ware

Ansome in the mix for @lokalhelden-dd

no tracklist

lo-pod #002 - Ansome

Tribute to Primal & Ryuji Takeuchi

Hard Driving Techno

Insect - Tribute Mix to Primal & Ryuji Takeuchi

take two from Endo techno mix of collab2 adding extra bass for nice mixes

Collab2 (Endo mix 2).wav

A. Kat Race
B. Alarms Cyclone

Overview
Jeff Mills’ “The Bells” is one of the most iconic tracks in techno history, often called the genre’s anthem. Known for its hypnotic bell melody, driving kick, and euphoric build, it became a staple in DJ sets worldwide. The track was first played live by Mills in 1995 (e.g., at Liquid Room in Tokyo), but it wasn’t officially released until 1997 as part of the Kat Moda EP on his Purpose Maker label. This EP is the original record pressing you’re asking about—no standalone “The Bells” single exists from that era. It has since been repressed multiple times due to massive demand (over 500,000 copies sold across versions).


Original Pressing Details
* Release Year: 1997 (though the track dates to 1995 performances and test pressings)
* Format: 12” vinyl EP, 33 ⅓ RPM
* Label: Purpose Maker
* Catalog Number: PM-002
* Country: US
* Pressing Notes: First pressing on standard black vinyl. Matrix runouts indicate a repress or variant: A side - PM 002-A (RE I) NSC; B side - PM 002-B (RE I) NSC (etched, with NSC circled). The mastering has been criticized as “shit” by some collectors for its raw, unpolished sound—typical of ’90s techno but quieter than modern represses, often requiring gain boosts in DJ sets. Sold out quickly at shops like Cisco in Tokyo upon release.

Tracklist
Side	Track	Duration
A1	The Bells	4:46
A2	Kat Race	4:22
B1	Alarms (aka “Masterplan” in later compilations)	5:32
B2	Cyclone	4:48


* 	•	Production Credits: Written, produced, and edited by Jeff Mills. Published by Millsart/BMG-Ariola.
* Why Buried on an EP? Mills reportedly avoided hype-sticker promotion to let the track’s organic popularity (from crowd reactions) drive sales. Purpose Maker was for floor-focused material, contrasting his experimental Axis label.

How to Identify an Original Pressing
* Visual Cues: Gold-on-black label design. No “10th Anniversary” or remix mentions. Check for wear from heavy club play—originals often show it.
* Sound Cues: Raw, dynamic mix with prominent kick and bells; lower loudness (not -5 LUFS like some digital remasters). Test pressings exist but are rare and unnumbered.
* Value (as of Oct 2025): $20–$50 USD for VG+ condition on Discogs/Reverb; mint originals can hit $100+ due to collector demand. Recent sales: Median $30–$40.

Later Versions and Represses
The track exploded in popularity, leading to reissues. Key ones:
* 1999 Repress: Same EP format (PM-002), minor matrix tweaks. Often mistaken for original.
* 2006 (10th Anniversary): Standalone 12” on Purpose Maker (PM-020). Includes reworked B-sides (“Gift of the Hills,” “Circus”). Louder mastering; promo versions exist. ~$15–$30.
* 2006 DVD Edition: Axis (AXDV-002). Enhanced with visuals from 1997–98 footage; limited audio/video hybrid.
* 2019 Remaster: On Sight, Sound & Space compilation (Axis). Cleaner, higher fidelity; first vinyl appearance of orchestral “Blue Potential” version.
* 2025 Remaster: Digital-only (e.g., SoundCloud edits); no new vinyl confirmed.

If you’re hunting for an original, check Discogs for verified sellers—avoid fakes by matching matrix numbers. For audio, stream the 1997 version on Beatport or Spotify. Got a specific copy or need value check? Share details! 🔔

Recording 14-10-25, 11.17.18 am

Industrial Transmission 1

Get this track here https://www.beatport.com/release/the-dub-techno-years/3498728

www.flash-rec.com

Heron - They Never Sleep [ FLASH 118 ]

INUTILE DE FUIR is the 1st compilation from the french hybrid-gabber label and collective CASUAL GABBERZ.

DOWNLOAD HERE: http://casualgabberzrecords.bandcamp.com/album/inutile-de-fuir

51 TRACKS / 42 ARTISTS 
Release date : February, 17 2017
Available on 2 CD+DVD / Collector-Pack / Digital

Mastered at La Villa www.villamastering.com

INUTILE DE FUIR

NAME YOUR PRICE

VON BIKRÄV - Comme Un Coq

Being both born and bred in Los Angeles is a bit of a rare thing according to Moe Espinoza who has produced and performed music under the name of Drumcell for the last 20 years of his life. He calls it a ‘city of transplants’ a place where people from all corners of the United States (indeed the world) come together seeking out a life for themselves. However, for some time residents of the city who were drawn to the emerging sound of house and techno in the 90s found themselves to be direly lacking in environments to engage in this sound. Espinoza himself was more than aware of this problem after being drawn into the genre from his very first rave experience, so as part of the crew Droid Behaviour he established a network of party goers and artists putting on techno parties in LA’s vast expanse of warehouse spaces. To the credit of his hard work, the scene has flourished and in recent years putting the city on the map for international artists alongside the more traditionally renowned spots for electronics, Minneapolis and Detroit.

But for Espinoza it’s always been about the actual creation of music, this is where his drive has always been. There are many layers to his capabilities, too. Drumcell and Droid Behaviour have always been about techno made for the dancefloor and the bringing of souls together, yet his live project Hypoxia and newer label BL_K Noise explores a much more introverted, experimental and immersive potential to his aesthetic.

We have a huge amount of respect for not only his audial ethos but also for the dedication he’s shown to bringing the spirit of techno to his home city. So, ahead of his debut in Room Two this coming Saturday night we felt it important to share his story and his style of selections in this interview and exclusive promo mix.

Tickets: www.fabriclondon.com/club/listing/1380

Interview

Drumcell fabric Promo Mix

Axel Picodot - Loss Of Control

Here's a set of some older records from the collection, just stuff that came to hand easily and I just kept playing and pulling it out. the mixing might be a bit ropey but you get the idea, some of the tunes are a bit crackley but that's vinyl innit?   

Not particularly obscure stuff, but good and solid players.

       1.	Daz Saund & Ben Tisdall - Juggernaut - Missile 22
	2.	Dj Misjah - Instant DJ - Reloop
	3.	Adam Beyer - Lost and Found EP - Conform
	4.	The Advent - Past Forward LP - Conform
	5.	Peacemaker - Sequence Red -Strom
	6.	Smoked- Flashback - Jerk Records
	7.	Planetary Assault Systems - Coad Warrior - Peacefrog
	8.	Chris Liebing - Audio 7 remastered - Audio
	9.	Marco Carola & Adam Beyer - Drumcode 16
	10.	Marco Carola - Hypertension EP - Primate
	11.	Cave - Jaws EP - Spilo 09
	12.	Max Walder - Orbit - Lupp
	13.	Co-Fusion- Beetroot EP Reel Musiq
	14.	Axel Karakasis - Power Blow - Rhythm Convert
	15.	Mauro Picotto & Ricardo Ferri - Alchemy 04
	16.	Patrick Skoog - Real Deals - Template
	17.	Cirez D - Control Freak - Mouseville
	18.	Throb - Subnormal EP - Primate
	19.	Dj Argonic- Vogel EP - Future Frontier 13
	20.	Steve Still - Proper Thirty
	21.	Artist Unknown - The Process- Ongaku
	22.	That's What I Like EP - Analytic trail
	23.	Tony Thomas - Inner Contact EP - Access 58
	24.	Dynamic Structure 2 - Reload Records

90's & 00's Vinyl Random Selection Sept 2017

Labels (no particular order) :
Scuderia
Love HZ rec
The Third Movement
PRSPCT
Dark Descent
Traumatic
Genosha
Ark Aik
Bloc 46
Crossbones

Artistes (no particular order):
Ybrid
Defiler
The Relic & Sound Abuse
Cubic Nomad
Havocknoize
Somniac One
The Outside Agency
Mindustries
The DJ Producer
KRTM
CRPTC
Fracture 4
Manu le Malin
Floorkiller Project
ADSR SPQR

Manu Le Malin at Unpolished 2018

FEE CROQUER INVITE NTBR @RINSE FRANCE - 12.10.2018

FÉE CROQUER INVITE NTBR @RINSE FM - 12.10.2018

Joe Farr - South London Analogue Material 010

South London Analogue Material 010

2 hours of Heavy, Acidic Techno from Dax J

In Amsterdam's industrial West lies the cities most notorious venue, Warehouse Elementstraat. Reaktor, Dax J & Monnom Black teamed up for a monumental label party inside the epic concrete halls. Here is the closing set captured during the murky hours of that first New Years Day morning of 2019.

Line Up

CJ Bolland
Cressida
Dax J
I Hate Models
Inhalt der Nacht
Raffaele Attanasio
Regis presents CUB
Remco Beekwilder
Stranger
Thomas P. Heckmann
Tommy Holohan
UVB
Zanias

Dax J @ Reaktor X Monnom Black NYE, Warehouse Elementstraat, Amsterdam 31.12.2018 - 01.01.2019

Booking : booking@steer-management.com
 INTERVENTION Live


Oposition is Louis Quelin's first project, inspired by the rave old school. He stands out with a style that comes from his perfect mastery of his turntables.
Refined choices, great shows and technicals mix have brought him to many French warehouses and clubs such as Contrast, Fée Croquer and Ninkasi Kao.
In 2017, he launched the INTERVENTION project with Luca Di Milla, a huge machine-set-up project: 1 modular, 4 Elektrons, TR & TR909.
Then came INJECTED, an exclusive project founded with Trym in 2018 for large-scale events. Their first date in Paris was at the Dock Eiffel.

Industrial Transmission 1

OPOSITION

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