Nice especially this bit with the harsh sounds!

obviously not every good thing from 10 years of human culture but some good things that are on soundcloud where you dont have to pay to hear the whole song! not much classical on this site! also i forgot a lot!

deerhoofs best iof deaced playlist!

TR141 - Josephine Foster - Experiment

This exquisite, totally brilliant album from the incomparable Carnatic violinist Lalgudi Jayaraman on this little known 1987 album on the Russian Melodiya label, where he plays his own compositions as well as those by the highly-influential Carnatic composer Tyagaraja, is available for Flac and MP3 download on my blog:
https://music-republic-world-traditional.blogspot.com/2021/03/india-lalgudi-jayaraman-compositions-by.html

Compositions by Thyagaragi and L. Jayaraman – Melodiya C80-27225-004

Lalgudi Jayaraman (Carnatic violin)

off
"don't hurt me for your pretty 中国实地录音" digital album,
recorded 2014 in taiwan & china by dp, name-your-price:
1. yangmingshan cicadas, a storm comes up, different cicadas resound. kalamoji mountains 07:58
2. zhangjiajie cicadas and whistlers on the river path to yazizhai. zhangjiajie national forest park 04:39
3. nocturnal anuran soundscape. huashan shanzhai/panlong 09:24
4. night rattlers. huashan shanzhai/panlong 06:42
5. electric insect solo. huashan shanzhai/panlong 01:08
6. upstream moon bush swell. dehang 10:01
7. typhoon. ri yue, hainan 07:10
8. waterfall and cicadas. detian 05:26
9. river path walk to yazizhai. zhangjiajie national park 17:37

name your price

yangmingshan cicadas (don't hurt me for your pretty 中国实地录音)

Come Outside

Aisha Orazbayeva: Telemann Fantasias

Telemann Fantasie no 9 in B minor

Pixvae - 01 - La Fuga

"George Chua’s “Evidence of Things Not Seen” has personally been a favorite album of mine for about a decade. In 2006 the title was self released by the Singapore based artist on a limited run of CDR’s and made available for direct download on his website, which is how I obtained it. I remember there was something immediately unique about the 4 pieces; specifically off the first take “Gloria”, that it felt more like the document of a living organism, rather than a piece of music. As you accrue more listens of course your pattern recognition starts to formulate and separate the musical signatures; but the piece still maintains that effervescent living form that moves without you but wills you to follow it. This past year I felt compelled to link friends into the album, however, I couldn't find any digital copy online, and moreover hardly any information on it. This startled me a bit and I got to work- By way of Social Media I was able to get in contact with George (Thanks to friends at Kitchen Label) and he happily agreed to present the album digitally with Anòmia, thus making it accessible to those who missed it the first time around." 
—David Sutton 

More info: anomia.info

Recorded between 2003–2004 using the Plogue Bidule software.

Evidence Of Things Not Seen

ANM043 George Chua — Gloria

This piece was made for the opening of the Radio Belgrade Electronic Studio on March 2 2018. 

This is my 1st recording of the real-time improvisation with EMS Synthi 100 + my computer setup.

Computer setup was based on the TouchOSC interface, Pure data patch and Ableton live. Improvisational dialogues between Synthi and computer were done through a dynamic interactive interface on my tablet and tweaking of the Synthi sounds live and playing with their parameters. I haven't used Synthi's sequencer (or a computer sequencer), but rather variety of key triggers, joysticks and envelope shaper trapezoids.

Due to a wide frequency range, it's not advisable to listen to this recording through a laptop speaker or similar.

This is my first use of the modular synthesizer in live performance and/or composition.

TV recording of the whole event: https://youtu.be/9tUwHGweUxY
(simultaneous performance in 2 studios of the Radio Belgrade with audience, live TV and radio broadcast)

Radio Concert No.1

Im from a different time
produced by BUSDRIVER

from the new double-album "Electricity is on our Side" by BUSDRIVER
get the album now: busdriver.lnk.to/ElectricityIsOnOurSide

Drawing from memory and community roots, the 10th album from rap innovator BUSDRIVER plays out like an ode to modern folk art via the act’s characteristically warped take on the world’s leading pop music: hiphop. Homespun and bursting with intention, “electricity is on our side” argues that the quintessential underground hiphop album is in fact the high art of the day.// A fluid understanding of electronic musics, jazz, hiphop and creative writing are once again minced into a unique configuration(underground social music) to achieve the aesthetic ends and off-kilter messaging exacted by the legendary BUSDRIVER.

Electricity is on our Side

BUSDRIVER - Im from a different time

Mazurki

Osiem Misiek

Molly-Poly

Purchase: bit.ly/35jLaxx
Catalog #: GN63
October 1, 2020
2xCASS+DIGI

The midnight hour crept unto thee with hasty caution, revealing 'A Little Night Music: Aural Apparitions from the Geographic North', our third putrid prowl into Halloween-inspired sounds to torment and tantalize throughout the season. For this bout of distinguished dementia, we culled 31 brand new tracks of haunted hysteria conjured by some of the most alluring ambientists and outer auteurs from around the world. 

Spanning over two hours across two cassettes, 'A Little Night Music…’ unfurls itself in a literary horror structure, appearing and disappearing through a stirring Prologue and Epilogue by London-based cellist Oliver Coates, with each side of the cassettes introducing its Chapter with a chilling dirge courtesy of the inscrutable Geographic North House Band.  

What fills the ensuing pages is a mirthful tale concocted by an assembly exploring a realm all at once mournful and fatalist at its core. Entries from Clarice Jensen, Malibu, and the collaboration of Like a Villain and Christina Vantzou bring about endless glacial landscapes accented by pitch-grey skies. Conversely, transmissions from Michael Valentine West, M. Sage, Gregg Kowalsky, and Austrian ambient stalwart Fennesz explore richly textured mines of foreboding glee. 

Suspicion is the word when considering Zelienople’s eerie horse-carriage clip-clop, Nick Malkin’s neon-lit noir-jazz, or Carmen Villain’s gripping dub excursion. Elsewhere Ki Oni, Takagi Masakatsu, and Mary Lattimore (joined here by Paul Sukeena) provide glimmers of warmth amidst a tortured chill. 

Notable is the resurrection of Lotus Plaza and his solemnly hopeful piano composition, while barren hallucinations courtesy of Alex Zhang Hungtai, Ilyas Ahmed, and Danny Paul Grody set the stage for a third act confrontation from Atlantans Fit of Body and Algiers, providing a one-two serving of sensual unrest and cautionary homily.  

With hope and resolve shimmering through the final moments of our journey, know that all proceeds from the digital and cassette editions go directly toward Feminist Women's Health Center, an Atlanta-based nonprofit providing safe, accessible, and compassionate abortion and gynecological care to all those who need it without judgement.

feministcenter.org

Mary Lattimore & Paul Sukeena - "Peach"

Off the new album:  https://snackmaster.bandcamp.com/album/this-path-of-mine

Rolling

viver no mundo exige que se dê partes de sua confiança as outres é um podcast que conta a história das encruzilhadas, dos minerais escondidos debaixo da terra, em silêncio, em histeria, engatilhando as células imortais de Henrietta Lacks, um x no xerox. Cópias de cópias que cruzam e se expandem e se transformam em outros xs.

Abenç0ada: viver no mundo exige que se dê partes de sua confiança as outres

A track from Chris Corsano & Bill Orcutt's "Made Out of Sound" LP/CD.

Made Out of Sound

Some Tennessee Jar

radical nights for the better days ahead

this is what we're listening to

follow us ig @elsewherespace

New album out now: https://aishaorazbayeva.bandcamp.com/album/music-for-violin-alone

Telemann Fantasie no 9 in B minor

Aisha Orazbayeva

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