The new concept EP of Daniel Monaco is the story of a group of friends who have ventured on a mysterious Island with the only mission to enter its infamous Reptilian Club. The tracks are a mix of Disco, Tropical and Dub an obscure psychedelic trip performed and recorded live at Daniel’s studio, but the adventure is not over yet because Enter The Island is not only a long trip into a mystical place is actually also a Board Game for two to four players. The idea was born during the first lockdown. Due the big crisis brought by Covid-19 there were no chances to print vinyl for this EP therefore Daniel thought to design a game made exclusively for this concept, its rules are unique as well as its design reflecting perfectly the spirit of the music.

Alessandro Rosa is the artist who made the design, the BoardGame is the same size of a Vinyl cover made with Forex printed white on black. An unprecedented concept unique in its genre a the creative reaction against hard times.

Game Credits:
Created by Daniele Labbate aka @danielmonaco
and Sabina Pulone
Designed by Alessandro Rosa

Album Credits :

Written, Arranged and Produced by Daniele Labbate aka Daniel Monaco
Daniel Monaco : Bass, Synth, Keyboard, Voice.
Simone Cesarini : Guitar
Yannick van ter Beek : Percussion
Alessandro Cinelli : Drums

Mixed by : Marco Antonio Spaventi
Game Distribution: @bordelloaparigi
Label : Frente Bolivarista

Enter The Island

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Daniel Monaco -  Swamp Monster

Osam

Nobody Cares

Full stream of Rejoicer's "I Think This is Reasonable," taken from This Is Reasonable LP on Circus Company, out April 12.

Pre-order: https://rejoicer.bandcamp.com/album/this-is-reasonable
More: www.orbmag.com/music

@circuscompany
@rejoicer

This Is Reasonable

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Premiere: Rejoicer - I Think This is Reasonable

Moderate Departure into Spring with Bass, Dub & balearic Vibes

Moderate Departure

Rarian Fields - Things Shown

Astrokid Mini Pack - Coral Temples (Mythic Chillwave) 2

Coral Temples (Mythic Chillwave) - Track 09

Reposant détendu ambiance cosy 
saxo 🎷

Chill Lounge Mix

Vinyl/CD/Digital - https://lengrecords.bandcamp.com/album/out-of-the-blue-compiled-by-phil-mison

Over the years, Phil Mison has become the go-to selector for those looking for Ibiza-themed compilations. None of his previous collections, though, have been quite as personal as Out Of The Blue, a compilation inspired by his first spell behind the decks at the Café Del Mar in 1993 – and the remarkable chain of events leading up to it.

Mison made his first trip to Ibiza in the summer of 1991 and quickly fell in love with the magical music being played by Café Del Mar resident DJ, Jose Padilla. On his return to the UK, Mison began to cultivate his own take on the laidback, open-minded style, recording mix-tapes of “Ibiza style chill out” tunes to give to friends.

In November 1992, Mison was hanging out in Tag Records, Soho, when Padilla walked in. He plucked up the courage to speak to the Spaniard because earlier that summer Mison had given one of his friends some tapes to take out to Jose in Ibiza so he wanted to see if he had got them. During the conversation Mison invited him down to his next DJ set at Nicky Holloway’s club, the Milk Bar and less than three months later, and clearly impressed by what he’d heard on the tapes, Padilla invited Mison to fill in for him at the Café Del Mar, beginning in April ’93.

It’s that first trip to DJ in Ibiza – a crazy six-weeks spent dividing his time between spinning records at Café Del Mar, hanging out in Jose Padilla’s house in the hills, and meeting some particularly eccentric White Isle residents – that proved the inspiration for Out Of The Blue.

The compilation contains a mixture of records that Mison played in his earliest Ibiza sets, those that remind him of that period, and recent discoveries that boast a similarly warm, loved-up vibe. Mison is at pains to point out that it’s not a track-for-track representation of his first sets, but rather a collection inspired by this most momentous of experiences.

As you’d expect from a selector of Phil Mison’s standing, Out Of The Blue is an outstanding collection. Some will no doubt hear the influence of his mentor – the man he credits with effectively turning his DJing career around – in the undulating rhythms and new age melodies of Kamasutra’s “Sugar Step”, the meandering synthesizer solos and Spanish language vocals of Congarilla’s sublime “Sacred Tree”, and the lilting flamenco guitars of “Gambarra”, an unreleased mix from Mison’s popular Cantoma project.

Elsewhere, listeners can marvel at the starry ambient bliss of Belgian legend Frank De Wulf’s “The End”, recline to the saucer-eyed fusion jazz of the Christoph Spendel Group, shuffle along to tactile, hard-to-find period deep house from Language, Moodswings and Don Carlos, and marvel at The Cactus Rose Project’s ridiculously rare “Jelly”, a sparkling, disco-era jazz-rock outing partly inspired by the Doobie Brothers’ “Long Train Running”.

Out Of The Blue may well be a very personal selection of tracks celebrating a moment in time, but it’s happily one that we can all enjoy.

Out of The Blue

LENG SHOP

The Cactus Rose Project - Jelly

Preorder here: https://bit.ly/2ZhOUKv
Discogs: https://bit.ly/2UFV6gT

Out early June on Kalahari Oyster Cult

Munich. 1994. A group buck current trends with a ground-breaking release. Tikitaka by Tamburá left aside the techno of the time to focus on a the lesser known styles of afrobeat and tribal music. The result was three tracks that sail and soar on a primal energy, three works that whisk listeners away to exotic lands of wooden wind instruments, ritualistic vocals and, even, bag pipe majesty. For twenty five years this record has been an unattainable mystery, until now that is. Kalahari Oyster Cult have lovingly restored all three of the trailblazing original tracks alongside two very special remixes. Melbourne’s Tornado Wallace adds new layers of intensity as he cuts and reshapes melodies and beats to set any floor alight with this visionary remake. Dazion offers a very different interpretation. Focusing on vocals, this new talent accentuates the shamanic-like chants of Tikitaka, using them as a base from which throbbing synth lines grow as new depths are explored. An EP every bit as daring in 2019 as it was in 1994.

Tamburá - Tikitaka w/ Tornado Wallace & Dazion Remixes (OYSTERTRIBE2 - Snippets)

Photay and Sam O.B. collide once again for the second of two EPs this year under the moniker Ensemble Entendu. Pastoral Dusk Themes EP evokes images deep and rolling. Lead off ‘Hully Bully’ portrays a nighttime landscape turned into electric jelly jiggling to the beat of forlorn drums. Ensemble Entendu’s take on library music here expands to include the stoic cumbia inflections of ‘Ritmo Antiguo’ and the fourth world ambient reflections of ‘Loon Interlude’ and ‘Mascoma.’ Each track brings a palpable imagined geography, a space within which to think and feel emergent states of departure. ‘Lakeview’ finishes the release with a colorful, astral spaciousness, something like aurora borealis converted into synthesized sound.

Ensemble Entendu began as a collaborative project of Photay and Sam O.B. They set out exploring library music and the tradition of rhythm tracks, emphasizing driving drums and basslines in their stripped down productions. The Brooklyn-based producers are now shaping a music uniquely situated between their already unique solo artistic voices.

Pastoral Dusk Themes EP and its recently released companion Music For The Densely Populated, Vol. 2 are available for digital download via Astro Nautico.

Pastoral Dusk Themes, Vol. 3

Ensemble Entendu - Wasp Jam

Funki Porcini - Mrs Henderson

Fusing music, art, culture, and technology.

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Premiere: Rejoicer - I Think This is Reasonable

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