God
Good symmetry bind
Truth, give us a nod

Immense melatonin
Good chemist head sand
Your team has this god like lone pineal gland
It doesn't take sides
There's no left and right
;Takes symmetrical rhythm
Center dark
Center light
Drug dealer of head
It distributes best
Discernment of nature
When to wake or rest
The morning is near
Head pharmacy pause
Here comes the Sun
Day ' effect new cause

Some say third eye
Activation of God
Good symmetry bind
Truth, give us a nod

Light paints the retina
Fill optic nerve
Through axons to clock of biological verve
Like super charismatic neucleus send
To superior cervical ganglion tend
Noradrenaline levels scened trigger for conscious
Rhythmic regulation for body of honest
Direct connection
SCG chemist hand
To centered head
Fine Pineal Gland

Some say third eye
Activation of God
Good symmetry bind
Truth, give us a nod

The Pineal Gland

Time Traveller

When the authentic self seeks to create an environment set apart from the all pervasive false reality and narratives of these distorted times, it must do so without foundation or context, upon a tabula rasa, an arte povera, from nothing, and how better than through joyful aimless play with no intention other than to create and exist within the moment, through art and music and dance, away from symbols and language and meaning, away from expectation or reception, a creator with no audience or consumer, for the simple  fun of it. And it must be fun; if working hard and making effort are key to success or gaining respect then neither success or respect are important, one need not pass beyond gatekeepers for something as worthless as approval. There are no bad paintings. Want for nothing other than to know the people sing even if you hate their song. Smile at their terrible dancing, then dance yourself.

SQRIA is like all my other recordings in that it is made live only with small cheap synth boxes (Korg Volca (Sample1, FM1, Modular, Kick), Korg NTS1, Korg SQ1, Bastl Kastle (1.5, Drum and ARP)) - no daw or complex programming - just some forethought/intention and the generation of a suitable playspace - then recording what happens as I move things about. SQRIA is different in that each track is originally hours long and then edited down to something near 20 minutes.

B/ Easier Weather

Quote Tante Meli: https://soundcloud.com/tante-meli
....something very different - i know :D

DIE GLUT means "the glow" (of fire)
my thoughts behind it were the great good mood when we jumped over almost burned down fires when we were kids. jumping was always a sign of being "brave". although it was never really dangerous ;D

whole translation:
I'M JUMPING OVER THE GLOW
JUST BECAUSE I'M ABLE TO -
I HAVE COURAGE

german:

ICH SPRINGE ÜBER DIE GLUT
WEIL ICH ES KANN
ICH HABE MUT

Die Glut (Dance Remix)

     Howdy everyone and I hope everyone had a great Labor Day, without laboring of course!😂 This is another of my instrumentals, which actually had lyrics but the vocals were not recorded too well so I made it into an instrumental. It's about having that Las Vegas experience which I'm sure nobody can afford anymore with this economy unless you're a billionaire! I've been to Vegas many times and most times I've lost, hence the title "Lost Wages"! I'm not a gambler, so when I lose a couple of hundred dollars I start sweating profusely!!😂 It's a fast paced song and I played like a boogie-woogie synthesizer on it and a rock guitar. Charlie played a groovy harmonica on it too! I've decided to drop an instrumental and a cover song every month from now on besides my normal songs and videos. The video is the high-light so please check it out on YouTube.

VIDEO - https://youtu.be/DwZ-ISbz2g0

     The video was a lot of fun to put together and it's all about Las Vegas, the gambling, the show girls, the drinking, the excesses, pretty decadent stuff! There's is a lot of eye-candy here for the grown-ups to enjoy! It drops tomorrow on YouTube! The original song with lyrics was called "My Neck Of The Woods" so if Charlie and I rerecord the vocals, I'll make a video of it as well. I hope everyone enjoys this song and video and remember, don't gamble unless you can afford to lose a ton of money and are rich because it is an addiction! Last time we went to Las Vegas, back before the pandemic, it was for about a week and all we saw were the shows and never gambled, that was my favorite trip because I didn't lose a dime! But guess what? We're going back to Las Vegas in December 2025 to watch the new "Wizard Of Oz" spectacular in The Sphere! Check out the clips on YouTube, it's really mind-blowing! No gambling!! Take care and good luck! 😎✌🏼

"LOST WAGES" (Inst) [Video - https://youtu.be/DwZ-ISbz2g0]

Forever

Si les plus beaux paysages sont au-dessus de la ligne d’horizon chaque continent a son génie du ciel ....  Le ciel change chaque jour et imprime d’imperceptibles nuances grâce à ses nuages aux mille et une forme. Tout ciel nuageux en forme de gaze longiforme donnent cette « mélancolique lessive d’or du couchant » dont parlait si bien Rimbaud .... La fin d'été approche et nous pouvons observer maintenant un ciel plein de gros nuages blancs et aux nuances de gris, bourgeonnants, rembourrés, cotonneux, mais aussi lumineux comme des lampes au reflets lactescent …. 
J'ai essayé d'être représentatif de ce phénomène avec les nuances harmoniques de ce concept ….

**************************************************************************************************************************
 
If the most beautiful landscapes are above the horizon line each continent has its genius in the sky .... The sky changes every day and prints imperceptible nuances thanks to its clouds with a thousand and one shape. All cloudy sky in the shape of a long gauze give this "melancholic laundry of the sunset" of which Rimbaud spoke so well .... The end of summer is approaching and we can now observe a sky full of large white clouds and shades of gray, budding, padded, cottony, but also luminous like lamps with lactscent reflections …. I tried to be representative of this phenomenon with the harmonic nuances of this concept .... 

Towards The Clouds ....

Part 4 of the final track of Then She Reaches For The Gun's 2nd Album
released in Jan 2025 - nomatesensemble.bandcamp.com/album/i-am…m-with-you.

Then She Reaches for the Gun was formed in 2021 by Mat Ward. At its essence is sound collage, Ward invites musicians, sound artists, poets and anyone interested to send him files to be used, abused and showcased ‘as suggested by the work’. They are not always musical but field recordings, spoken word, engine noises and drunken rants. Animals participate a lot too! The raw material is arranged with one phrase asking for the next in an alchemical and intuitive process that will most often feature dozens of tracks weaving in and out of each other, colliding, harmonising, arguing and laughing along the way.

Both the aesthetic and the compositional methods use what Frank Zappa called Xenochrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions.The work also features fragmented story telling with the human voice (in many languages) appearing unannounced throughout the tracks offering up snippets of thoughts, conversations, jokes and existential angst. The absurdity of humanities desperate claim to have any real understanding of its place in the universe is revealed through the recorded follies and genuine emotions of the artists. The project is a celebration of chance, diversity and community. It pays homage to all musical tastes and genres whilst maintaining a sense of humour and irreverence that is needed to stay sane in the climate of 21st Century contemporary culture.

Then She Reaches For The Gun is

Humans

Adam Meredith - Ford XD with XF front mods/Voice
Ambient Annie - Electronica/Field Recording/Voice
Andrew Harper - Field Recordings
Angostura Elwar - 2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano
Antonella Eye Porcelluzzi - Text/Voice
Ariad Music - Clarinet/Percussion/Piano
Axel Weiß - Electric Guitar/Robot Voices
Banalytic - Experimental Electronics
Belial Pelgrim - Digital Strings/Electronica
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dan Hewins - Bass Guitar
Dane Renshaw - Drums/Voice
Dani Kirby - Keyboard/Piano/Voice
Dylan Banks - Intonarumori/Voice
Frank Wilke - French Horn/Trombone/Voice
Garbage Truck Disco - Drum programming/Electric Guitar/Joyous Pop Punk
Glenn Ward - Electric Guitar/Skyhooks
Hakan - Moog Voyager XL
Hverheij- Drums/Electric Guitar/Synth
Johnny Python- Bass Guitar/Drum Programming/Electric Guitar/Text/Voice
JZsuperstar - Electric Guitar/Field Recordings/Keyboards
Lady ElectroTrek - Organ
Libby Laksmi - Jazzy Loops/Synth Bass
Loop(c)y - Electric Guitar
Malo Bernard-O’Meara - Drums
Maxx Black - Guitar/Ukulele
Minimal Drone Girl - Cat Wrangling/Field Recordings
Oberlin - Eurorack/Piano
Paolo D’Emilio - Electronica
Paul Miller - Electronic Percussion/Keyboards/Phat Electro Bass
Phil Bywater - Saxophones/Voice
Raul Mainer - DAW Programming/Heavy Metal
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator/Percussion
Rosin Dust - Violin/Field Recordings
Sarah Megahertz - Speedway Noise
Scratch Kelly - Beats/Electronica
Stan Magendanz - Electronica
Ten Atmospheres - Field Recordings/Synths
Texmex Shaman - Electric Guitar
The Windscale Blues Experiment - Clarinet/Flute/Saxophones
Timothy Korstad - Demons/Electronica
Thomas Bergheim - Bass Guitar/Electric Guitar
Tobias Schmitt - Electronica/Processed Organ/Text
Tuonela - Demons/Electronica
Vartch - Drones/Things/Trousers (not T-shirts)/Voice
Widar’s Spiritual Front - Electronica/Ms Pacman
W:I:L-o’ the-wisp - Bass Guitar/Electric Guitar/Electronica
Wivresse - Electronica/Voice
Zanshin - Acoustic and Processed Drums

Mat Ward - Arrangements/Bass Guitar/Double Bass/Field Recordings/Intonarumori/Marimba/Noise/Percussion/Piano

Dogs
Boogie
Brophy
Buddy
Hancho
Jack
Momo
Neska
Poldo
Senna
Shyamsundara
Star
Oily (cat)
And many cows from Milis, Sardinia

Cooking Hard Boiled Eggs in a Cheap Motel In Adelaide Part 4

Auteur : Claude Moine \ Compositeur : Pierre Papadiamandis
ISWC : T-003.027.119-2
Editeur : EM Production
Sortie : Octobre 1977

**********************************************************************
English translation below the French
Lyrics link : https://www.google.com/search?sca_esv=637c0e90f834ed3d&q=paroles+de+eddy+mitchell+la+derni%C3%A8re+s%C3%A9ance&si=AMgyJEv17PWw0XQW3IlwXAKl7dSlPQF61q4qYdeyP6OamT3IFLvfsHCnTLI6T2AU5LF_XJ4OKyr6tEmG0ZJsdUWQElQ8NnRIp-z2Hek1emPY8Pj1C2qrK7U93ENbHWPLErKRx-DCe27eXLWdj15N3v-U80CJ6cJ1IflPjmzacLsAwgSPShJgsUp8ONjbP55km6uSH10vz30m&sa=X&ved=2ahUKEwi4it-1wu6PAxWQfaQEHXChD_MQv_UKegQIDBAD&biw=1406&bih=685&dpr=1.25

**********************************************************************
Encore une fois, je fais honneur à la chanson Française.
_________________________________________________

J'aime bien ce morceau et cet artiste qui est très connu,
mais on n'entend pas beaucoup parler de lui...
Ce morceau est un extrait de l'album
"La Dernière Séance" enregistré à Nashville (Tennessee)

Cette chanson figurait dans le générique et
donnait son nom à une émission de télévision
animée par Eddy Mitchell lui même, de 1982 à 1998
qui était consacrée aux classiques du cinéma américain.
(dont je raffole)

J'adore aller au cinéma et toujours à la "dernière séance"...

**********************************************************************
Once again, I honor French songs.
_________________________________________________

I like this track and this artist, who is very well-known (in France),
but we don't hear much about him...
This track is taken from the album
"La Dernière Séance" recorded in Nashville, Tennessee.

This song was featured in the credits and
leaved its name to a television show
hosted by Eddy Mitchell himself, from 1982 to 1998
dedicated to American cinema classics.
(which I love)

I love going to the movies, and always to the "last screening"...

------------------------------------------------------------------------------------

Vocal : Anh
Arrangement (Yamaha PSR-SX900) : Phong
Recorded : August 26, 2025

__________________________________________________

La Dernière Séance - Cover (Eddy Mitchell)

This is our latest installment in the Songs of the Sea series.  
https://soundcloud.com/oorlab/sets/songs-of-the-sea

As usual we wanted to do something a little different. A few months ago I started with an idea for a song in 7/4 time.  I have written a number of songs using various time signatures (as well as a couple utilizing multiple Time signatures).  It was hard to play in 7/4 time I kept wanting to add the 8th beat and make it 8/4.  With some work I finally felt the rhythm.  Dick added some parts that helped get it all smooth.

As usual we did a little research to get a theme for this song.  We found that 7/4 time is common in Middle Eastern music.  We did some more research to identify a singer that could help create the Middle Eastern flavor we desired.  Here is a link to the video:
youtu.be/Kjbb9D3U_aY

We were lucky to find Hossein Ragheb.  We sent him the song and he agreed to participate in the project.  The result are the excellent Farsi vocals on this song.  I hope you enjoy this addition to the Songs of the Sea as much as we do.

Sinbad & the Whale

Sindbad and the whale started out as Dan floated the idea to use a different time signature: 7/4 and a Middle Eastern
feel. Off course we then quickly arrived at the legendary Sindbad from the Thousand and one nights fairytales.

&#1607;&#1586;&#1575;&#1585; &#1608; &#1740;&#1705; &#1588;&#1576; / Hezar-o-yek shab

In our version Sindbad comes to an island, but discovers that it is actually a whale.

https://ebooks.adelaide.edu.au/b/burton/richard/b97b/complete.html#section714


The Book of
The Thousand Nights and a Night

Translated by Richard F. Burton -1885

Here are the lyrics in Farsi (Persian) which Hossein has written based on the story:

دوباره سندباد
به دریا میره
سفر در کشتی
از این جزیره
به اون جزیره

تا میرسه به
جزیره ای که
آروم نداره
آروم نداره

چه وقت خوابه
نهنگ بیداره
به قایق برگرد
وقت فراره


Here is a translation of the Farsi lyrics:

Sinbad, once again,
Goes to the ocean
Travelling on a Ship
From this island
To that island

Until he arrives
On this odd island
Which is not still
Which is not still

It's not time to sleep
The whale is awake
Go back to the boat
It's time to escape

You can find Hossein’s excellent music here:
https://soundcloud.com/hossein-tunes

You can find Dick’s wonderful music here:
https://soundcloud.com/oorlab



Sinbad & The Whale (with Hossein Ragheb and Dick Vestdijk)

Dick and I have been on a journey to create Songs of the Sea.  You can find the other songs of the sea here:
https://soundcloud.com/oorlab/sets/songs-of-the-sea

You can find the video here:
https://youtu.be/dRx4Qx4d3wg

I approached Dick about doing a song about the East India Company.  We discussed it for a while before heading off on the journey to create this song.  There is a lot of controversy around this company.  All is not glory and good.  In the end we decided it is like life, you have to take the good with the bad.
 
Here is a synopsis of what Wikipedia says about the East India Company:
The United East Indian Company (Dutch: Vereenigde Oost-Indische Compagnie; VOC), referred to by the English as the Dutch East India Company, was established as a company in 1602.  The Dutch government granted it a 21-year monopoly on Dutch spice trade. It is considered to be the first multinational corporation in the world.  It was the first company to issue stock.   It was a powerful company with quasi-governmental powers.  It could wage war, imprison and execute convicts, negotiate treaties, make its own coins, and establish colonies.

The East India Company  is famous  as the first public shareholder company actually started out as a bunch of adventurers, possibly pirates. The English, Dutch and Portuguese sailed to the east to find America but, while fighting amongst themselves, reached the South East Asian island empire of nowadays Indonesia. There they stumbled upon civilizations that were in many respects more advanced than Europe in the 1500's. But in one aspect the Europeans had maps and instruments to navigate around the globe. The Chinese also had some maps and knowledge of navigation - but they kept it a secret. The Europeans shared more of their knowledge amongst each other. This song describes the journeys of the soldier-merchants of the East India Companies. Coffee, tea, pepper - we owe a lot to these sailors.

To learn more about the East India Company:
https://en.wikipedia.org/wiki/East_India_Company
https://en.wikipedia.org/wiki/Dutch_East_India_Company

Lyrics:  East India Company

Sailing & Searching
across the sea
for spices, slaves and lemontrees.
As long as the wind
is my friend
I can reach that distant land

Across the equator
sooner or later
we all will be working
for the East India Company

I give you one 
If you give me two
make a profit for the crew.
Coconuts for stock & trade
As long as the market is being paid


From Amsterdam to Lissabon,
to Zanzibar and on and on
Fighting and trading
without a care
we'll venture out 
to where we may dare

You can find Dick's music here:
https://soundcloud.com/oorlab



East India Company (with Dick Vestdijk)

Video clip : https://youtu.be/RH0fMgkFl2E
Please visit my fellow musicians music:
https://soundcloud.com/progrockdan1
https://soundcloud.com/mark-hoogslag
https://soundcloud.com/kellie-rowley



The idea of doing a song about Brendan the navigator came from Dan back in June 2015. We tried different tunes and lines - at one time we had four different ideas about either Brendan's homecoming, Brendan's boat (Currach), Brendan's liberty  and Brendan's brother. We could  have done almost a whole album around this Irish Sailor-Saint. One of the ideas got a Caribbean angle and turned into the Island of Light.

But the Brendan idea never got off the ground until we got Kellie singing along and Mark Hoogslag on board with his flute.  So in the end we made a traditional sounding folk song featuring mandoline, violin, mouth harp, flute, budhran and bass, darbuka and Kellie's and Dick's vocals.

So who was Brendan? Did he actually live, and if so did he manage to reach America in the 6th century, in a boat made of leather?

Just like other Celtic figures from that time (Arthur) Brendan's historical background is a bit sketchy. His date of birth and death are given with some certainty (c. 484 – c. 577) but other than that the tales are like legends. His journey is first mentioned in the Navigatio sancti Brendani abbatis, of which at one time 125 manuscripts have been counted, scattered across Europe. Debate about which is the oldest manuscript is still going on among Brendanologists.

In our text we came up with a ficticious brother of Brendan who stayed on land while his brother went to sea. The land-brother worked in the forest that produced the mast that the sailor-brother needed to travel.

Picture from Flickr - https://flic.kr/p/fCUHha - part of a manuscript depicting Saint Brendan on the back of a whale.

Brendan's brother


Come sail with us to distant lands
to seek out unknown shores
we aim beyond the mighty waves
where no one's gone before

Brendan can you tell me,
when we'll be turning back
this journey feels like ages
and we are loosing track

The season's right to catch some wind,
we leave from the bay of Clare
our boat is filled we things we need
so join us if you dare

You went out from the Bay of Clare
and took a Western course
The forest tells me your mast is strong
that can stand the mighty force


waiting for the sun or waiting for the rain
coming down from glaciers 
or up from the flattened plain
Brendan I am your brother 
don't forget me yet
the wood that will carry you, 
came from the forest bed

I am his son and so are you
I travel through the woods
while you have chosen for the sea 
I hope it brings you good

our father he is waiting still
on any news from us
the tales of all this travelling
will arouse his wanderlust

Brendan's brother (featuring Kellie Rowley, Mark Hoogslag & ProgrockDan)

This was created to pay tribute to David Bowie.

You can find the video here:
https://youtu.be/6O8JRSHv2X0

You can find the album Songs of the Sea on Bandcamp.
https://oorlab.bandcamp.com/album/songs-of-the-sea

As a group Dick, Mark, and I had already worked on several Songs of the Sea we decided to combine the thoughts.  We identified a suitable tribute in Bowie's journey from the US to Japan on the Oronsay March/April of 1973.

Information on Bowie's maritime journeys can be found here:
http://cruiselinehistory.com/david-bowie-with-a-fear-flying-sailed-on-many-liners-and-cruise-ships/


Mark J. Bennett - backing vocals and lyrics
Dan Lockhart - guitar, bass, chords
Dick Vestdijk - vocals, lyrics, other instruments.

Lyrics:

was it love of sailing
or fear of flying
you took this ship
the man who fell to earth

Oronsay
On the Oronsay
to the rise and fall

Was it stardust
quicksand from which
dreams are woven
or fear of losing
your wits
the man who sold the world

was it a way
in your eyes
or in the papers

Oronsay
On the Oronsay
to the rise and fall

did you dine
at the captain's table
across the pacific
and follow the sun
come back again
to where you begun

reborn
as a Blackstar

Oronsay
On the Oronsay
to the rise and fall

Dine at the Captains table is reference to a film from 1959 in which the Oronsay was portrayed.
https://en.wikipedia.org/wiki/The_Captain's_Table

Songs of the Sea can be found here:
https://soundcloud.com/oorlab/sets/songs-of-the-sea

You can find Oorlab music here:
https://soundcloud.com/oorlab

You can find Mark's music here:
https://soundcloud.com/markjbennett



Oronsay (Tribute to David Bowie with Oorlab and Mark Bennett)

Picture https://flic.kr/p/pHxnU9 Oscar van der Velde - with kind permission

https://youtu.be/9b0WqilVn0w 

Dan's music : https://soundcloud.com/dan-lockhart & https://soundcloud.com/progrockdan1

A Sprite is a very large electrical discharge.  The Jellyfish Sprite is the largest of these discharges (lightning).  They are up to 30 miles (48 kilometers) by 30 miles (48 kilometers).


This song started when our friend Kelly Rowley posted a picture of this rare phenomenon.  Here is a link to some information on Jellyfish Sprites:

https://en.wikipedia.org/wiki/Sprite_(lightning)
 "Allusions to transient optical phenomena above thunderclouds can be found in anecdotal reports by Johann Georg Estor as early as 1730. Nobel laureate C. T. R. Wilson had suggested in 1925, on theoretical grounds, that electrical breakdown could occur in the upper atmosphere, and in 1956 he witnessed what possibly could have been a sprite".


The song draws an analogy between humans letting go of their emotions and the Weather letting go of electricity.  In both cases you have to learn to live with the effects.

Jellyfish Sprite 10-7-2018

Feeling so high and mighty
Letting off charges, Steam from my mouth.
Saying what I feel and feeling what I say,
My face is all red with emotion,
 Like a jellyfish sprite!

Hanging below is all those feelings,
Feelings of things gone by.
Deep in the past wrongs that were done
I explode for the world to see

chorus
Like Jellyfish Sprite (Powerful emissions)
Like a jellyfish Sprite (All red full of rage)
Like a Jellyfish Sprite (exploding for all to see)
Like a Jellyfish Sprite  – Jumping from a cage!


Optical emissions of my felt wrongs
Came as lightning, but faded as a song
Now it is done, I released my steam
and I must live with myself.

What all have seen, seen of me,
these feelings, so strong,
are now part of my aura.

I now know perhaps, they were too strong
But I must live, live with the perception.
I am a loose hinge, not seeing the bigger picture.

Chorus

The damage I carry, harm has been done,
regretting the words, that made you run.
The things I said, feelings that raged.

What was I thinking, why was there haste?
The cage we build, to protect ourselves
in the end, will be our prison.

Jellyfish Sprite (ProgrockDan collaboration)

Comments & ideas for collaborations appreciated. 
Instruments: violin, mandoline, acoustic, bass and electric guitars, harmonica, tin whistle, darbuka, sansula, roland synthesizers. 
Recording with Cubase Elements 11 

Recommending these inspiring musicians: 

https://soundcloud.com/the-plugs ;  https://soundcloud.com/pleudoniem ;  https://soundcloud.com/markjbennett ; 
https://soundcloud.com/dan-lockhart ; 
https://soundcloud.com/julsy ; 
https://soundcloud.com/houckjt ; 
https://soundcloud.com/tante-meli .

I am Dan Lockhart/ProgRockDan.  I am half of the duo Dan X2.  I enjoy making music with my partner Dan Blackard.  I was born in East St. Louis, Illinois.  I was raised in a rural area near Edwardsville, Illinois.  I have lived in San Antonio, Texas; Bad, Kreuznach, Germany;  Kansas City, Missouri; Columbus, Georgia; Haverhill Massachusetts;  St, Louis, Missouri, and Indianapolis, Indiana.  I have resided in Carmel Indiana for the past 20 + years.  I consider this home.  I have a small studio in my home.  I go to it everyday and work on creating (writing) songs.  I play bass, guitar, banjo, mandolin, pedal steel, piano, violin, and viola.  I use Cubase for my DAW.  I master using Izotope, Ozone.

You can find my other music on these sites:
https://soundcloud.com/progrockdan1
https://soundcloud.com/dan-lockhart
https://soundcloud.com/progrockdan-instrumentals

https://www.reverbnation.com/prdvocals
https://www.reverbnation.com/progrockdan1
https://www.reverbnation.com/daniellockhart4

My songs with Dan Blackard can be found here:
https://soundcloud.com/user-106484228
https://soundcloud.com/user-590884876

https://www.reverbnation.com/dananddan5
https://www.reverbnation.com/danx2


I have a collection Christmas songs here:
https://www.youtube.com/@prd.christmas4703

Children's music are here:
https://www.youtube.com/@musicfirkids

Here is a link to my Patreon Page.  You can find music that is only available to my patreon supporters on this page.
https://www.patreon.com/user?u=59878068

I have 72 Songs about Space here:
https://hearthis.at/progrockdan1/set/space-songs/

Jellyfish Sprite (ProgrockDan collaboration)

Oorlab

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