Jamie Hudson brings a monthly hour of hyper-terrestial, futuristic sounds straight from the information superhighway.

https://www.nts.live/shows/sendspaace/episodes/sendspaace-22nd-july-2023

Sendspaace 220723

Out of Phase (Rheya's In Phase Mix)

No Signal in the Club

I WANNA BITE YOUR TUMMY
LEAVE A LITTLE BITEMARK ON YOUR SKIN BECAUSE I'M HUNGRY 
I BET YOU TASTE LOVELY
I'LL EAT YOU ALIVE BUT LEAVE ENOUGH OF YOU TO LOVE ME
https://4kcarpet.com

TUMMY

The New York-based journalist talks about her breakout book, Mood Machine, live from Soft Centre Festival in Sydney.

As we approach the end of 2025, it's clear that one of the year's most zeitgeist-defining books has been Liz Pelly's Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist. The New York-based writer has been on a promotional tour, speaking at festivals around the world, and one of her recent stops was at Soft Centre in Sydney, where this Exchange was recorded live with writer, editor and DJ Audrey Pfister.

Pelly's background is in the DIY scene, college radio and independent alt weeklies, all of which ignited her interest in writing about music. Over the last few years, she has become an outspoken advocate for underground music, and an incisive critic of how the streaming economy has debilitated independent artistry. In this conversation, she unpacks some of her book's main conceits. Spotify, for example, was originally designed around advertising models rather than music-first models, which is why it rewards music that performs well at scale. She explains how that's created so much growing inequity in what performs well on the platform, and she also draws fascinating parallels between the streaming economy and digital media.

Mood Machine ends on a somewhat hopeful note, and Pelly proposes some solutions: as custodians of the independent music scene, we have a responsibility to go to live shows, subscribe to emerging DIY media projects and give money directly to artists by buying their music and merch. Listen to the episode in full. -Chloe Lula

EX.780 Liz Pelly

Living Room n°90 ~ @ghosttropics

~

q. pls introduce yourself:

a. Hi! I’m Ryan aka ghosttropics and I think most people on here know me as “that person who is in the comment boxes of all the ambient releases on bandcamp”. Mostly I’m just a huge music nerd/listener/dancer, but I try to write about the music that care about as much as I can as a way to engage with the community a bit more and to give back to the artists who bless me with the music that brings so much to my life. Which is how you guys found me! This is only the second mix I ever made and I’ve since worked on a couple more, and it’s becoming this very fulfilling new thing in my life that I look forward to exploring a bit more.

q. is there a story behind the mix?

a. First of all I just wanted to thank you guys for having me here and giving me this opporunity to work on this mix, which ended up being very meaningful and downright therapeutic for me to make. It is dedicated to my late best friend Blakely, and also to anyone who lives with that soul deep and unnameable feeling of missing someone, but also feeling them with you all the time. At the very centre of the mix (both figuratively and at the literal halfway point) is a track of Blakes that I hadn’t been able to bring myself to listen to for years. I always thought it was one of the most beautiful things I ever heard and just the purest audio distillation of everything I loved about my friend, and as soon as the mix started to come together I knew it was the right time to bring it back into my life. Everything from there just seemed to come together on is own as if guided by a gentle hand.

The feeling I tried to capture in this mix is not simply sadness because grief is SO much more than that. It’s about how that sadness can also be so deeply intertwined with a feeling of indescribable gratitude and joy in having known a person, and it’s about all the beautiful and unexpected ways we can keep them with us throughout our lives. To me, this mix is exactly that. A way to share the story of my friend with the world and feel closer to him, and I hope that listening to this can give others the space to remember and relate to their own experiences in a way that feels meaningful as well.

q. what’s the best way to enjoy your mix?

a. As is my answer to most things: lying down, eyes closed, cuddling a cute dog. But really, wherever works best for you! 

q. describe a favourite object in your living room...

a. I found the most beautiful/perfect antique rocking chair with a rocking footrest on the sidewalk a couple months ago and I swear I could not even conceptualize a better reading chair. I refused to buy one for years because I wanted it to be perfect (I read nearly as much as I listen to music) and part of me feels like I willed this thing into reality. 

q. are you working on any projects right now (music or not music)?

a. I’m thinking about maybe starting some sort of newsletter as my friends keep telling me to do, but for now I’m just gonna keep writing my little bandcamp reviews and making more mixes, cause that’s what’s feeling good right now. And despite my past promise to myself to never become a DJ (half joking) maybe buy a controller and start figuring out how to do some of this stuff live at some point!

Living Room n°90 ~ ghosttropics

Vague Culture FM 21-10-2025

Hoje Tu Toma Outra Chance (DJ ERIC FB x DJ PARIS x Roger Sanchez)

ゞ◎Д◎ヾ tracklist:
menlo park - ayesha erotica
i don’t wanna die… - kim petras
time - Ren G
eqetamine - EQ, MAJA, OKTE
fourth strike - terror jr. (feat. kylie jenner)
le sserafim - crazy (lyndo remix)
bar 4 bar freestyle - BABY OSAMAA
this conversation is over - alesana 
how i feel - stabseb
everybody dies - kim petras
memories consume……. like opening the wound. i'm picking me apart again…. - dive to the heart

ゞ◎Д◎ヾ KYLIE'S HALLOWEEN MINIMIX

[oh-uh-thee-ca]
 with love
an embodiment of ur dynamism
demos/edits/tools/mixes

contact: typehealing@gmail.com

Out of Phase (Rheya's In Phase Mix)

ootheca

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