music is art! and so this must be true unfiltered art!! great job :) the birds are such a nice ambient touch to this.. the backing sounds are so ambient and chill love it!

clever integration of the natural and the human-made.. has a sense of peace and wonder

Awesome! Loved the original track as well, but this remix actually sounds charming and very peculiar!

soundtrack to the post apocalyptic sunrise!

Lovely birdy sounds...dreamy-spatial beauty XOXOXO

Great Conjunctions

Winter landscapes

Here is a version of my track with brilliant contributions from
Lovely Llanpsych on guitar https://soundcloud.com/llanpsych
Jazzy joerxworx on flute https://soundcloud.com/joerxworx
Thanks gentlemen! I advise listening to their music: )

Tea And Muffins Take 2 (Instrumental) with Llanpsych And Joerxworx

Nightflight

Excerpt from 22:12 length single track: "Cementerio Central Bogotá" (2019)*music by Sábila Orbe. *vocals by Mist Spectra.
 Listen/ Free download full track from 3 alternative links:
- https://archive.org/details/cementerio-bogota-single
- https://humanfobia-official.bandcamp.com/track/cementerio-central-bogot-single-2019
- https://hearthis.at/humanfobia/01-cementerio-central-bogot/

Humanfobia - Cementerio Central Bogotá (Excerpt)

https://www.youtube.com/channel/UCybIXGbu4MFQksYh1rQXAfg?view_as=subscriber

Dance with the rain

When my ship comes in        A. D. A. E

When my ship comes in
I’m going to buy you a diamond ring
So dear and clear
Like a sparkle from your eyes

When my ship comes in
I’m going to buy you a convertible 
With a white rag top
To let the wind deep inside

And when you drive downtown 
And you come to a stop
Wave to the boys 
As you put up the top 
When my ship comes in 
You’ll never want again 

Cause when my ship comes in 
I’m going to buy you everything 
When my ship comes in 
I’m going to buy you everything 

When my ship comes in 
I’m going to buy you a great big house
With a rooftop pool
Swimming in stars every night

When my ship comes in 
I’m going to buy you a convertible 
With a white ragtop
To let the sun deep inside 

And when we drive downtown 
And we come to a stop 
C’mon gimmie a kiss
Before we put up the top
When my ship comes in 
You’ll never want again

Cause when my ship comes in 
I’m going to buy you everything 
When my ship comes in
I’m going to buy you everything

when my ship comes in

... where superheroes are called Jane/John Doe

Emergency Room

808 re-mix of blackbird.
might have to re-mix this someday, but ah well...

blackbird 808 mix

blackbird 808 Mix

This interview really smacked me in the face. I really felt sympathetic to this guy who' s obviously oblivious about the situation. Tried to put me in his shoes and it felt like pure noise. So i tried to emulate the effect of this interview on his state of mind using sound. 
This track is the first born from Me, my Thumb and Jack with UnterPitch and Bleached Coffins. Got tired of determining whether it was a MMTJ track ft. UnterPitch or vice versa. So from now on new tracks will be created under the moniker Gruppo Infernal. This track was recorded using techniques from my different alter egos as a celebration of this new phase in my musical quest. Hope you enjoy.

Ob(li)vious(ly)

last track for the year 2020,
#industrial, #noise, #korgvolca, #theremin

you already know-staring into the abyss-your eyes staring back

All guitars (Fender Strat & Epiphone ES 339)by Martin Jansen: https://soundcloud.com/m_ja // Tenor sax & Akai EWI by joerxworx // Keyboards, vocoder, vocals, beat programming, mix & mastering & sound design by Morten Jeamland https://soundcloud.com/orteneamland
Words & Music by Jeamland

Upside Down // Morten Jeamland featuring Martin Jansen & joerxworx

Joking Around A Beats

As I already have done so previously, during this jam session I again experimented with a vast amount of different samples and employed a technique which I like to call "time-synchronized sampling of percussive sounds". I played back a drum and percussion sample at 100 BPM through my humble Eurorack which was also set to 100 BPM. The next step was feeding the sample through the Make Noise LxD module (which is a dual low pass gate that can function as a filter, and also be pinged to produce percussive sounds) and modulating it by a collection of different Eurorack modules. Due to the imperfections in the synchronising, the already percussive sound was "forced" into a slightly skewed percussive structure which results in these intricate glitchy raw rhythms. Additionally, an LFO at audio rates in conjunction with the LxD were used to create auxiliary drum and percussive sounds.

As so often the case, this jam session took a couple of hours, and I experimented with a vast amount of sounds, settings and samples. Unfortunately, I didn't make a note what samples exactly I was using here. The only thing I clearly can remember is that I took one of the rather rare interviews by Aphex Twin and played it back in order for his narration to fit the rhythm of my jam session, which is heard in the second half of the track. Also, at the beginning, samples from the 2007 documentary "What The Future Sounded Like" can be heard.

Again, I recorded the result of this jam session in Audacity, which I used in post-production to extract the best parts from that jam session in order to create this track. As always, I only used basic audio editing techniques like simple crossfades. Only a touch of soft limiting and a high pass filter at 30 Hz was applied, no elaborate approaches like mastering were used whatsoever. Thus, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

Glitchy Technoid [Jam session sections: RAW2021 - 1]

music . Tot. @user-288513022 & @tot-beat
instrumental is here: https://soundcloud.com/user-288513022/sweet-volt
lyrics, vocals & their mix, cover design . Mariam Zohra D : Myrh

WORKIN OVERTIME
sittin’ on a barrel that was hard to find
and i’d been working overtime

sitting on a barrel - i see people holding hands…

hard to find… it was hard to find
- holding holding holding
it was hard to…

oh, hard to find - i miss you

all i want - working - i miss you so
i miss you so

sittin on a barrel that was hard to find
and i’d been working overtime
working working working

tapping tip tap your wheels and barrels
i miss you
working
i miss you
tip tapping your wheels
tip tap tip tapping on your wheels and barrels
on your wheels and barrels


tip tapping tip tapping
hey! hey!
tap in! tap in! i miss you i miss you i miss you

Workin Overtime | Tot. & Myrh

▼ Follow Nicksher Music:
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SoundCloud: @shabboo-harper
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Nobody Else

Single

🎧 Stream/📥 Download

Shabboo Harper - Nobody Else (Original Mix)

A recent astronomical event was, quite obviously, at the root of this odd musical piece. I accidentally came across a few posts on the social networks conveying a certain degree of confidence in this astrological occurrence, but I honestly couldn't afford to share their flaunted optimism. I couldn't recall any idyllic connection between Jupiter and Saturn, so I thought that a recording of an acapella singing performed by my wife about 10 years ago might have best fit my initial sonic atmosphere. It was an improvised sung rendition of an Arabic poem composed by Said Bin Ahmad al-Busaidi (d. 1803, feel free to check https://en.wikipedia.org/wiki/Said_bin_Ahmad for a short bio) that seems to have been used as lyrics by several modern Middle Eastern artists. I thought of it as a suitable fictional outlet for a broken hearted Saturn.
On the other hand, my everyday life subsequently offered me a chance to observe this "great" conjunction from a socio-political perspective in the country where I'm living in. I had the opportunity to take a field audio recording of a riot that took place not so far from my home in mid-January (feel free to check https://www.youtube.com/watch?v=4dI90RFsEF4 for a short account of the current situation), and I thought that it would perfectly give expression both to the disappointment of local people against those who have been managing political power since the so-called Arab Spring in 2011 and to the sympathetic, balanced reaction shown by law enforcement and the government itself. In order to sound politically correct, I thought it was appropriate to give voice to the establishment as well, to "Jupiter" if you like, so I googled around and found an awesome video (https://www.youtube.com/watch?v=BpJVq78A4Y0) starring the guy who's been behind the scenes of this brilliant democratic experience in Northern Africa during the last 10 years. I extrapolated a few audio samples from his declarations and used them in the first sequence of this piece.
I finally added a few instrumental and vocal parts, then I processed all of the audio recordings through a heavy, meticulous sound design work. Hope you'll appreciate the result.
EDIT: One year after its original release, I created a video for this track… You might like to check it out at https://youtu.be/0c9fyvCDqiU

Aroussia Riahi : vocals
Teth Sin : bağlama, bass guitar, samplers, background vocals, field recordings, sound design, vocal arrangement/mix

Original composition, arrangement, mix, mastering & cover artwork design by Teth Sin

LYRICS (a partial rework of Said Bin Ahmad al-Busaidi's "Ya Man Hawah" ; sadly this text field doesn't seem to properly support RTL scripts, but I guess most of the listeners will only read the English translation I provided below):

JUPITER:

We try to avoid any sort of exclusion.
We opt for the dialogue... Consensus.
We faced many problems.
All our policies are based on the notion of consensus.
I don't deal with "if", I deal with reality.
We try to go to the consensus.
There isn't any paradox.
To avoid any sort of extremism, democracy is the solution.
We need international cooperation, regime cooperation, development, democracy, dialogue, consensus... Consensus.

SATURN:

يا من هواه
أعزه وأذلنـــي
كيف السبيل إلى وصالـــــك دلني
أنت الذي حلفتني
حلفتني وحلفت لي
وحلفت أنك لا تخون وخنتني
فلأدعين عليك في غسق الدجى
يـبـلـيـك ربي كـمــا أبلـيـتـنــي

Oh you who love
Oh you who passionately love
May you be cherished and may I be humbled
Show me how shall I ever find the way to get back to you
It was you who made me swear, and you swore to me
You swore you weren't going to betray me, but you cheated on me
So I'll pray against you in the dark of the night
May the Lord afflict you just like you afflicted me

The Great Conjunction

welcome to my wormy hell.
  the music grinds off-key.
                               C. Bukowski 

All music free to download.

All instruments & artwork - peter wessell. 
Using mainly Korg Volcas(bass, modular & sample), Moog Theremini, Yamaha piaggero piano, guitars(fretted & fretless & some bass). Arturia keylab49 with various vst synths, mainly SURGE synth by VEMBER AUDIO.

First album, "That's Sin", is out on Bandcamp @ https://tethsin.bandcamp.com/album/thats-sin

blackbird 808 Mix

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