Osam

Nobody Cares

The City of Tomorrow II

Haze

Full stream of Rejoicer's "I Think This is Reasonable," taken from This Is Reasonable LP on Circus Company, out April 12.

Pre-order: https://rejoicer.bandcamp.com/album/this-is-reasonable
More: www.orbmag.com/music

@circuscompany
@rejoicer

This Is Reasonable

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Premiere: Rejoicer - I Think This is Reasonable

Implosive(Eddie What remix)

nippon swing

After It’s Disintegration

Fourth track from my new Ep "Memorabilia", released on @atomnation April 29th.

Orders: atomnation.bandcamp.com/album/memorabilia
https://clone.nl/item40116.html

Sau Poler - Jnane

Vinyl/CD/Digital - https://lengrecords.bandcamp.com/album/out-of-the-blue-compiled-by-phil-mison

Over the years, Phil Mison has become the go-to selector for those looking for Ibiza-themed compilations. None of his previous collections, though, have been quite as personal as Out Of The Blue, a compilation inspired by his first spell behind the decks at the Café Del Mar in 1993 – and the remarkable chain of events leading up to it.

Mison made his first trip to Ibiza in the summer of 1991 and quickly fell in love with the magical music being played by Café Del Mar resident DJ, Jose Padilla. On his return to the UK, Mison began to cultivate his own take on the laidback, open-minded style, recording mix-tapes of “Ibiza style chill out” tunes to give to friends.

In November 1992, Mison was hanging out in Tag Records, Soho, when Padilla walked in. He plucked up the courage to speak to the Spaniard because earlier that summer Mison had given one of his friends some tapes to take out to Jose in Ibiza so he wanted to see if he had got them. During the conversation Mison invited him down to his next DJ set at Nicky Holloway’s club, the Milk Bar and less than three months later, and clearly impressed by what he’d heard on the tapes, Padilla invited Mison to fill in for him at the Café Del Mar, beginning in April ’93.

It’s that first trip to DJ in Ibiza – a crazy six-weeks spent dividing his time between spinning records at Café Del Mar, hanging out in Jose Padilla’s house in the hills, and meeting some particularly eccentric White Isle residents – that proved the inspiration for Out Of The Blue.

The compilation contains a mixture of records that Mison played in his earliest Ibiza sets, those that remind him of that period, and recent discoveries that boast a similarly warm, loved-up vibe. Mison is at pains to point out that it’s not a track-for-track representation of his first sets, but rather a collection inspired by this most momentous of experiences.

As you’d expect from a selector of Phil Mison’s standing, Out Of The Blue is an outstanding collection. Some will no doubt hear the influence of his mentor – the man he credits with effectively turning his DJing career around – in the undulating rhythms and new age melodies of Kamasutra’s “Sugar Step”, the meandering synthesizer solos and Spanish language vocals of Congarilla’s sublime “Sacred Tree”, and the lilting flamenco guitars of “Gambarra”, an unreleased mix from Mison’s popular Cantoma project.

Elsewhere, listeners can marvel at the starry ambient bliss of Belgian legend Frank De Wulf’s “The End”, recline to the saucer-eyed fusion jazz of the Christoph Spendel Group, shuffle along to tactile, hard-to-find period deep house from Language, Moodswings and Don Carlos, and marvel at The Cactus Rose Project’s ridiculously rare “Jelly”, a sparkling, disco-era jazz-rock outing partly inspired by the Doobie Brothers’ “Long Train Running”.

Out Of The Blue may well be a very personal selection of tracks celebrating a moment in time, but it’s happily one that we can all enjoy.

Out of The Blue

LENG SHOP

The Cactus Rose Project - Jelly

Tropical Past And Future

VIDEO : https://youtu.be/Kuvb_G3MdOA

Le 27 Janvier 2014 sortait le premier disque de Flavien Berger “Glitter Gaze” sur Pan European Recordings. 
Pour fêter les 7 ans de cet EP,  @ColinJohnco présente un remix nocturne du morceau “Gilded Glaze”. 

Entre les vagues du Golfe du Morbihan, le chant des oiseaux sur le sentier de Rorota et la moiteur nocturne des sirènes urbaines. Laissant se dissiper de nombreux souvenirs comme autant d’esprits magiques. Jeux de reflets qui mélangent différents paysages sonores à des nappes vaporeuses sur la basse syncopée du morceau original. 

En Septembre 2010, le Collectif Sin ~, composé alors de Flavien Berger, Erwan Evin, Quentin Caille et Paul Boudeau, sortait l’album “Sous Contrôle TV” sur le label éponyme de Colin. S’ensuivit une série de concerts et de performances à la limite du noise, écumant salles alternatives et sous-sols parisiens, parfois accompagné de Colin Johnco, présence bienveillante pour le Collectif Sin ~. Aujourd’hui le Collectif s’est agrandi regroupant plus d’une dizaine de membres. Quentin et Colin ont fondé Johnkôôl Records. Ce remix contient toute cette longue histoire, c'est un hommage à la rencontre de tous ces aventuriers qui traversent la nuit.

Video & Artwork by Juliette Gelli
Mixed by Paulie Jan
Mastered by Mathieu Berthet

Gilded Glaze (Colin Johnco Nocturne Remix)

FLAVIEN BERGER - Gilded Glaze (COLIN JOHNCO Remix Nocturne)

Another win for the Glowing Pin as Müller & Wandt drop a fresh new age groover on a killer club dub tip. Elsewhere Phazer Boys, Suzanne Kraft, Philipp Otterbach and River Yarra remix the pscht out of their favourite tracks from ‘Instrumentalmusik..’. Expect Goan hits, cosmic trips, loved up rave and chilled out wave on this flawless five tracker.   
Growing Bin becomes Glowing Pin for the most anticipated rematch of the century. Back at the beginning of 2018, Wolf Müller and Niklas Wandt went head to head for a box office smash, throwing a high school percussion tray, wall of hardware and voodoo skull into the ring for the tribal trip of ‘Instrumentalmusik Von Der Mitte Der World’. 
Now the multi-instrumental duo face off once again, but this time it’s a royal rumble with Phazer Boys, Suzanne Kraft, Phillip Otterbach and River Yarra all bringing the noise to the Glowing Pin.  
Müller and Wandt dominate the action on the A1, playing loose with sampler vox, serene pads and future primitive rhythms on the unreleased ‘Fun Dub’ of the also unreleased ‘Dub Dub’. Imagine Ferris Bueller’s trampoline tumble trading Chicago to the Weissenhof and you’ll sense the mood of this New Age groove. Germany’s number one party dudes, those freaky Phazer Boys take a break from dropping killer Candomblé cuts to reach for the lasers on the A2, taking ‘Ahu’ to another dimension. Dripping in neon body paint and armed with fire poi, the Düsseldorf duo power up progressive house sequences, didgeridoo bass and thumping tribal house percussion for a wall-shaking, speaker-breaking remix.   
The B1 belongs to synth whiz Suzanne Kraft who revels in glistening, gliding glory on an expansive remix of  ‘Auflösung’. Sleek, serene and futuristic, the track shimmers like Fritz Lang’s Metropolis, free from inequality and rendered with the 5D(ub?) majesty of a DMT breakthrough. 
B2 hears Salon associate and serious talent Philipp Otterbach take over on a stripped back and psychedelic post punk dub of ‘Expedition’. Angular bass by Süne Große and a stuttering rhythm underpin astral flourishes and the hazy vocals of Lucas Croon before the African elements begin to move to the forefront. 
Last man standing is Australian outlier River Yarra, who leads us into the Krautback with a chugging dub of ‘Weltraumsandalen’. Lent a lysergic sparkle by a percolating one-note bassline, this slow motion stunner masters perpetual motion amid the eerie echoes of the bush, organic percussion and electronic animal cries fading into the night. Let the pins glow again.  
Patrick Ryder  

A1. DUB DUB WMNW Fun-DUB feat. Vomit Heat			8:30 
A2. Ahu - Phazer Boys LaserDUB						8:07  
B1. Auflösung - Suzanne Kraft WerkDUB					6:13 
B2. Expedition - Philipp Odd Dub Bach DUB 
feat. Lucas Croon & Süne Große		                                 5:31 
B3. Weltraumsandalen - River Yarra DUB					6:42

WMNW Remixes - B3 - Weltraumsandalen - River Yarra's Krautback Dub - (clip) 6min 42sec

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Premiere: Rejoicer - I Think This is Reasonable

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