OPEN PORT CLUB mix series

Originally from Milan, Paquita Gordon is now based in Mallorca, and has been active in Europe, including a residency at the Terraforma festival.
After I listened Paquita Gordon's DJ for the first time, I went to listen to her DJ whenever I could. Due to the pandemic, I haven't been able to do so for a year, and our OPC mix series has also taken a year off. I am very happy to be able to restart again with this mix that she prepared for OPC. Here's a window into her world as she delves and explores different kinds of music.
Open Port Club Mix series Vol. 11 - Paquita Gordon, Enjoy!

イタリアのミラノ出身で現在はスペイン、マジョルカ島を拠点に、イタリアのTerraformaフェスティバルでのレジデントやヨーロッパを中心に活躍をしているバイナルDJ、Paquita Gordon。僕が初めてPaquita GordonのDJを聴いてからは可能な限り彼女のDJを聴きに行った。パンデミックの影響で1年間それが叶っていないが、私たちOPC mixシリーズも1年間の休みを挟んだ。彼女がOPCの為に用意してくれたこのMIXでまたリスタートできることをとても嬉しく思います。さまざま音楽を掘り下げて探究してきた彼女の世界を覗ける窓の１つがここにあります。Open Port Club Mix series Vol.11 - Paquita Gordon、お楽しみください！

Interview & Tracklist : http://openportclub.net/opc-mix/paquita-gordon/
Paquita Gordon SoundCloud : https://soundcloud.com/paquitagordon

=INTERVIEW=
Q1. How and where was the mix recorded? Could you tell us about the idea behind the mix?
The mix is realized at my studio with the use of two Technics 1210 turntables, two Shure needles, an Ecler mixer and a Zoom digital recorder on 14 April 2021. It is composed by a selection of electronic dub and downtempo records from the last thirty years, taking the listeners into a deep sonic adventure.

Q1. このミックスはどこでどのようにして録音されたのでしょうか？また、このミックスの背景にあるアイデアについても教えてください。
このミックスは2021年4月14日に私のスタジオで、Technicsのターンテーブル1210を2台、Shureの針2本、Eclerのミキサー、Zoomのデジタルレコーダーを使って形にしました。ここ30年間にリリースされたエレクトロニック・ダブやダウンテンポのレコードのセレクションで構成されており、リスナーを奥深い音の冒険に誘います。

Read more : http://openportclub.net/opc-mix/paquita-gordon/

OPEN PORT CLUB Mix Series - Paquita Gordon

Alex Albrecht ( @melquiadesmusic ) is a local Naarm/ Melbourne based DJ/producer & label boss, running the charming, ethereal local imprint Analogue Attic ( @analogueattic ) alongside @sean_labrooy, which showcases the gentle side of music down under. 

Between running his label, dj'ing, and solo releases under "Alex Albrecht presents Melquiades", Alex is also known for his productions alongside his co-label head, Sean La Brooy, under Albrecht La'brooy ( @albrecht-labrooy ). The musical duo have an impressive slew of releases which combine elements of electronic and classical/ jazz influenced music, with a beautiful result. The two have also run various events in Melbourne across the last decade. 

Alex showcases his solo project in his mix here, with a bunch of his own productions embedding the mix. 

Thanks for the beautiful mix Alex!

Downloads enabled

Animix Ninety Nine: Alex Albrecht

ROOFTOP STUNMIX 05 - PJENNE | MILLÚ | KATIE PEARSON

Rooftop StunMix 05 ~ Pjenne | Millú | Katie Pearson

Here is the 12th mix of OPEN PORT CLUB mix series by Tornado Wallace.  Hope you enjoy that 65 minutes a meditative journey.
OPC Mix 12本目となる今回は、メルボルンに生まれ近年はベルリンを拠点とするTornado Wallaceによるミックス。日本ツアーを目前に控えて録音された65分の瞑想的な音楽旅行をお楽しみください。
インタビューも合わせてどうぞ。

Interview : http://openportclub.net/opc-mix/tornadowallace/
Tornado Wallace SoundCloud : @tornadowallace

=INTERVIEW=
Q1. How and where was the mix recorded? Could you tell us about the idea behind the mix?
I recorded it at home using a turntable, an e&s mixer and ableton. I wanted to listen through to music I had come across recently and dig into the tracks deeper. I leaned more into the trippier sounding tracks with really nice sonics and "world-building" characteristics.

Q1. このミックスはどこでどのように録音されたのでしょうか？また、このミックスに込められた思いについて教えてください。
ターンテーブル、E&Sミキサー、abletonを使って自宅で録音しました。最近出会った音楽を聴いて、より深くトラックを掘り下げたいと思ったんだ。トリッピーなサウンドで、音質が良く、「世界観がある」楽曲に重点を置きました。

Read more : openportclub.net/mixseries/tornadowallace/

OPEN PORT CLUB Mix Series – Tornado Wallace

Another exciting premier through our airwaves! Colours In The Night w. Jane Fitz begins today and returns every couple of months.
“Old and new music collide; all comes with details and perhaps a story or two. This is not a mix show, nor DJing, just non-club sounds I really love and want to share. And yes, there's talking”.

COLOURS IN THE NIGHT  w. Jane Fitz [Premier] [10.01.2023]

Recording of my set at Club Cosmos in Leeds....a special place with a special vibe in an old re-purposed mill....super chilled with people lying around on beanbags, tons of dry ice and lovely kaleidoscopic oil slide projections on every wall. Space IS the place!

Oh and set was recorded using vinyl, USB and Ableton Live...a real mish mash of formats!

Follow @clubcosmos and if you're in Leeds....go there!

GK Machine @ Club Cosmos, Leeds (26.02.23)

Records and one take recording.
Live At Hedgehog's House on January 29 2023. for OBEY Clothing / OBEY Records. 

Recording by VI
Layout by Perceval Konompatzki

https://obeyclothing.com/blogs/zine/obey-records-ep-63-vladimir-ivkovic

Vladimir Ivkovic - Obey Records Episode 63

"A DJ Mix by Vladimir Ivkovic for Offen Music"

EGMM recorded in one take in the night of March 12 2023.
Happy short rotation around "Pauk", back then a new track by 33.10.3402.
Music by Big Daddy (Offen Music), As One, MOY, Millia, The Black Dog, Kovyazin D, Jonny3snareS, Zodiac Childs & G303, Maroki, and 33.10.3402 as heard passing out on a toilet of a house party.

A DJ Mix by Vladimir Ivkovic for Offen Music

@kuba97 recorded during the afterhours at Funke in Gent, Belgium 2-5pm,  09/04/23

<3

ani/live Fifteen:  Kuba'97 @ Funke

Here is the chapter13 of OPEN PORT CLUB mix by Ramzilla a.k.a. RAMZi from  Montréal Canada. Please enjoy a 72-minute musical journey filled with positive energy.Check out mix and special interview below!

OPC Mix 13本目となる今回は、モントリオールに生まれ独自の有機的なサウンドスケープを創り出してきたプロデューサーRAMZiとして知られるPhoebé GuillemotのDJ時の名義の一つであるRamzillaによるミックス。彼女の純粋に音楽を愛し楽しもうとする姿勢が伝わるような72分の希望を照らす音楽旅行をお楽しみください。

Read the full interview : http://openportclub.net/opc-mix/open-port-club-mix-series-ramzilla/
RAMZi SoundCloud : @phubu

=INTERVIEW=
　
Q1. How and where was the mix recorded? Could you tell us about the idea behind the mix?
　
I recorded it at my studio in Montreal. I selected music that are for me sooting in these psychotic times we going through collectively. Im also going to Brazil soon, always loved music from Brazil very much. In that mix there’s some from the 70s and some new electronic music from Numa Gama, a producer from Rio de Janeiro who is very inspiring to me and that i will meet soon.

Q1. ミックスはどこで、どのように録音されましたか？また、ミックスのアイデアについて教えていただけますか？
　
モントリオールの私のスタジオで録音しました。今、私たちが集団的に経験しているこの狂気じみた時代に、私にとって鎮静効果のある音楽を選びました。また、私は間もなくブラジルに行く予定で、常にブラジルの音楽が大好きです。そのミックスには70年代の音楽や、リオデジャネイロのプロデューサーであるNuma Gamaからの新しいエレクトロニックミュージックなどが含まれており、私にとって非常に刺激的な存在であり、もうすぐ会います。

Read more : http://openportclub.net/opc-mix/open-port-club-mix-series-ramzilla/

OPEN PORT CLUB Mix Series – Ramzilla

Here is the chapter14 of OPEN PORT CLUB mix by Sunju Hargun from Bangkok Thailand. Please enjoy a 64-minute beautiful ambient journey.

OPC Mix 14本目となる今回は、バンコクにて「Siamese Twins Records」を立ち上げ、アジアのアーティストを世界に向けて紹介しながら、本人もDJとしてもプロデューサーとしても世界に活躍の場を拡げているアジアの注目株Sunju Hargunによる64分の美しいアンビエントジャーニーをお楽しみください。

=INTERVIEW=

Read the full interview : http://openportclub.net/opc-mix/open-port-club-mix-series-sunju-hargun
Sunju Hargun SoundCloud : @SUNJUHARGUN

Q1. Thank you for providing us with this fantastic mix. Where was this mix recorded, and could you tell us about the idea behind it?
　
Thank you for inviting me, the mix was recorded at my home in Bangkok last December and the concept was to create a mix of beatless records that carry polyrhythmic energy and colorful vibrations.

Q1. この素晴らしいミックスを提供してくれてありがとうございます。このミックスはどこで録音されましたか？その背後にあるアイデアについて教えてください。
　
招待していただきありがとうございます。このミックスは昨年12月にバンコクの自宅で録音されました。コンセプトは、多重リズムのエネルギーとカラフルなバイブレーションを持つビートレスのレコードをミックスすることでした。

Read more : http://openportclub.net/opc-mix/open-port-club-mix-series-sunju-hargun

OPEN PORT CLUB Mix Series – Sunju Hargun

recorded at live at Charlie & Joss Invites.... four and half hours on a Sunday night in the brilliant Garage Noord. I always have a wicked time whenever I play in Amsterdam, but the venue, crowd, sound, friends from home and special Sunday night vibe made this one something else.... x

jane fitz live at garagenoord dec 2019

Here is the 10th mix of OPEN PORT CLUB monthly mix series. This time featuring Hashman Deejay a producer and selector based in Vancouver, Canada. He is part of the music collective Mood Hut and has released works on labels such as Future Times.

OPEN PORT CLUB ミックスシリーズ10本目となる今回は、カナダ バンクーバーを拠点とするプロデューサー／セレクターであるHashman Deejayによるミックスです。現地のコレクティブMood Hutの一員であり、レーベルFuture Timesからのリリースなどでも知られるHashman Deejayによるミックス、お楽しみください。

Interview : http://openportclub.net/mixseries/hashman-deejay/
Hashman Deejay SoundCloud : https://soundcloud.com/hashmandeejay

=INTERVIEW=
Q1. How and where was the mix recorded? Could you tell us about the idea behind the mix?
The mix was made with records, two 1200s and mixer, recorded at 524 main st in Vancouver BC… Not much of an idea behind the mix but techno, raw “futuristic” and cheap sampling.. as it is

Q1. 今回のミックスはどこでどのように収録しましたか？ミックスのアイディアがあれば教えて下さい。
ミックスはレコード、2台のSL-1200とミキサーを使って、BC州バンクーバーの524 main stで録音したよ。ミックスの背景にアイデアはそれほどないけれど、テクノ、生っぽくて 「未来的」な雰囲気、そして安っぽいサンプリング、そのまんまさ。

Read more : http://openportclub.net/mixseries/hashman-deejay/

OPEN PORT CLUB Mix Series – Hashman Deejay

@aliciacarrera has been quietly working away in the underground for a number of years. She is Barcelona based after a spell in Berlin, and is a multi-disciplinary talent who works as a graphic artist, photographer and editorial designer all while managing the cult Hivern Discs label and (in other times) spinning weird and wonderful DJ sets all round Europe. She has a penchant for sounds that come from opposite ends of the spectrum - colourful and psychedelic, dark and experimental, slow and cosmic or more hard and techno - and hearing her join these up is always a thing to behold, as are her radio shows for the likes of NTS Radio amongst others.

This week, no doubt mindful of the fact many of us are spending most of our time at home, she takes on a far-flung journey through mid tempo grooves and cinematic sounds. It's a mind-expanding trip that opens with worldly ambiance and takes you through a number of wide open spaces littered with sombre trumpets, gently tumbling jazz drums and cosmic drones. It's pensive and absorbing as it slowly shifts through the gears, and is a perfect catalyst for escapism.

Dekmantel Podcast

Dekmantel Podcast 306 - Alicia Carrera

The last mix of 2020 comes from Jonah Sharp (@reflecto), electronic mainstay and part of 'Virtual Dreams' as Space Time Continuum. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Jonah. Originally from Edinburgh, San Francisco resident since 1992, do you still live in San Francisco?

JS: Actually I recently just moved back to SF after spending most of 2020 in the UK. I had planned to be in Europe for an extended break from the US but Covid saw an end to that and my plans had to change. I miss British and European culture. I have family and friends there so I intend to be back over as soon as I can!

MFM: According to your discography the majority of your output started to shape up right after you moved abroad, in '91. How would you explain this creative outburst? 

JS: Before I arrived in San Francisco i was still figuring out how to produce the music that I wanted to make so when I got here I started to collect gear in earnest - it was a little moment in time when most people thought analog synths and drums sounded shit so I managed to find a TR-909 for $150, a Roland SH101 at the flea market and so on. So yes, suddenly having some decent gear and fun gigs to play was very inspiring! I did feel a kind of creative freedom being so far from South London and the pressures of living there as an artist. SF in the 90’s was very affordable for artists and it gave us the freedom to really focus on the music.
 
MFM: You started your own label Reflective in '93 and had quite a busy release schedule, especially during '95/'96, before it suddenly seemed to stop right after. What happened? 

JS: I started Reflective in '93, the year my first son was born. Flurescence EP was my first solo release and it got noticed around the world so that enabled me to keep putting releases out. With the momentum of the Terence McKenna collab album, things were going pretty well. But what we found was that even though there are lots of amazing labels in the US, it was actually pretty hard to sell them domestically so most of our stock was exported to Europe and Japan. We ended up pressing in the UK and running the label from SF and that presented problems so I had to put the release schedule on hold. At that time I had also signed a deal with Astralwerks so had contractual obligations to deliver albums and tour. It was a very busy time and by 1997 when our second son was born we decided to take a hiatus from the label. Not to say the label is gone forever though!
 
MFM: Flurescence, now found its way to the Virtual Dreams compilation, almost 30 years later. How does it feel that your older music is being re-released and rediscovered by newer generations?

JS: I am very happy and honored to be part of the Virtual Dreams compilation. Yes, there seems to be a bit of attention for this time period of electronic music at the moment, and the chill out thing in general. With so many online resources, everything is discoverable by anyone so all those tiny labels like Reflective that were putting out small runs of 1000 records (that was a small run then) are maybe enjoying some retroactive attention now. 
 
MFM: Does this new interest change your motivation and/or inspiration in the studio maybe?

JS: I follow my own interests and direction when it comes to making music but reaching new audiences has to gratify the artist whose work was made for sharing. My development as an electronic musician has come through thirty years of studio experimentation, initially with hardware and then incorporating digital software. When I made Fluorescence in 1993 there was no computer in my studio, but by the early 2000s San Francisco was the epicenter of computer innovation, people like my friend Josh Clayton were writing amazing software and so I went off on a long exploratory trip to integrate digital technology both in my studio and in my live rig. My aim right now in the studio is the same as always: make sounds and keep the good ones.

MFM Mix 023: Jonah Sharp

1st album Kaizu @buttersessions
https://buttersessions.com/products/bsr035-yuzo-iwata-kaizu-lp

Open Port Club Mix series
https://soundcloud.com/openportclub

contact
fabio.konair@gmail(dot)com

OPEN PORT CLUB launched as a cultural project aimed at an inter-city exchange connecting Berlin and Sapporo through music in 2016. We had various projects carried out to bring the exchange between artists from Berlin and Sapporo. The regular program broadcasted every other month was started on Berlin Community Radio in the same year.

In 2019 we started a new mix series focused on artists from each of the six continents, due to Berlin Community Radio closing. It is an original mix featuring an artist selected from each continent.

The mixes are curated and interviewed by Berlin-based Yuzo Iwata @fabio-konair


2016年 札幌とベルリンの音楽文化交流プロジェクトとして発足。様々な形でそれぞれの街のアーティスト同士の交流プログラムを企画、実施。また、同年よりBerlin community Radioにて隔月レギュラー番組を放送。

2019年 BCRの閉鎖に伴い、新たに世界6大陸それぞれのアーティストに焦点を当てるPodcastシリーズをスタート。各地域よりアーティストをピックアップし、エクスクルーシブミックスを配信するミックスシリーズ。

ミックスのキュレーション、インタビューはベルリン在住のYuzo Iwata @fabio-konair が担当。

OPEN PORT CLUB Mix Series - Paquita Gordon

Open Port Club

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