Name: May Day 2024 by Ori Moto
Duration: 55 min 14 s
Description: One hour of all my own original beats (and some cheeky live vocals) at the Banausen Kollektiv party on May Day, 2024.

Sensitivity (Ralph Tresvant) - Ori Moto edit

After The Dance (Marvin Gaye) - Ori Moto edit

JBW RADIO on DUBLAB ft AYAYA [LONDON, UK] and JAE DRAGO [JBW, LA] 4-3-2021

Saliah's Boiler Room set for Middle of Nowhere. Watch on YouTube: https://youtu.be/5Ypt4Dzzlfw

Track list:   
00:53 - Najwa Karam - Nezlet El Bahar (Mawal) 
2:13 - Missy Elliot - Pass that dutch (Zaghrout Intro)
 3:11 - Darabuka Instrumental 
3:46 - Ah Ya Albi - Hakim 
5:19 - Sabry Aleel - Sherien (muted on YT)
6:14 - Bootylicious - Destiny’s Child 
7:23 - El Tannoura - Faras Karam 
8:56 - Caramela Sexy Lady - Jabid
9:52 - Shamstep - 47 Soul 
11:06 - Baby (Saliah Edit)  - Sara El Zakaria 
12:39 - Jaynak Bahayeh (Saliah Drums Edit) - Mohamed Al Salim & Zaid Al Habeb 
13:54 - Hollaback Girl (Mr.M!X Remix) - Gwen Stefani
15:15 - High Tension Zamer - Rizan Said
16:20 - El3ab Yalla (Saliah ETX Coolie Dance Edit) - Oka Wi Ortega
18:06 - Darabuka Instrumental
18:56 - El Hantoor - Dina (muted on YT)
20:20 - El Hantoor (Saliah Bassline Bootleg) - Dina 
21:48 - Skanka - Hamdi
23:11 - Original Don - 2DLQTZ Baile Funk Remix - Major Lazer & The PartySquad
24:52 - BEL MERCY Toolate Edit - Jengi X Toolate
26:16 - Haramt Ahabak - Warda
29:04 - Funky Anthem 2016 Refix - Crazy Cousinz, MC Versatile
30:27 - Girl Riddim - Murder He Wrote
31:49 9arab Miami Dub - Teksir 
32:23 - موقع دندنها (DJ Plead remix) - Dj Plead
33:33 - Baba Fein - Nasr Mashrous (muted on YT)
34:30 - Habibi Riddim - Saliah 
36:06 - Whoopty (Arabi) - Ahmedoo Biggie
36:49 - Whoopty (DJ T Marq Jersey Club Remix) - CJ
37:51 - Baile Pulse - Burna 
38:45 - Habibi Da (Saliah Baile Bootleg) - Hisham Abbas 
40:06 - Batwanes Beek (Saliah Jersey Bootleg) - Warda
44:06 - Darabukka (Lazy Flow Vogue Crash Edit) - TSVI
44:33 - Bos Bos (Saliah Jersey Bootleg) - Nancy Ajram
45:40 - Ah w Nos - Nancy Ajram 
47:20 - Allah Alaik Ya Sidi - Ehab Tawfik 
48:22 - Es Salam Alaikom - Hakim 
49:22 - Gypsy Woman (DieMantle RaveYard Mix) - Crystal Waters
51:58 - At Night - Melodramatic Bootleg 
54:18 - Shik Shak Shok

Saliah - Boiler Room (LIVE)

Rinse FM Podcasts

Yushh - 05 February 2023

One hour of all my own original beats (and some cheeky live vocals) at the Banausen Kollektiv party on May Day, 2024.

May Day 2024

Written and performed by Stevie Wonder for Roberta Flack. Strictly from the session including Stevie's unreleased lead vocal.
REMIX / PRESS ENQUIRIES: mail@thereflexmusic.com
JOIN THE REVISION CLUB - Access to all HQ downloads, freebies and exclusives. http://eepurl.com/Hd8J1 The Reflex Revision is a remix entirely done from the original multitracks or stems, no sound or instrument added unless specified.

FREE D/L

Stevie Wonder - Don't Make Me Wait Too Long [The Reflex Revision]

Two hundred fifty years of slavery. Ninety years of Jim Crow. Sixty years of separate but equal. Thirty-five years of racist housing policy. Until we reckon with our compounding moral debts, America will never be whole.

The Case for Reparations - The Atlantic - Ta-Nehisi Coates

Olivia Hussey was just fifteen when she was cast in Franco Zeffirelli’s "Romeo and Juliet." When the film was released in October 1968, it catapulted Hussey and her Romeo, Leonard Whiting, to global stardom. Fifty years after the movie’s release, Hussey’s new memoir, "The Girl on the Balcony: Olivia Hussey Finds Life After 'Romeo and Juliet,'" tells the story of the actress’s life before, during, and after Romeo and Juliet. We talked with Hussey and asked her how she felt about Shakespeare before making the movie (“very boring”), filming the balcony scene (“I’d bump my teeth into his chin”), the endless press tour, and whether she’d do it all again. Olivia Hussey is interviewed by Barbara Bogaev. 

From our Shakespeare Unlimited podcast series. Published January 22, 2019. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Speak Again, Bright Angel” was produced by Richard Paul. Garland Scott is the Associate Producer.&nbsp; It was edited by Gail Kern Paster.&nbsp; Ben Lauer is the web producer. We had technical help from Andrew Feliciano and Paul Luke at VoiceTrax West in Studio City, California.

Olivia Hussey: The Girl on the Balcony

A one-hour mix of original, self-produced beats, recorded live at SHENANZ at Repeat Bar Berlin.

SHENANZ TV is a livestream series, hosted by Ori Moto, featuring producers sharing their original beats. Streaming from Berlin --> ori-moto.com/tv/

Producer DJ set | Shenanz, Berlin

NEU-ROMANCER MIX 002

“Zooming In” is a mix series focusing on African countries that the world seldom hears from and listens to. The selection is mostly composed of songs that haven’t been commercially released and float around in ephemeral online libraries. 

♬ ♬ ♬

Formerly the colony of Spanish Guinea, Equatorial Guinea's post-independence name evokes its location near both the Equator and the Gulf of Guinea. Its economy traditionally depended on three commodities — cocoa , coffee, and timber — but the discovery of petroleum and natural gas under the seafloor of its offshore waters changed the country’s economic profile virtually overnight in the 1980s. Petroleum now accounts for the vast majority of its exports and more than four-fifths of its GDP.

Despite having become the richest country per capita in Africa, the wealth is distributed extremely unevenly, with few people benefiting from the oil riches. The standard of living of most people has not significantly improved and farming continues to be the predominant occupation. The country ranks 144th on the 2019 Human Development Index with less than half the population having access to clean drinking water. The authoritarian government has one of the worst human rights records in the world. President Obiang has had a firm grip on power since 1979 and has repeatedly come under investigation for corruption.

As is often the case in dictatorships, culture is criminally under-funded and left to survive at the margins of a careless state. Equatorial Guinea's music has therefore been much less documented than most African countries, and commercial recordings remain scarce. Except for a 1950 collection of field recordings, there is still no compilation to this day that showcases the country’s rich musical output. But even without governmental efforts to support the music of its own people, songs in the digital age always find a way out.

Outsiders can now access audio and video files uploaded by anonymous heroes who are eager to show the world what their country has to offer. One just needs to adjust their listening standards when dealing with low-res MP3s converted from platforms such as YouTube and Soundcloud. These sources act as the sole entry portals into the country’s songbook, which is unsurprisingly bursting with creativity: call-and-response chants of female choirs (“Coro”), pop bangers coated with a gorgeous AutoTune sheen, groovy bass licks and relentless pounding percussions.

Despite a veneer of Spanish culture and Roman Catholic religion, many Equatorial Guineans live according to ancient customs, which have undergone a revival since independence in 1968. Among the Fang of the mainland, traditional music and storytelling live on. Among the Bubi farmers of the Bioko island, some ancient customs are still followed as well. As for popular music, Soukous and Makossa have long been beloved and reinterpreted. Though being the only African state in which Spanish is an official language, most artists sing in Fang or Bubi and sprinkle their lyrics with words in French, Spanish or English-based creole. One may also notice Congolese-style Libanga — shout-outs to local patrons — and some nods to Ndombolo, Assiko and Hiplife.

00:00 · Elenita - Echi Chin Abe
03:21 · Maele Ndong - Si Mitangan
06:03 · Muana Sinepi - Baluery
08:38 · Bessoso - Y’On Sofa
11:16 · Coro Abong Mang - Nza Bele Me Nnom
14:38 · Beto Nass Autoridad - Nchaan Ekuan
18:01 · Unknown - Eye Minga
20:37  · Coro Bikomsua - Edjing
23:00 · Efa Mba - Wele-Nzas
25:29 · Baron Ya Búk-Lú - Money
28:10 · Kastiel Molon - Alukle
30:40 · Bicomsua Mongomo - Ondo Nkumu
33:53 · Coro Antorcha De Zaragoza - Unknown
38:30 · Titoy Bolabote - Botaka
41:55 · Coro Milenio de Malabo - Ambiente
44:31 · Fifi La Mirey - Ening Nsut Mot
46:48 · Piter B & Menda Sol - Benguan Beye Mbini
50:37 · Tawola Mesam - Bicomsua
53:13 · Djebol - Mama
55:56 · Dr. Mbomeche - Mbuyaya

* Big up to DJ Rody Mansueto (@djrody-3) for the track ID of Beto Nass Autoridad’s gem!

Zooming In, Vol. 1 · Equatorial Guinea

Two hours of straight Garage

Every Wednesday 3-5pm (gmt) on NTS Radio / www.nts.live/shows/moxie

Become an NTS Supporter here: www.nts.live/supporters

Moxie on NTS Radio: Home Broadcast 12 'GARAGE SPECIAL' (24.06.20)

Playful polyrhythms, spacious beats, and occasional live vocals. Ori Moto is the electronic project of producer / musician / vocalist Ray Wassef (aka Ray Mann / The Ray Mann Three). Berlin-based, Sydney-born, Egyptian-raised.

May Day 2024

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