Radio Síquica returns to the airwaves at Radio is a Foreign Country with EP081. Produced by Dr. Kokote Multiversal & Los Siquicos Litoraleños. Artwork: Elizabeta de los Montes

1. Intro 0:00 
2. Que linda está la mañana-Mandril 2:01 
3. Separadores varios- Radio Siquica 4:41 
4. Esta Canción va dedicada -Dr. Multiversal feat Chavela & Bichito Mamani 6:28 
5. Laraila -Rabito & Dj Surubi8:07 
6. Los Peces-Oso el Roto 9:17 
7. El cielo está nublado-Marina Torrico 12:39 
8. La Muerte del Payaso -Omar Shane/Kinks/Radio Siquica-15:34 
9. Soñar, Soñar -Dr Multiversal-17:08 
10. Ovni -Los Ovnis de Huanuni 19:40 
11. Tanda no comercial #324 Dj Surubi + Zizi + Radio Siquica 21:52 
12. El ramo tan espinoso 23:38 
13. Mate en Ganimedes- Los Siquicos Litoraleños 25:14 
14. Oscureli -Pipo el Sucio- 27:26 
15. Falta Radio -Radio Siquica-30:23 
16. Alpha Litoralis pt2 31:18 : Gerardito habla-31:43 Ramonita Vera- ?? (Kokote edit)32:30 Si no tengo tus besos 34:36 "El momento que mas me gusta" Dj Surubí- Feat. Francisco Madariaga 36:06 
17. Eh que agitás (Velvet Undergroud Cover) Lo Pibe 38:7 
18. Tanda no comercial #325 (Radio Siquica) 41:55 
19. Mi Lunarejito -Marta Soto 46:08 
20. Mucho mas grande del mundo (excerpt) Dr. Multiversal 50:05 
21. No puedo- Sumaj Runas 
22. Despedida 53:45 
23. Ramonita Vera -Tema no identificado-Radio Siquica mix) 55:25 
24. Cosas Extrañas -Bernardo el Trovador- 56:20 
25. Everybody is free- Dr Multiversal (From a sample of los Ovnis de huanuni) 58:03

Radio Siquica EP081 (RIAFC059)

More Disinfo about TOO COOL:
https://apple-oleander-pxjz.squarespace.com/store
https://soundcloud.com/pataproxy

"Blurbing Out: Too Cool

A specter of nihilistic terror to all mediums…
a Post-Neoist détournement of the book medium and artist book medium alike and beyond, a deconstruction of encyclopedic-metaphysics, a transmedial implosion of theory/praxis; Too Cool remains all of this and more!

If you’re looking for “art” or boilerplate techno-metaphysical science then look elsewhere or perhaps nowhere, but if you’re looking for the pataphysical disappearance of referentiality than look no further!
A list of contributors to Pata-No UN LTD’s UNNO (Unidentifiable Non-(Narrative) “Objects”/Ogjects) series Too Cool includes a imaginary solution transnetwork or “dream team” of pataphysicians, deconstructors, and Post-Neoists including Monty Cantsin, Luther Blissett, Karen Elliot, Kiki Bonbon, Istvan Kantor, Blatella Germanica, Mireille Perron, Zkymicx, Pseudonovalis, Linda Stillman, Gary Genosko, Norman Conquest, No Cantsin, the OuTransPo (Ouvrior de Transmédia Potentielle) and unknown countless more! Wether taken as the remains of a collection of cut-up experimental Post-Neoist & pataphysical zines and fragments or a simulacra sui generis transmedia textual anomaly, there’s plenty to overload demarcation and misreading of any kind."

TOO COOL PataMemetics Audio-Games: IS THIS A SIMULATION?

part 2/13 on my project gathering Hildegarde Von Bingen & Pauline Oliveros

Atomic Imagery - Rotating Molecules - Particles Dancing - Instantly Vanishing / O Rubor Sanguinis

Starting this April episode with a small tribute to one of the greats that left us some days ago, Ryuchi Sakamoto and after that a selection of some favorites Hip Hop & experimental Beats from around the world

Tracklist: https://radioflouka.com/shows/rapid-eye-movement-with-cinturon-negro-18-04-2023

STREAM RADIO FLOUKA

Rapid Eye Movement with Cinturon Negro - 18/04/2023

Captivus

NOÉMI BÜCHI - DOES IT STILL MATTER
Cat #: OUS050
Release date: May 24, 2024
Distributed by Kudos: https://kudosdistribution.co.uk
Label Bandcamp: https://ousooo.bandcamp.com

«The new avant-garde isn’t about creating something that doesn’t yet exist, it’s about abandoning and confusing rigid genres. I want to open up, in order to both abolish and reconstruct the musical past.» — Noémi Büchi @noemibuchi

Noémi Büchi’s album ‘Does It Still Matter’ completes a series of releases whose titles - ‘Matière’, ‘Matter’, and ‘Does It Still Matter’ - place the physicality of music in the center of attention. Büchi’s specific sound structures and aesthetic choices question the state of materiality in a world that is becoming more and more fluid and intangible.

From ‘Matière’ to ‘Matter’, Büchi subtly transferred from a focus on substance to questioning the enigmatic core of
being, passing from a noun to a verb, and from a single word to an inquiry. ‘Does It Still Matter’ weighs in on the importance of questioning. Her pieces juxtapose multi-layered analog synthesizer textures, crystal clear sounds and almost brutalistic noises, while they unfold in compositional structures akin to pop songs. Driven by an orchestra of myriad parts, her music creates transcendent intonations that resonate deeply with the listeners’ bodies. A daring blend of complexity and accessibility are molded into captivating sound sculptures that challenge and intrigue listeners alike.

Deviating from conventional time divisions, ’Does It Still Matter’ immerses listeners in a discordant succession of elements, and guides them towards an eternal present that erases the past with each new revelation, while maintaining it through recurring themes that serve as intimate memories. Büchi’s electronic maximalism questions our linear perception of time, offering a glimpse into a world where the past, present, and future converge into a singular moment. Her avant-garde approach rejects predictability, inviting listeners to immerse themselves fully in the present. Everything starts anew at any given instant. Each musical idea exists for one precise moment, rendering the future unpredictable.

‘Does It Still Matter’ unfolds against a backdrop of collective disaster and biocidal urgency, challenging the very essence of time. Büchi explains: «The world appears to have gone mad. It’s all but impossible to reflect on the meaning of avant-garde in music, considering the future in this sepulchral kind of stability of the human condition.» Her compositions resonate like an infernal machine, questioning the instantaneous dissipation of everything. Finally, echoes and fragments of sounds remain, haunting memories like ghostly companions.

’Does It Still Matter’ is an immersive experience that invites listeners to contemplate the impermanence of our world and the enduring power of sound.



CREDITS
Written and produced by Noémi Büchi 
Mixed & mastered by Manuel Oberholzer, Suoni Speziali (VFBM)
Album cover by Mirko Eremita, Encor Studio
Graphic design by Rebecca Morganti-Pfaffhauser

Does It Still Matter?

Window Display Of The Year

Buy on Bandcamp

Noémi Büchi - 4 - Window Display Of The Year

solo modular

Track included in Sync Phoney EP on Mutoscope Records (MTC001)
https://soundcloud.com/mutoscope-records

https://mutoscoperecords.bandcamp.com/album/sync-phoney-ep

Release date: 23rd of November 2023

Written, produced and mixed by Veelargo in Krakow, Poland.

Mastering by Ruben Montesco at SoundClip Studio, Madrid.
https://soundclipstudio.es/

The image is a painting by Katarzyna Karpowicz entitled Other Planet.
All rights of the image are property of Katarzyna Karpowicz.
https://katarzynakarpowicz.pl/

EP on Bandcamp

Questch

Ürobot

EgyFluteDrone

Excerpt taken from Clara de Asís -  Sans Nom Ni Forme
Pilgrim Talk 2020

Clara de Asís - De ce côté-ci (excerpt) [PT39]

IS THIS THE END ?
Out NoW!
Vivaldi ANTOLOGÍA SIGLO XXI via @empty6pack_cassettes :
https://empty6pack.bandcamp.com/album/antolog-a-siglo-xxi

TOO COOL PataMemetics Audio-Games: IS THIS A SIMULATION?

Opium Vivaldi

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