Love it. Featured on my show: https://www.mixcloud.com/Night_Call/night-call-28-foundcloud-and-emily-dickinson/

Cliche 56: Red Axes - Ballad of The Ice LP (April 28th, 2014 - vinyl + CD + digital)
mp3: http://www.official.fm/playlists/tTHL
itunes: https://itunes.apple.com/us/album/ballad-of-the-ice/id847325595
vinyl: http://www.juno.co.uk/products/red-axes-ballad-of-the-ice/528596-01/
CD: http://www.juno.co.uk/products/red-axes-ballad-of-the-ice/528598-01/

Follow Red Axes
https://soundcloud.com/derrickvegasint
https://www.facebook.com/redaxesmusic

Follow I'm a Cliché
http://soundcloud.com/imacliche
http://www.imacliche.com
https://www.facebook.com/pages/IM-A-CLICHE/138670535421
http://twitter.com/imaclichelabel

Red Axes is Niv Arzi and Dori Sadovnik, two young men who have always lived in Tel-Aviv and have been making music together since the noughties. Ballad of the Ice is their debut album. Their artistic travels have taken them from the rock scene to the dancefloors, and to creating an album. More than a summary, this LP is an invitation to discover a singular musical identity: a ballad of the ice, a song as light as love and cold as a tunnel, springy as a dance step and deep as nostalgia.

Originally, the two young men were part of the band Red Cotton. Their musical obsessions were very distinct and have never really left them since: post-punk, new-wave, synth-pop, gothic rock, italo-disco and all the other styles with double-barrelled names that flourished in the underground of the western world at the turn of the 70s and 80s. They were barely born then, and Israel was hardly a promised land for these musical trends. Nonetheless, today the people who love these styles, at the forefront of which Cosmo Vitelli, founder of the label I’m a Cliché who signed them, recognise Red Axes’ talent for creating tracks that are not only impeccably referenced but also terribly current, in their production and in their intentions.

In 2009, house and techno made a noisy entrance into their lives. They were DJs by then and Tel Aviv was all hedonism and crazy parties. Red Cotton was over and Red Axes began. In 2012, I’m a Cliché introduced them into a community of people who enjoyed what the musical press could refer to as ‘cold-rave’. Four EPs were released on the French label that discovered sharp acts such as Yuksek, Azari & III and Simian Mobile Disco. Add to these a bunch of edits that went spinning on everyone’s turntables, remixes and originals that attracted labels such as Kill the JD, Throne of Blood, Correspondant, Clouded Vision, Relish and others – these built Red Axes’ reputation as the makers of solid dancefloor tools. Meanwhile, being resident DJs of the Bootleg in Tel Aviv gave them the ability to play versatile, broaden their scope, improve their way of thinking the music. It also allowed them to rub shoulders with some of their favourite DJs, from Ivan Smagghe and Jennifer Cardini to the Cómeme crew. These established DJs quickly became major supporters.

But Red Axes didn’t get lost in a loop of never-ending clubbing. The extent of their research is evident on the album. Apart from beautiful vocals by Abrão, a member of various Brazilian punk bands of the 80s, Arzi and Sadovnik handled all the instruments and machines. The influence of the types of music they love – which aren’t limited to the ones we just referred to – is inevitably present, but translates in unexpected ways. There’s a lot of maturity in these songs, memories, hashed-out feelings. This music could emanate from much older men; it brings on a certain saudade. But it’s never heavy and doesn’t rely on dusty clichés: Red Axes are very current and love to have fun above all else. They tread on ice with a certain elegance, ice that mustn’t crack or melt.

After ‘Head Like Glass’, a pure cold-wave intro, Red Axes take us on a repetitive stroll of light percussion with ‘Kicks Out of You’. Then comes the rock track ‘Watkins’, followed by a brass dub ‘Only a Clown Can Catch an Axe’. The poignant ‘Papa Sooma’ feels like it’s coming out of an old cassette player, and ‘Road to the Hills’ is all intimate house feelings. ‘Neon’ will make you clap your hands on the stage of an urban western, while ‘Candy’ is a toe-tapping Mancunian devil. ‘Bela Lugosi’s Dead’, a Bauhaus cover, adds a layer of groove in the bat cave, and finally, ‘Dreams Like a Tale’ closes the album in a psychedelic mist.

All info request: promo@imacliche.com

www.facebook.com/pages/IM-A-CLICHE/138670535421
www.imacliche.com

Red Axes - Kicks Out Of You (LP Version) (OUT NOW - from debut album Ballad of the Ice)

Here are my latest tracks, I'm very happy to have them released  on Optimo Trax !!

Record of the week on Kompakt.fm : 
http://www.kompakt.fm/releases/heavy_bastard_ep



Buy Here

Arrogant Bastard

HVNX-200 Inga Mauer
'From Cologne To Clone'
Release Date: 23 September 2016
Order vinyl: http://bit.ly/2cSAGfD

From Cologne To Clone

A1 - I've Nothing To Say

Some things just make sense and we’re pleased present the first collaboration of 2 of our favourite artists : RED AXES & C.A.R. 
This release has been a long time coming. Tracks were first exchanged back in 2014 and it’s been an organic, intuitive process. Like-minded musically & likeminded lyrically - Red Axes & C.A.R. seem to work the same way. Recordings happen fast. One or two takes. It’s punk and it’s effortless. 
1960’s, psychedelic 2040 arrived on queue. A sweaty, London-summer evening, after spending the day writing alone out Hackney Marshes, Chloé demo’d the vox. - languid, nostalgic, at arm’s reach from the city - the track depicted the moment perfectly. A paper thin Victorian wall separating her from the chatting neighbours, she shut her eyes and got as close to the mic as possible. 
A few weeks Red Axes & C.A.R. were together in Tel Aviv. Ten times sweatier than London. To say the studio was dripping hot is an understatement. There was a party heaving in the square below, a van parked in the middle, broadcasting out on the radio waves. Dori was determined to use the intimate London vocals for 2040 and so they cracked on with Incognito, a club track that isn't one but works in its own way: rockabilly reverbs, an almost hip-house delivery, the strange alchemy of 808 fumes. Already inebriated from the city, Chloé had written her words off-cuff in the hotel room, just hours before.
Fastforward a year. Summer 2015. Niv had sent Space Cream a few months earlier - an electronic 4/4 ballad which already featured looped samples of some of the stuff they’d recorded in Israel. Heady and sticky, Chloé had to wait for longer days before she could get anything down.
Finally XMan, descends further down into psychedelia… Perfect for the London winter closing in. Heads filled with Cookie Mueller & memories of losing oneself in dark, basement parties - the words rolled off the tongue. 
Last autumn Red Axes invited C.A.R. down to London’s Pickle Factory to perform Incognito live. During soundcheck she penned some words for a new track they were debuting, which they also ended up doing. It’s an experience synonymous for this collaboration. What comes easy, makes sense.

05 - Incognito (Il Est Vilaine Remix) - Red Axes / C.A.R.

After making a splash last year with their debut EP on Midland's Graded label, Montreal duo Solitary Dancer has now teamed up with San Francisco outpost Dark Entries for their sophomore outing, Dualism, which is set to drop on April 10. In the meantime, the spooky, pop-tinged electro of "Emails 2 Myself" – a collaboration with fellow Montreal talent and RBMA alum Marie Davidson - debuted on Red Bull Radio's First Floor, our weekly look at what's new in electronic music.

@solitary-dancer
@darkentriesrecords
http://redbullradio.com/shows/first-floor-shawn-reynaldo
http://redbullmusicacademy.com

Dualism

Solitary Dancer "Emails 2 Myself (feat. Marie Davidson)" [First Floor Premiere]

To be released September 28th 2017.
Pre-order here: https://charlois.bandcamp.com/album/die-kinder-aus-dem-park

-

Bionda e Lupo are like little you'll have heard before, a boy/girl band like no other. Synth wave is fed a line of modern alienation, delusory disco to a disdainful drum beat, house emptied and ridiculed. Rhythms are stark, melodies are as mechanical as the lyrics. "Zug Der Vogel" is sparse, vocals intertwine in an empty embrace whilst bars sparkle. "Twoi Glasza" is more playful. Bright words shimmer against sweeping strings. The past is parodied across the EP but nowhere more so than in "Die Kinder Aus Dem Park." A former classic dug out before being peppered by machine gun percussion. The stilted rhyme of "Eckstein" closes, a ballad of bittersweet images and lost hopes.

Bionda e Lupo - Die Kinder Aus Dem Park

available here: http://honestjons.com/shop/label/Berceuse_Heroique

Black Merlin - The Alpaca Pet Boys

🎁 FREE DOWNLOAD 🎁

Errortica - Naina (feat. Youkovskiy)
Hit Me #35

Errortica aka Sasha Balykova has just started writing electronic stuff since this year as she mainly been digging and collecting new wave and synth wave music since the age of 12. Now the romantic cold girl from Saint-Petersburg knows where to go, but doesn’t forget her own roots to keep a cold feeling on her mixes and productions. Here it is a brilliant analog jam wich talks itself. Kind of a psyched disco trip through a catchy universe where the weirdoos vocals will hypnotize you.

https://soundcloud.com/errortica

Hit Me ➳ Errortica

In the latest release from Public System Recordings we are allowed a look further into the syrupy synth dripping slowed beatdown. Kluentah delivers a chalky electro smash with elongated snares and eerie chords passing from one end of the brain to the other, and to the floor. There is smooth vocal play as well as allowing for incoherent out of context speech samples that stab through minimal jumpy drum work. As diabolical and heavy as the hits and bass is, this enters the swath of dance floor records with a distinct flavor that sets itself above others' execution. Full of sludgy breaks, there is a constant reduction even as sounds and samples are introduced, they enter the roving mulch in a stylish slide.

LISTEN ON YOUTUBE

PREMIERE : Kluentah - Der Wuestensohn

Golden Teacher started life as a studio collaboration between Glasgow's noise punk trio, Ultimate Thrush and Glasgow's all analogue house duo, Silk Cut. The results of their collaboration turned the ears of all who heard them, not least Twitch who after one listen asked if he could release the project on Optimo Music label.

Recorded live, direct to tape at Glasgow's legendary Green Door studios with minimal overdubbing and editing, the tracks feature various associates of the band contributing vocals and additional percussion. It's a little hard to describe Golden Teacher's sound (always a good thing in our book) but imagine Arthur Russell's Dinosaur L jamming with Bobby O, K Alexi Shelby, Liaisions Dangereuses, Imagination, some voodoo drummers and Sly & Robbie. It is in our opinion one of the most original and wildest records to come out of anywhere in 2012. We like to call it hypno-psych voodoo groove.

The resulting 5 track 12" EP comes in a beautiful hand screen printed sleeve constructed by the band and will be released in this format as a limited edition of 250 copies. Any further pressings will be in a generic Optimo Music sleeve.

Golden Teacher made their live debut at an Optimo night in Glasgow in early October. In future they will be playing select live shows at times and places of their choosing. If you are looking for slick, smooth, generic computer made music, this release probably isn't for you, Sugar.

Golden Teacher - Dante And Pilgrim

Optimo Music

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