P-oddly

Nihon Mukashi Banashi

This is a composition made for a competition at TIGsource.com - the rule was that the bassline must only play one pitched note throughout the whole piece. You'll be able to hear scraps of both Stravinsky & Masashi Hamauzu's influence throughout.

Frantic Flight - TIGSource Musical Challenge Week 1 Winner

trumpets, half-time, wub & fat snares.
the music for this level:
http://www.youtube.com/watch?v=1iGucednkXE

Super Ubie Land: Midnight Lake

In a digitized and uber-scrutinized world of electronic music, there are not many things left to the realm of the mythical. You might call magical the way, how the Norwegian label Sex Tags Mania is constantly furthering our consciousness and feeding our appetite for the leftfield, the exquisite, the droll on the house floor. We're very happy to welcome Moss very own DJ Fett Burger in our midst, who has completed two bouncy hours of Chicago House by way of Norway, complete with special edits for this mix and some mystery tracks.

Nr. 57: DJ Fett Burger (Sex Tags Mania)

Disco-Renegades. House-Eccentrics. Purveyors of electronic freemasonry. Ok, I might exaggerate a bit here, but the Sex Tags Mania label has been Tagged many things. “They just don’t care”, one fan once said in an interview. Well, they do care, do what they believe in, being die-hard vinyl lovers and all. Ever persistent in their curiosity for new and old sounds, the Norwegians have been running their Bergen-based label since 2004. DJ Sotofett and DJ Fett Burger are also great artists, just take a look at their<a href="http://sextags.com/" rel="nofollow" target="_blank"> work</a>. This is a place where the aesthetic of old-school Chicago flyers clashes with black and white mutations of comic heroes of yonder: No wonder their Tag line runs "Graffiti can't be stopped.". DJ Sotofett's mix is an assemblage of some of his  classic house favourites: Be sure not to miss the part where he does his shout-outs in Norwegian.

Nr. 36: DJ Sotofett (Sex Tags Mania)

iTunes

08 Uiui-mar-chan

Boop

This is the music for my 3rd year film project at CalArts. It features a plectrum banjo and an mbira I borrowed from my World Music teacher. Luckily the mbira was relatively in tune enough to play together with the banjo at the end!

Eat!

Oorutaichi began recording and performing in 1999, inspired by The Residents,The Doors, Tyrannosaurus Rex, Aphex Twin and dancehall reggae. Initial recordings were multi-tracked improvisations using "real" instruments, toys and voice, evolving to composed songs using midi triggered instrumentation. 

08 Uiui-mar-chan

Oorutaichi

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