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Embark on a soulful journey with "Whispers Of The Southern Blues," a music clip that beautifully captures the essence of Southern blues. Featuring evocative guitar riffs, haunting harmonica melodies, and deeply heartfelt vocals, this track is perfect for those seeking the authentic sound of the blues. Ideal for road trips, reflective moments, and nostalgic listening, this music clip takes you through the timeless landscape of Southern blues.

Whispers Of The Southern Blues

A Dreems edit of Jon Hassell. Free DL for the peoples. 

for the wav hit this link :

https://www.dropbox.com/s/5fad2ne9qra343l/Chemistry%20-%20Re%20Dreamt%20by%20Dreems%20%5BPRECISE%20MASTER%5D.wav?dl=0


Jon Hassell - Chemistry (Re Dreamt By Dreems)

Ruf Dug # Joanna

Taken from the Maximum Joy compilation "I Can't Stand It Here On Quiet Nights: Singles 1981-82", forthcoming on Silent Street Records. 

Pre-order 2x12" here:
https://silentstreet.bandcamp.com/album/i-cant-stand-it-here-on-quiet-nights-singles-1981-82

Lyrics: Wrafter; Music: Maximum Joy
Produced by Dick O'Dell, John Walker, Pete Mayburn
Originally released on Y Records (12Y 11, 1981).

I Can't Stand It Here On Quiet Nights (SSR001 - Mastered WAVs)

Maximum Joy - Silent Street / Silent Dub

Peter Zummo (1948) is a trombonist who has explored ensemble music at the border between classical chamber music and free-jazz. 

His first album, Zummo With An X (1981), was recorded in a trio with Arthur Russell on cello and Bill Ruyle on tabla, highlighted by two lengthy minimalist suites Instruments (for duo, trio and quartet) and Lateral Pass.

This is an 8 minute extract of the newly remastered Song IV which usually weighs in at just over 20 minutes.

This reissue will be available on vinyl (180gm) for the first time since 1985 in June 2012.

Please visit www.optimomusic.com for more info on the release.


Peter Zummo - Song IV (Extract)

Freedom

"Ay Çürüdü" is the second track taken from Anadol's "Uzun Havalar".
We feel honoured to release this extraordinary beautiful music on vinyl. Release date is May 17, pre-order is up: anadol.bandcamp.com/

Now do yourself a favour and buy this record!

Anadol (@altinkasetcilik) is a psychedelic synth folk project by Gözen Atila, a Turkish sound artist and photographer based in Berlin. Her third album Uzun Havalar is based on collective improvisations of middle eastern folk songs called „uzun hava“. They turn out as rich, atmospheric synth ballads. A diverse roster of improvising musicians creates their fascinating complexity. Anadol recorded them during extensive sessions in Istanbul. You can hear drummers laughing and playing guitars, composers howling, announcements in French and screams in no language, record collectors playing oscillators, and trumpets through spacious echoes.
Anadol represents Gözen Atila’s liberation from a rather academic approach to electronic composition which she pursued during her music technology studies in Istanbul. She calls her education the „darkness of serious music“ where she first tried to belong, then to break free with the help of lo-fi synth pop. As a producer of radio plays and an expert field recording artist, she has developed a distinct sense of timing, editing and sound design. Her Anadol project walks in the footsteps of lone synth experimentalists like Bruce Haack and The Space Lady with their childlike curiosity for electronic sounds, pushing the boundaries of minimal equipment. On Uzun Havalar she translates her experimental background into these floating folk ballads.

Uzun Havalar

Ay Çürüdü

Buy LP/digital album

A2 Anadol - Ay Çürüdü [Pingipung 065/KS04]

Three years on from their debut collaborative album “Passive Aggressive“, Jonny Nash and Suzanne Kraft return with "Knife", the lead single from their forthcoming album, “A Heart So White”.

The single comes with an exclusive bonus digital track, "Processing The Negative", which will not appear on the full album.

“A Heart So White” represents a continuation of the working philosophy adopted during the recording of their debut; immersion in an unfamiliar recording environment with a limited set of tools and the goal of exploring the possibilities that lie within these limitations.

The album was written and recorded in the Willem Twee Concertzaal, a converted synagogue in Den Bosch, Holland. Whilst “Passive Agressive” explored virtual instruments and environments, “A Heart So White” shifts the focus to acoustic instrumentation, breath, air and physical space. Using the hall’s mechanical drawer organ and Steinway piano, the pair craft a delicately balanced suite of compositions, stripping things back to reveal the bare essence of their shared musical language.

Purchase here: https://melodyastruth.bandcamp.com/album/knife

Peter Zummo - Song IV (Extract)

Optimo Music

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