getting shit done!!!!👌☺️💪🔥🖤🎶

We’re delighted to share this recording from our latest gathering in RADION, where both DVS1 and Lobster showed their A-game in the DJ booth. Dive into this 4 hour opening set by Lobster, where he showed us a mysterious yet rhythmical way of starting a club night properly 🌀

Pic by Clemens Wildschut

@lobsternl

Lobster | Vault Sessions, RADION | 28 DEC 2024

HEISSS HOTCAST 017: Insolate

ANNĒ is a key figure in Greece’s techno scene, fully dedicated to her craft as a DJ and producer. Her sound is shaped by strong influences from Detroit and the raw energy of ’90s and ’00s techno.

Her DJ sets are high-energy and dynamic, designed to create a deep connection with the dance floor. As a producer, she has released on respected labels like Hardgroove, Symbolism, Mutual Rytm, NECHTO, CROWD, and Soma Records. Her tracks are regularly played and charted by major artists, and with multiple vinyl releases and collaborations on the horizon, she continues to push forward.

For this special mix for our BCCO x ÜBERKIKZ takeover for International Women's Day, ANNĒ has curated a selection of tracks by talented FLINTA* producers, highlighting their exceptional work. The journey begins with deeper, introspective sounds before building into a vibrant, groovy energy. A departure from her usual style, this mix allowed her to explore new directions while keeping the flow dynamic.

@annemusicofficial

Yazmin - Twin Soul
Adiel - Adihell 
Newa - Dtrance Love
Blanka - Psycho
Kameliia - investigator
Justine Perry - Nova Voyager
Hemka- Nemesis
Takt - Take It From Here (Original Mix)
Insolate - On Your Knees
Julieta Kopp - Out To The Lake, Into the Rain 
Ana Rs - From the Brink (Original Mix)
Rebecca Delle Piane - Slush
Grace Dahl - The Green Room 
Lisa Oakes - Submerge 
Elisa Bee - Headspinner 
Lady Starlight - E2.2
Anika Kunst - Sin Rodeos
Blasha & Allatt - 8am in Salford
Sol Ortega - Mind Is Clear
Bloody Mary - REALITY THREE (909 MIX) 
Steya - Fast Life
Shcuro - Together (Steffi Remix) 
ANNĒ - Unreleased
ANNĒ - Unreleased

BCCO Mix Series 538: ANNĒ | BCCO x ÜBERKIKZ | International Women's Day

Our return to Lisbon last year featured some of techno's most exciting breakthrough acts including Nørbak, Grace Dahl and Rene Wise.

Nørbak | Boiler Room: Lisbon

Synthxx is the name given to this man from Toledo who started in electronic music at a very early age.
 
He started mixing attracted by the challenge of interleaving the sounds of two cassette tapes and after acquiring his own technique and style on the decks, he would become a regular in the booth of the Orbital discotheque in Toledo, one of the venues that became popular in the area due to the electronic music trend in in 1998.

Since then, he hasn't stopped being interested in this sound and has progressed in different disciplines of the scene. 

In recent times, his progression has made him one of the most interesting talents in the sector in different clubs with a great influence on electronic music.

He has been asked to present his sets in places as important as Florida135, Family club, Industrial Copera, Domo or Isla Tortuga among others, being in this last one where he develops the function of resident in the Reaktive project until 2020.

His sets are based on a musical selection that always looks for the most elegant speech and tries at every moment to get a different reaction from the public, without leaving aside the movement of the dancefloor.

His steps as a producer have led him to get feedback on his tracks represented by Oscar Mulero, Takaaki Itoh, Developer, Lewis Fautzi, Dvs1, Tensal, Inigo Kennedy, Kaiser, Vegim, PWCCA, Michel Lauriola.

Immersed in multiple projects, production is of particular importance for his near future. 


SL018 | Synthxx

OECUS Podcast 446 // KAMEN

Born from a clandestine network of self-organized raves — hidden deep within Munich’s forests, abandoned buildings, and beneath the city's concrete arteries — GEISTFREI’s artistic journey is steeped in the raw energy of the underground. 

Drawing inspiration from nature and city alike, their sound is an immersive blend of driving basslines, emotionally charged melodies, and hypnotic rhythms. Expect tightly woven dramaturgies, intricate textures, and well-balanced dynamics. 

FOLLOW @geistfrei_raum

OECUS Podcast 449 // GEISTFREI

OPHON @ TRESOR BERLIN | 2025-03-26

Hard Even - dark side

DUTCH SCAFFOLD SOUNDS

I wanted Super Gone World to be called anything other than what it is. The name is too "on the nose" for the global dumpster fire going on as this is released. I wrote like 200 other album titles, nearly all starting with the word "super," like any good Supercontinuum release:

Superconvicted Warlord
Supreme Homonuclear Weapon
Superemotional Dynamite Remberer
Supernatural Apocalyptic Event
Supertoxic superheavy metal
Superversalism
Superscum You've Been Dreaming ov Forever
Supervillianous
Super Gone Hole

As you can see, diminishing returns were really setting in, although I really want to use something with "homonuclear" in it in the future.

These songs started from hardware experiments, mostly. And early on I felt two musical directions happening. One was what I called "SCUM RAVE" and the other was "SISSY GABBER."

SCUM RAVE was a music/feeling that was punchy, probably danceable, sickening, like literally sickening, yellow-green (555 nm), and slightly deranged sounding. It was more like a fast techno with some lo-fi bits and grit, and some catchy leads. "Superumbilical" was the first song that kind of sounded like this to me. "Flamers" started to go that way a little bit, but not so much.

Next, SISSY GABBER was an impulse I had after going to ADE in 2023 (Amsterdam Dance Event). I went to Gabberland. It was nearly all white people, who, to me mostly looked straight, and some kinda tough, (even though I saw a good handful of gay gabbers there). After returning back home to make some music, I was like, I am feeling something that has danceable spastic rhythms that are both fast and slow, and queer. SISSY GABBER felt like something emotionally like vogueing and hakken dancing, but is neither. These were just the sensory webs. I did a whole bunch of Sissy Gabber live drum machine freakouts, mostly like 200 bpm things. "Sissy Gabber" on this record is one of them edited down.

The rest of the songs, well, I'll let you discover them, as they were a joy and sometimes a pain to make or mix. (Okay, I will mention that "Topped Bons" comes from an item at Cinnabon that I saw, and I was like, they didn't ask a gay.) I hope you find the sonic journey from start to end refreshing, as there are a couple different styles on this record.

Incredibly big thanks to Sacerdos for being a solid support during the mastering process and Thomas DeLaney for his amazing artwork which fully brings this record to life!  

AMAZING CREDITS:
Tracks produced and mixed by Supercontinuum
Album artwork by Thomas DeLaney
All tracks mastered by Sacerdos Vigilia
Queen of Sissy manipulated vocals originally Dale Balenseifen 

OPHON @ TRESOR BERLIN | 2025-03-26

Ophon

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