I love the foreboding bass tones & perfectly crafted synths!

[ES] Inspirado por sus memorias y el pasado de su residencia actual, enternet boy retrata un lugar con tesoros exo-téricos, sabiduría y habilidades ancestrales heredadas de la tierra maya así como algunas muestras de la aportación cultural de Medio Oriente en la Peninsula yucateca. El álbum nació durante la visita a un lugar específico de la moderna ciudad meridana de T'Hó.

«Plaza Internacional» (anteriormente el Hotel Itzá), que colinda con el Palacio de la Música (antes el Congreso del Estado de Yucatán) es el recuerdo fugaz en el interior de sus nostálgicos pasillos secretos y una revelación creativa entre la arquitectura abatida. «Plaza Internacional» es un punto de análisis, introspección y autodescubrimiento de enternet boy como un ciudadano actual de un antiguo reino maya, brindado luz sobre su origen, desarrollando lo auténtica espontáneaidad y llevándola a la práctica en este LP de 40 minutos.

En esta ocasión, los sonidos brillan por su originalidad como resultado de un estudio autodidacta de tres años en el diseño de sonido experimental. Algunas canciones fueron hechos en vivo durante el Festival de Pajama 3 (track 1, 2, 3, 4, 6 y 13 https://www.youtube.com/watch?v=s5E-awImOmQ) y el resto salió durante un trance meditativo aka momentos de claridad/improvisación. Mejor experiencia con audífonos.

[EN] Inspired by his memories & the past of his current residence, enternet boy portrays a place with exo-therical treasures, wisdom & ancestral abilities inherited from the Mayan land as well as some samples of the cultural contribution from Middle East in the Yucatan Peninsula. The album born during a visit to a specific place in Mérida, the modern city of T'Hó.

"Plaza Internacional" (formerly the Hotel Itzá), which adjoins the Palacio de la Música (formerly the Congress of the State of Yucatán) is the fleeting memory inside its nostalgic secret corridors & a creative revelation among the dejected & descontinued architecture. "Plaza Internacional" is a point of analysis, introspection and self-discovery of enternet boy as a current citizen of an ancient Mayan kingdom, binding light to his origin, developing authentic spontaneity & taking it to the practice in this 40-minute LP.

This time, the sounds shine for their originality as the result of a three-year self-taught study in experimental sound design. A few songs were made live during Festival de Pajama 3 (track 1, 2, 3, 4, 6 & 13 https://www.youtube.com/watch?v=s5E-awImOmQ) while the rest came out from a meditative trance aka moments of clarity/improvisation. Better experience with headphones.

Release oficial en Mayo 24, 2021.

El artwork fue fotografiado por mi, en el segundo piso de la Plaza Internacional. Más fotos del mismo dia aqui: www.instagram.com/p/Bsb4LMEF7LiVYAszQPdqpRn9x84SSgh4tfmGvM0/

Plaza Internacional

Preludio

deep dive into thee nubi-sphere with my dear https://soundcloud.com/noxpox-page-12
>>>>
https://soundcloud.com/noxpox-page-12/noxpox-dreamin-ov-moonrocks-upload-2-page-13-deleted-for-unknown-reason-please-dl-here

noxpox . Dreamin Ov Moonrocks . Megalithic Messenger Mix

Photo: Sibelius Monument, Helsinki, 2019.
Drums: NI Karriem Riggins.
Bass: Warwick 5-string Corvette through NI Guitar Rig.
Guitars: Suhr Custom Classic and Godin Montreal Thinline Archtop through NI Guitar Rig.
Keys: various NI, Karanyi, Vaults and Spitfire Sounds.
Mastering: Ozone 10 Standard.
DAW: Ableton 11.

Amber

This track is about trying to rediscover the magic in life. It’s an anthem for people struggling with their life either with mental health problems, financial difficulties or family issues or something like that.

Let There Be Magic

Take A Moment..

Marco Lucchi : piano and synthesizer
*
playing with
https://soundcloud.com/user-99036881/turning-in-the-moon-light-naviarhaiku526
*
for the current Naviar Haiku challenge
https://www.naviarrecords.com/naviarhaiku526-turning-around/

***

Turning around,
I see my shadow
in the moonlight

by: Sumitaku Kenshin

(Tr. Nakaoka Naomi & Kurose Hiroko)

***

febbraio 2024

Marco Lucchi - My shadow in the moonlight [Naviar Haiku # 526] w/Debroc

o listen all « Projet Ophite » albums:
https://projetophite.bandcamp.com
Illustrations Projet Ophite.

My Facebook : https://urlz.fr/opzH
My Youtube : https://urlz.fr/opzM
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Epolkat

05 Bombyd

Adrian Lane, from Southend, Essex, UK returns to Whitelabrecs with his latest masterpiece, 'Vignettes' following ‘The Fleet’ (2021) and ‘Missing The Crows’ (2022). Having previously released with respected labels like Preserved Sound, Hibernate, Oscarson and Chitra, Adrian’s musical journey now spans 13 albums, not to mention the music he self-releases from time to time.

Adrian Lane's musical career began in his teenage years playing in bands before ultimately evolving into an 11-year solo career. His creative process involves recording and mixing at home, blending acoustic instruments with synths and virtual elements, whilst simultaneously exploring visual art ideas to accompany his music. Drawing inspiration from a diverse array of genres, his influences include luminaries such as Arvo Pärt, Philip Glass, Steve Reich, Johan Johannson, Hildur Gudnadottir, and Ryuichi Sakamoto.

'Vignettes' is a captivating exploration of Lane's sonic landscape. The album features work created using a minimal studio setup, with a focus on piano and strings. Musically, there are two distinct aspects to the album. Roughly half the tracks revolve around the piano, while the other half are string quartet-based, showcasing Lane's ability to compose using counterpoint and the techniques of stretto fuga. The interplay between the piano and strings creates a dynamic journey for the listener and this is enhanced by the fact that the instruments vary between real and virtual.

True to its name, 'Vignettes' unfolds like a series of evocative snapshots. 'Vignette: a brief evocative description, account, or episode' - The dictionary definition pretty much describes the conceptual approach for this album. It gathers together a collection of musical vignettes, each track telling a story or setting a mood in a concise period, inspired by haiku poems; the pieces capture fleeting moments of emotional depth. The work is complete with Adrian’s own photomontage artwork, which is used across the three panels of the gatefold sleeve.

Vignettes

WLR156 Adrian Lane - Vignettes

A Loop For Loplop

Long distance session (virtual) with Ulrich Langenbach https://on.soundcloud.com/MrvDJ Februar 2024

05 Bombyd

Projet Ophite

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