Ambient/Study/Relaxing/Calm

Isolation, solitude, contemplation. These are the themes that discreetly weave their way through Disappearance, the first collaboration album between 12k’s Taylor Deupree and pioneering electronic composer and pianist Ryuichi Sakamoto. The two began their musical dialogue in 2006 when Deupree was invited to remix a song from Sakamoto’s album Chasm. “World Citizen” was the song and it sparked continued collaboration as Deupree contributed to two of Sakamoto’s activist projects: Chain Music (http://www.sitesakamoto.com/chainmusic/) and KizunaWorld (http://kizunaworld.org/english/index.html) (as a trio with Sakamoto and Stephen Vitiello.) With the convenience of both artists living in New York they kept in touch, released music on 12k (Willits + Sakamoto’s Ocean Fire) and, in April of 2012, performed live together at John Zorn’s club The Stone. It was this concert that planted the seeds for Disappearance.

The initial tracks for Disappearance were recorded at Sakamoto’s studio in New York City during rehersals for the April concert. The two immediately entered the same sonic mindframe that lead to hours of concentrated, hushed music. Sakamoto’s piano playing, both traditional and prepared, emerged as perhaps some of his most beautifully sparse in recent years, letting the sound of the room and shuffle of chairs take an active roll in the recording. Only the most minimum of essential notes, accentuated by silences and the scraping of the piano’s strings, plays alongside Deupree’s nuanced passages, created with analogue synthesizers, strings, and found objects. These warm, human tones became the means of communication between the two artists who effortlessly created a musical language.

The five tracks that make up Disappearance are delicate and composed, however, they’re not all peacefulness and placidity. Micro-tuned edges, bursts of noise, percussive prepared piano and the warble of old reel-to-reel tape keep the mood grounded and warm, turning it inward and asking the listener to reflect on their path. “Curl To Me,” the album’s final piece, is highlighted by the sounds of Ichiko Aoba, a major up-and-coming singer/songwriter from Tokyo. Both Sakamoto and Deupree have recently worked with Aoba in Japan and wanted her presence felt on the album. Emphasizing the solitude and stillness of the recordings, Aoba provided both her voice and the almost disturbingly intimate sound of her own heartbeat.

Disappearance is a soundtrack for holding breaths. Sakamoto and Deupree lay down worn roads, but don’t leave signs, for a journey woven together by the quiet celebration of the fragility of nature and life.

Disappearance

Jyaku

BUY ALBUM

Hauschka live at Radialsystem on 22 March, 2014.

Special thanks to Michael Buchholz and Carlo Grippa for the amazing sound.
Recorded at Radialsystem, Berlin.
Published with permission of the artist.

If you like what you hear, support the artist!
http://hauschka-net.de

Visit UM:LAUT on Facebook and spread the word:
www.facebook.com/umlautberlin
www.umlautlive.de

Hauschka @ UM:LAUT - Craco (Live)

Instagram: carrotina_ 
Original Track by MODERAT: https://www.monkeytownrecords.com/artists/view/6/moderat

MODERAT-  Last Time Piano Cover 2014

The Ambient Fields

Rain Study

Lost

November 16, 2025 (Original "plot::13.3": September 13, 2024)

A / B, i actually still like these ones kinda :D
pt.2 coming tmrw <3


·˳.plot_13.3 (remaster.v2).✶.*

Tame (Peyman Yazdanian,Hesam Inanlou) - Hermes Records HER079

Composer: Roya Torabi
Producer: Ya'Ra
Artwork: Sevad
Buy on iTunes: itunes.apple.com/album/id10812753…?ls=1&app=itunes
Buy on Apple Music: itunes.apple.com/album/id1081275392
Spotify: open.spotify.com/album/4OMM2wVvyZSbCEdFfPFZAD
Audio CD on Amazon : http://www.amazon.com/Staff-Roya-Torabi/dp/B01BZJLEC2/ref=sr_1_1_twi_aud_2?ie=UTF8&qid=1456059413&sr=8-1&keywords=roya+torabi
www.RoyaTorabi.com

04 Alternation

Composer: Roya Torabi
Producer: Ya'Ra
Artwork: Sevad
Buy on iTunes: itunes.apple.com/album/id10812753…?ls=1&app=itunes
Buy on Apple Music: itunes.apple.com/album/id1081275392
Spotify: open.spotify.com/album/4OMM2wVvyZSbCEdFfPFZAD
Audio CD on Amazon : www.amazon.com/Staff-Roya-Torabi…words=roya+torabi
www.RoyaTorabi.com

03 Hope

02 Birth

Composer: Roya Torabi
Producer: Ya'Ra
Artwork: Sevad
Buy on iTunes: itunes.apple.com/album/id10812753…?ls=1&app=itunes
Buy on Apple Music: itunes.apple.com/album/id1081275392
Spotify: open.spotify.com/album/4OMM2wVvyZSbCEdFfPFZAD
Audio CD on Amazon : www.amazon.com/Staff-Roya-Torabi…words=roya+torabi
www.RoyaTorabi.com

Before taking an espresso, drink a glass of water to get rid of whatever you had beforehand so you have a cut clear moment, once you play the album from the beginning you will have 7 second of silence. concentrate for 6 seconds to clear whatever noise your ears heard.

01 Invasion

Swod - Nein

from 'MYTH II - A Need to Survive' [CD|LP|DIGITAL]
Denovali Records · den306
available on all formats at http://denovali.com/theeyeoftime


The Eye of Time is the solo-project of French musician, Marc Euvrie. His new album ‘Myth II : A Need To Survive’, released 3rd August on Denovali Records, is the second part of a trilogy of releases about the path that humanity takes over the ages. A multi-layered tapestry of experimental sound, ‘Myth II : A Need To Survive’ merges darkness and hope via minimalist beats and stark bass.

Myth is a word with ambiguous meanings in the dictionary, but all these lead to the same conclusion. We could decide to see things on the bright side, or to a have a more dramatical (in the literal sense) look on it. Like if one species is looking at another, and in a different era. Myth is a feedback to the tragical events of our time, to what people have to endure nowadays in order to survive, as well as the refugees travels, and the resistance against capitalism that is growing all over the world. Myth is also a particular way to see things, to take sides with history. When we talk about ancient political activists and revolutionaries, resistances to the established order, we make the choice to transform it into a myth, a history full of heroes. But the past is the present. And our present will be the past again. It is on us to take action in order to avoid our inevitable end.

On ‘Myth II : A Need To Survive’, Marc adds, “The period between the release of the first two records of this trilogy is a most significant one in my life. ‘A Need To Survive’ is the perfect title to name it. I have fought darkness. I have faced myself. I've been into the deepest introspection ever, but I'm on my way to recover, and I will never be the same again. I guess I have faced the worst but most important period that everybody will face in his life. To know yourself better, to see the bad and the good things you're capable of.” 

He goes on to say, “I feel that the album trilogy I started in 2016 will match my path to become a better person in balance. ‘Myth I : A Last Dance For The Things We Love’ corresponds to my falling into darkness, ‘A Need To Survive’ to finding the energy to rise again and the last record which will be named ‘To Heal’, corresponds to me right now, feeling positively mature.”

Euvrie's musical development is deeply connected with the French DIY punk and hardcore scene, although he has been classically trained. He started to play piano at 9 years old, composed his first pieces at 15 and studied cello at a Conservatoire after finishing school. Euvrie played in several bands before, being influenced by Claude Debussy, Philip Glass, Frederic Chopin, J.S. Bach, Michael Nyman just as Godspeed You Black Emperor, A Silver Mt. Zion and Portishead, he began to translate his personal reflection of our complex world into music, which initiated The Eye of Time. 

His extensive self-titled debut album was released in spring 2012 and exposed a dark look on the present, past and future. His last albums were promising a glimpse of hope (‘Acoustic’) or pitch-black despair (‘Anti’). ‘Myth I : A Last Dance For The Things We Love’, released in 2016, dealt with introspection, impregnated with minimalistic moments, where piano and cello write the story of loneliness and calm, accompanied by both grim and hopeful melodies.

The cover artworks of the ‘Myth’ album trilogy display pictures by Emin Özmen, a winner of the world press photo award. His work is focused on the situation in Kurdistan, Syria, Turkey and the "refugees". His work has been published by Time magazine, The New York Times, BBC, Guardian, among others.

MYTH II : A Need To Survive

The Eye of Time - Notre Amour Est Assez Puissant Pour Détruire Ce Putain De Monde

Composer and drummer of Dawn of Midi, Qasim Naqvi, releases his debut album for Erased Tapes on May 3rd. 'Teenages' captures the sound of electronics living, breathing and mutating of their own accord – almost autonomously – with only subtle, sparing but perfectly-judged and masterful guidance.

This album is one singular synergy between Qasim and his machine within a broader milieu of sound, also explored by contemporaries Sarah Davachi, Alessandro Cortini, Caterina Barbieri and also the forefather, Morton Subotnick. At points tonal, textural and rhythmic, over six evolving and growing audio organisms, the album flourishes upwards in stages, from initial micro-sonics to something bigger, brighter and anthemic.

With 'Teenages', Naqvi summoned all the material on an analog modular synthesizer – a voltage-controlled sound generating system comprised of multiple modules. Naqvi built this synth over the course of two years and amassed a collection of works for this album. The album chronicles both Naqvi’s understanding of writing for this type of instrument and the growth of the instrument itself:

“I started with just a few modules. And naturally things had to be layered and pieced together but as the synthesiser and its components grew over time, I was able to create broader and more complex strokes in the moment. And by the time I got to ‘Teenages’, it was possible to create a robust, large-scale piece spontaneously. This is very much an experiential album for me because it was borne out of my direct experience of learning the instrument. And as the synthesiser grew over time with more components, it matured. At times I felt like it was even rebelling against my instructions or surprising me with what felt like its own choices. When everything was finished and I was thinking about track titles, this idea of artificial intelligence came into my head; a machine that reacts to your impulses and is capable of giving you something different from what you ask, and even defying you. It felt like different stages of growth and adolescence, and that lead to the album title, ‘Teenages’.”

Deeply rewarding on close listening, Naqvi has created an inspiring and synapse-stimulating new masterwork, within the analogue/modular cannon.

· pre-order 'Teenages' on LP/CD/DL: https://idol.lnk.to/QasimTeenages

Teenages

No Tongue

Buy LP/CD/DL

Qasim Naqvi - No Tongue

Через сотни лет

Через сотни лет (ремикс 2001)

Husky Rescue - The Long Lost Friend
P&C El Camino Records
www.elcaminorecords.com
info@elcaminorecords.com

Swod - Nein

opadalco

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