Taśmociąg for amplified clarinet, percussion, piano, violin and violoncello, audio playback and live electronics.

Performed by Spółdzielnia Muzyczna Contemporary Ensemble:
Tomasz Sowa - clarinet
Aleksander Wnuk - percussion
Martyna Zakrzewska - piano
Paulina Woś - violin
Jakub Gucik - violoncello

Recorded on February 16th, 2018 in The Museum of Municipal Engineering in Kraków during Sacrum Profanum.

Taśmociąg

Some experiments I've been working on together with flute, synth and clarinet. More to come. If someone wants to collaborate, I'm up for it.

Obsynthute 01.WAV

Tobias Brügge & Matthew Grigg 'Peace & Fire (for Mats Gustafsson)' (Excerpt)

Tobias Brügge - Tenor Saxophone
Matthew Grigg - Guitar/Amplifier


Recorded direct to 2 track by Matthew Grigg at Heike's Room, Münster Germany 2013. Taken from the S/T* Tobias Brügge & Matthew Grigg C26 on Unknown Tongue. 

*Also available on the album 'Vocabularies' 

Tobias Brügge & Matthew Grigg 'Peace & Fire' (Excerpt)

Jamuary22 - 29

Kawałek z albumu @sologemini "Utwory Wybrane".

Preorder (kaseta i digital): 4.02 na https://superkasety.bandcamp.com/album/utwory-wybrane

Premiera: 15.02

Mastering: @stachy

Superkasety Records
SPRK003

Utwory Wybrane

A6. Solo Gemini - Kołowrotek

Piotr & Krzysztof - Jamkazam /  3.02.2022

Piotr - bass
Krzysztof - drums

tracking*, mix, master - Piotr Pluta, Open Practice Label, 2022*CD491, TDK B

___________________________
Please, listen on headphones!
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The Most Satisfying Music for two percussionists and audio playback

Aleksander Wnuk - perc
Michał Jedynak - perc

Recorded on September 22nd, 2017 at the Fryderyk Chopin University of Music during 60TH IFCM Warsaw Autumn

The Most Satisfying Music

taken from "zgubiłem się"(coming 21.02.2020):
xxxglamourxxx.bandcamp.com/album/zgubi-em-si

1) this album is for connoisseurs only.

2) it contains free jazz, red wine, real instruments for real people, laptop and a bunch of field recordings (from railway stations or places nearby) and this moment when you wait to get from one place to another.

3) you don’t have to visit Pruszków to be there. now you have “zgubiłem się” (yayy) which smells like empty secondhands, frozen cookies from McDonald, cold trains, late trams and overcrowded busses.

4) Olczak’s over a year and a half struggle of making this nomadic album results in this collection of blurred, but somehow thick and electrifying pieces straight from the post-saxophone swamp.

☠

music by Michał Olczak
https://www.facebook.com/audiowizualolczak/
@michlaolczka

artwork by Krzysiek Marczak
www.instagram.com/ycszw/

music video by Michał Olczak & Zosia Leszczyńska
www.instagram.com/michla_olczka/
www.instagram.com/leszek.jpg/

vox in track one by Gosia Wrzosek
www.instagram.com/gogogonia/

drums in track five and six by Kuba Korzeniowski

master by Kuba Korzeniowski
www.instagram.com/zamiostudio/

additional CD design by julek ploski
julekploski.bandcamp.com


𝒢°06

Michelle Olczak - pociąg do białegostoku (feat. Gosia Wrzosek)

The piece was performed on November 8th, 2017 during Multi-Explora concert in Fryderyk Chopin University of Music in Warsaw.
"Untune" was a base in creating the soundtrack of "Tower. The bright day" by Jagoda Szelc.
In the piece I used hydrophone recordings made by Jonáš Gruska.

Untune

This is documentation of a live stream for Horizon Festival for the project 'Listening in the Wild'. 

This week we take you on ocean expedition from Mooloolaba to Old Woman Island with the soundscapes of migrating humpback whales, dolphins and our local reefs interwoven with Kabi Kabi stories of place from Lyndon Davis. 

Visit www.listeninginthewild.com to explore images from the site by Tricia King before listening to the soundscape. 

This edition of Listening in the Wild is supported by Subsurface Scuba and the Reef Clean Team Sunshine Coast - www.subsurfacescuba.com 

Listening in the Wild is a series of immersive soundscapes exploring environments across the Sunshine Coast produced live and streamed online for listeners to engage with at home. These experiences are created by artists Lyndon Davis, Leah Barclay and Tricia King as transient listening experiences interwoven with Kabi Kabi stories. Listening in the Wild comprises three separate experiences, streamed live online and also available post event for audiences to access anywhere at any time. The locations include virtual sound walks through Eudlo Creek National Park, a journey along the Maroochy River and an ocean expedition from Mooloolaba Beach. Each soundscape is accompanied by site-specific photography captured by Sunshine Coast based documentary photographer Tricia King.

This is a deep listening experience with binaural soundscapes that are best experienced with headphones. ​We encourage you to close your eyes, put your headphones on and lie down somewhere quiet to listen.

Listen to the live streams – www.listeninginthewild.com
Horizon Festival – https://www.horizonfestival.com.au/event/listening-in-the-wild 
Lyndon Davis - https://www.datsip.qld.gov.au/news-media/deadly-stories/deadly-stories-gallery/north-coast/lyndon-davis 
Leah Barclay - www.usc.edu.au/staff/dr-leah-barclay
Tricia King - www.usc.edu.au/staff/tricia-king

Listening in the Wild is supported by the School of Creative Industries at the University of the Sunshine Coast – https://www.usc.edu.au/about/structure/schools/school-of-creative-industries

LISTENING IN THE WILD - OLD WOMAN ISLAND (LIVE STREAM, 26 JULY 2020)

Scream for amplified flute and electronics
Ania Karpowicz - flute
Michał Bereza - mastering

Premiere: October 28th, 2020, Sacrum Profanum (online)

Commisioned by Ania Karpowicz for her solo project TOVA (https://soundcloud.com/aniakarpowicz-music/sets/tova-2). Recorded by Artur Stodolny.

#2

OpenPracticeLabel

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