Techno

Foremost international techno outlet Drumcode is delighted to announce the release of its next full-length album, ‘Satellite’, by enduring Italian techno talent Sam Paganini.

Though he has been active since the mid nineties, recent years have been hugely successful for Sam, with searing techno EPs coming on revered labels such as Riche Hawtin’s Plus8, Sven Vath’s Cocoon and of course, Adam Beyer’s Drumcode. In his time he has been responsible for underground hits like ‘Zoe’, ‘Polyester’ and ‘Fire In My Arms’, all of which demonstrate his dynamic understanding of sexy, dark and hypnotic techno grooves and at the same time have earned him plenty of great Beatport chart positions as well as respect from the best in the game.

Incredibly, ‘Satellite’ is Sam’s first full-length album. Informed by his DJ gigs at legendary places like Berghain in Berlin and Cielo in New York, the album starts with a dystopian bit of sonic scene setting, as if a space ship is charging up ready to take off.

From there it’s a case of getting straight down to business. ‘Another Chance’ is a spacey bit of cantering techno and ‘White’ is rooted in devastating kick drums and is riddled with serrated synth lines that build lots of great techno pressure. ‘Down’ is an undulating bit of funky techno complete with choice vocal flourishes and tracks like ‘Lotus’ are prime offerings from the deeper end of the scale.

No two tracks sound the same on Satellite: Sam is always teasing out a new bit of texture, nailing a slightly different vibe or exploring different amounts of light and dark throughout the course of this most excellent album. This is evidenced by diverse cuts like ‘Dusty’, ‘Toxic’ and ‘Rave’.

Despite ‘Satellite’ being Sam’s debut album, it showcases his seductive style in all its glory across 12 fantastic tracks that will leave you begging for more.

Sam Paganini - Rave - Drumcode - DCCD10

Jeff mills - the bells

Mr McKay is back on Drumcode with an EP that is very close to home, titled ‘Glasgow Safari’. Harvey has blended his synonymous synth stabs and vocal hooks together and has created another outstanding EP. The drums are fat and chunky as always and allow Harvey’s ideas to flow effortlessly over a solid foundation. The smooth use of dynamic throughout Harvey’s tracks also create impressive drops to add to another exceptional EP from Harvey.

Harvey McKay - Trick Baby - Drumcode - DC138

A work 12 months in the making, Adam Beyer continues his exciting series of collaborative EPs, teaming up with heavy-hitters Pig&Dan for an multi-faceted four-tracker.

Chances are up if you spied Adam Beyer in an airport departure lounge over the past 12 months, he’d have his head buried in his laptop, immersed in creating sound sketches. A long-time fan of collaborations, the Drumcode chief has been on an inspiring streak of form lately, teaming up with the likes of Mark Reeve, Dense & Pika and now Pig&Dan. The results have been compelling, to say the least. 

In trademark perfectionist Beyer style, the title track ‘Capsule’ – a shimmering slice of techno - involved “around 15 different versions” the track rigorously road tested by the Swede and featured in episodes of Drumcode Radio to test dancefloor reactions, before finally getting the sign off.  ‘In Love’ is a big room techno groover, driven by crisp drums and the kind of evocative vocal effect that’ll have hairs standing on ends. ‘Atmosfear’ is true to its name, centered on a menacing synth line and gritty percussion, its deep kicks and subterranean bass combining superbly to create a heady dancefloor brew. ‘We Are E’ is propelled by a catchy synth hook and a classic call-to-arms vocal, which tips its cap to the artists’ shared love of classic UK rave.

Adam Beyer Vs Pig&Dan - Capsule - Drumcode - DC171

Amelie Lens - Drift

My set from day2 of Awakenings festival in Amsterdam 2017. This is a clean recording with no crowd or mc.

Adam Beyer - Awakenings festival 2017 Day2 Drumcode stage closing

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Enrico Sangiuliano - Astral Projection

Drumcode returns with its 6th installment of the internationally celebrated A-Sides series. Renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why Beyer’s brand continues to go from strength to strength.

Techno titan Adam Beyer has grown Drumcode into a force to be reckoned with; the label has become synonymous with forward-thinking, functional techno and even after 20 years, Drumcode continues to find new boundaries to push, and ways to solidify its legacy as the world’s number one techno label. 

2017 is no exception, with Beyer’s imprint hosting it’s first stage at Tomorrowland, not to mention the expansion of the critically acclaimed Junction 2 where the Drumcode stage is the centrepiece and Adam plays the key role of festival director. The Drumcode phenomenon continues to grow each week, chiefly fuelled by Drumcode Radio, Adam’s radio show that’s broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week. 

The A-Sides series acts as a perfect vignette of Drumcode’s cutting-edge sound; functional yet inspired techno, all tracks tried and tested by Beyer himself. Vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends. 

The heart-throbbing bass in Amelie Lens’ electrifying piece ‘In Silence’ sets the tone for the dark and dance-floor-ready energy that Vol.6 carries the whole way through. Other standouts include Mars Bill’s rough’n’ready ‘Mohave’. Pulsating and precise, ‘Mohave’ has highlighted many of Beyer’s sets recently as has Wehbba’s monster track ‘Fake’, which fans have been anticipating the release of all year. 

Label-favourites Dense & Pika also feature on ‘A-Sides’ Vol. 6 with their hard-hitting ‘Just a Beat’ and a huge track from Beyer himself who has joined forces with Enrico Sangiuliano to bring us their undeniably infectious ‘Preset Heaven’. 

With many more notable selections from the likes of Julian Jewell, Timmo, Tiger Stripes and Pig&Dan, A-Sides Vol. 6 is another impressive addition to the label’s prolific release roster and a testament to why Drumcode remains at the forefront of the electronic world.

Amelie Lens - In Silence - Drumcode - DC178

Alan Fitzpatrick’s We Are The Brave label has been busy laying down foundations for the past twelve months. The run-away success of their debut single “We Do What We Want” is far from the entire story. Much of the last year has been spent “getting their hands dirty”; nurturing new talent (such as Boxia, whose “Point Of No Return” hit set summer stages alight), developing and establishing an events concept (via WATB parties in Manchester, London, Glasgow and Ibiza), and gathering like-minded artists and their music together to support the labels burgeoning release schedule. 

We Are The Brave was set up as a community. At the core of this enterprise is the spirit of collaboration. A partnership between like-minded creatives. An alliance between artists and fans. A hub for sharing ideas and for working together. Nowhere has this spirit been most apparent than between the growing partnership between Alan Fitzpatrick and Darius Syrossian. Individually, they are both figureheads of brands and headliners in their own right, however, both are open-minded enough to realize that they are stronger together than they are competing for every inch of space within an increasingly overcrowded market.   

“It’s great to see how Alan operates. It's normal for him to be a resident for a party like Do Not Sleep in Ibiza but at the same time pushing his own We Are The Brave brand and instead of this creating a conflict, he manages to create a win-win for all sides. He is such a down-to-earth and humble guy but he makes unreal music and brings just as much passion when he DJs.”   

Indeed, it is that same unpretentious sentiment that is at the core of Syrossian’s “Made For Manchester”, as Syrossian explains, “I was a weekly resident in Manchester from 2008 to 2015 and the city means the world to me as a built a strong connection with the crowd there. I don’t get to play the city as often as I’d like now due to my touring schedule, so I wanted to make a track for the city, one that I know has my signature sound but also an emotive feel to show home much love I have for Manchester”. 

And Syrossian’s thoughts on Fitzpatrick’s remix? “I love the fact that Alan can bring old skool rave sounds back into his music while keeping it underground. My original is quite heavy in parts and the breakdown is very main room, but Alan has put a perfect twist on the original and together the two tracks make for a perfect package”

Made For Manchester (Alan Fitzpatrick Remix)

BUY NOW

Darius Syrossian - Made For Manchester (Alan Fitzpatrick Remix)

Drumcode favourite Harvey McKay returns to the label with a darker new sound.

The Glaswegian has been a regular contributor over the years, highlighted by the memorable ‘The Illusion of Control’ EP in 2014 and his newer work with brother Ryan under the Alias moniker. Earlier this year Drumcode released the duo’s ‘Pentatonic’ EP and featured a mix on Adam Beyer’s radio, which included ‘Black Dolphin’, kickstarting the hype on the track.

Named after the infamous Russian prison, the title track is dark, tough, deeply textured brooding affair, with a menacing touch than runs through its core. McKay then brings in a huge synth line and changes up the dynamic of the track, giving it a powerful and driving feel. ‘Retox’ is a dark and twisted heavy-hitting cut, driven by aggressive drums and bassline, while a hypnotic synth line sustains a sense of tension throughout the six-minute track. Concluding the package is ‘Cover Up’, a fantastic stripped back exploration into dark atmospheric techno territory that’s tailor made for the winter warehouse raving season.

Harvey McKay - Black Dolphin - Drumcode - DC182

Slam  - Constructivism EP  - (@Soma 513d)

1. Mellifluous
2. Pantera
3. Paradox
4. Constructivism


Slam drop their 2nd release of 2018 as the duo continue to develop their unique and hard-hitting sound with the Constructivism EP. Despite the pair’s heavy touring schedule, they consistently deliver ever more impressive releases each time, exploring the realms of dance floor orientated Techno.   Opening with Mellifluous, surging synths are propelled by tough kicks and driving percussive elements yet the whole track is tied together by deep and emotive pads. Pantera begins to take things up a notch. A seemingly more stripped back approach gives way to hypnotic rhythms and effect drum workouts. Paradox lifts things further still, building gradually through effective use of subtle FX and a very in your face track structure. Title track Constructivism a colossal EMB cut, road-tested by the pair at Berghain just two weeks ago, closes out the EP. A well crafted and constantly evolving sequence burns at the heart and drives this monster home with furious energy.

Constructivism (Soma513d)

The seventh volume of Drumcode’s annual A-Sides compilation hits with no less than 10 debuts for the label, with Charlotte de Witte, ANNA, B.Traits and Scuba’s SCB project, among the collection of topline artists to release their maiden productions on the imprint. 

Over two decades into its lifespan, Drumcode keeps evolving and excelling, pushing techno forward while remaining wholly respectful of its roots. This reputation for progression was further fueled this summer with its inaugural festival at the NDSM Docklands in Amsterdam, featuring a long list of heavyweights including Nicole Moudaber, Joseph Capriati, Amelie Lens and Ida Engberg, among others. 

As ever, the A-Sides compilation provides a timely opportunity to showcase the full range of its sonic repertoire, with Adam Beyer scrupulously selecting 22 unreleased tracks that have taken prime position in his sets over recent months. 

Outstanding all-round talent ANNA kicks off the compilation with ‘Portable Paradise’, a pulsating cut that sets the tone for the top-shelf club cuts to follow. Also entering the debut field with their first ever Drumcode dalliances are B.Traits and Charlotte de Witte. The esteemed Canadian selector offers up ‘I Feel The Music’, a euphonic track that’s been sought after since spring, and the Belgian ballista unlocks a thick-edged club bomb in ‘Remember.’

Leaders of Drumcode’s new brigade, exciting Brazilian Wehbba and British techno alchemist Boxia set out to impress. Wehbba’s straight-talking ‘Just’ hits with an immediate sense of urgency before neck-snap claps strike with force, and Boxia’s ‘Final Call’ elicits physical engagement with mellifluous vocals and soaring pads. 

Continuously looking to bolster the profiles of emerging talent, Berlin-based producers Weska and Juliet Fox are brought into the fold with equally engaging razor-sharp tracks that are primed to do lasting damage. 

Other notable highlights include an exhilarating workout from Reset Robot - the most released artist on Beyer’s imprint Truesoul – as he lands on Drumcode for the first time. And tastemaker’s favourite Jel Ford makes a welcome return as he ushers in techno rhythms with bustling breaks in ‘Nightshade.’

Elsewhere, support from label mainstays comes in from Bart Skils, who offers a work of consummate skill in ‘West Of The Moon.’ Alan Fitzpatrick, who’s been heavily featured across the A-Side series, joins forces with Scuba as he operates as his uncompromising alias SCB. The result is a propulsive floor-gripper that testifies to their masterful deftness as co-producers. Formidable duos Dense & Pika and Pig&Dan also contribute with powerful compositions.

Christian Smith & John Selway - Burning Chrome - Drumcode - DC195

Fatima Hajji @ Fabrik Madrid
All Night Long
05 01 2019

Fatima Hajji @ Fabrik - All Night Long (Madrid) 05 01 2019

Pre-order here — bit.ly/DC200BP

Techno’s most influential label hits 200 releases with two powerful Amelie Lens interpretations of an Adam Beyer classic.

Over the course of its lifespan, Drumcode’s vision has remained resolute, crafting techno that’s both functional and forward-thinking. It’s a philosophy that extends to the stable of artists who release on the label and play its showcases, with Adam Beyer’s eyes and ears always focused on the future. 

One artist in his viewpoint in recent years is Amelie Lens. Supporting her early productions on Lyase and Second State, a kinship naturally developed between the two artists, with Beyer asking her to contribute to 2017’s A-Sides Vol.6 compilation. Her blistering acid cut ‘In Silence’ blew the collective techno world out of the water.

Eighteen months on and now a regular on Drumcode showcase line-ups, Beyer has sought the Lenske Records boss to apply her energetic take on techno and remix ‘Teach Me’, his deep, Detroit-influenced cut from 2014. The Main Mix highlighted the Swede’s Drumcode Halloween set in London and is an exhilarating peak-team weapon driven by a grinding bassline that undulates with intensity, while Lens has made smart work of the vocal, teasing out the sample to harmonic perfection. The Acid Mix sees the Belgian deliver a stripped back 303-led affair, utilising the looped vocal to build energy in the first half of the track, before rapid-fire percussion and squelchy stabs take control and push the atmosphere into darker and more ominous realms. 

Tracklist: 

1. Adam Beyer – Teach Me (Amelie Lens Main Mix)
2. Adam Beyer – Teach Me (Amelie Lens Acid Mix)

Buy all

Adam Beyer — Teach Me (Amelie Lens Acid Mix) — Drumcode — DC200

Patrick Mason and Rekids boss Matt Edwards return for their second appearance as SRVD with two cuts entitled ‘RAW FILES’.

Not confined to a single art form, Patrick Mason is a young creative at the forefront of Berlin’s art, fashion, dance music and LGBT scene; an influential club kid who developed a friendship with Matt Edwards after a chance meeting in Panorama Bar, resulting in numerous studio sessions and improvised live sets. Joining forces in 2018, the pair adopted their SRVD moniker – an alias inspired by New York’s vogue scene – before dropping their debut release on Rekids, playing at various clubs (notably Panorama Bar), not to mention an unforgettable performance at Boiler Room x Pornceptual.

‘The Yard Man’ presents rattling drums, piercing vocal chants and a tormenting melody that SRVD has been destroying dancefloors with over the last year. On the flip, ‘Brotha’ presents a compelling groove as a shuffling rhythm joins abrasive synths and Mason’s penetrating voice.

SRVD - The Yard Man

Premiere: OC & Verde - Menace (Original Mix)

Artist: OC & Verde
Title: Menace
Label: Filth On Acid
EP: Loadstar
Release Date: 14,06.2019

Filth on Acid’s massive 2019 continues with more techno power, this time from the esteemed duo of OC & Verde. This pair have had plenty of support from tastemakers like Pete Tong who announced them as ‘New Names for 2018, Danny Howard who made one of their remixes Friday Fire on his Radio 1 show and Adam Beyer. They have released their huge tunes on Bedrock and Knee Deep In Sound before now and often climb into the Beatport Top 10.

Opener Menace is a bulky tune with rumbling bass and dark synths. It is a thunderous cut that will rattle the walls of any club and has a wild acid line to really make it ignite. Loadstar then gets cosmic with sci-fi melodies and withering synth lines that take you into the galaxy as the shuffling drums roll on. Last of all Cobra hits hard again, with more laser-like synths and heavy drums all demanding you dance.

This is another fierce EP from this fine label and essential duo.

Premiere: OC & Verde - Menace (Original Mix)

Tiger Stripes follows up ‘Baby’ with a quintuplet of aces on Drumcode.

Death, taxes and Tiger Stripes crafting dancefloor weapons for Adam Beyer’s Drumcode and Truesoul labels. Not many things in life are certain, but we’ve always counted on Mikael Nordgren knocking it out of the park. Last year’s ‘Baby’ EP was a label highlight, while in March he released ‘Sneaking Hotdogs Into People’s Pocket’, which mined the spirit of ‘90s-drenched euphoria and was a standout on Truesoul. Now he’s back dropping heat on DC.

Taking the retro vibes of Hotdogs into more techno-orientated territory, he bunkered down with his family in the Swedish forest, setting up a makeshift studio in the kitchen. From this, the five-track ‘Into Desolation’ was born. Beginning with ‘Recluse’, it combines steely bass rumbles with old skool stabs and a heady vocal from Mikaela Rahmqvist. ‘Basshunter’ is propelled by galloping bass and a catchy undulating melodic loop and is brilliant in its effective simplicity. ‘Into The Early Night’ is a pearl, comprising deep compression-heavy bass stabs, perky percussion and a rousing vocal, making it a winner at festivals so far this summer, including Awakenings. ‘Ignition’ fires on all cylinders with a wicked arpeggiated hook and pounding drums. ‘Ride’ is a nostalgic nod to the past as trance-inspired chords marry deliciously with crunchy future-focused techno.

Tiger Stripes — Basshunter — Drumcode — DC209

Rave Dan Rave Rave
Techno Dan Techno Techno

To celebrate Reinier's 11th DAN black belt in raving after a full week of EATING CONCRETE he opens a creative bottle from his birth year 1991, while politely nodding to the classic T99 - Anasthasia.

Techno

Toovsterr