дуже круто звучить, використаю тебе для наступного подкасту

https://soundcloud.com/reymour
https://soundcloud.com/nighttravelonablanketshow
https://soundcloud.com/aroomfmuzik
🛒https://ar-fm.bandcamp.com/album/selected-ambient-synth-pop-works
🔊https://youtu.be/qgE2UJ2MrfA

An Ambient, Synth & Pop compilation with Tryphème, Jonnnah, Reymour, Xuri, Low Bat & La Punta Bianca.

Selected Ambient, Synth & Pop Works

Orlando feat. Low Bat

PREMIERE : Reymour - Orlando feat. Low Bat [AR/FM]

Troth ‘Oak Corridor’ Album Out 1st of November 2021.

Listen to 'Balancing Arc':
Spotify - https://spoti.fi/3A9TbSg 
Qobuz - https://bit.ly/3k44CVX
Tidal - https://bit.ly/3z6dSgE

Follow Troth:
@altered-states-tapes

Follow Knekelhuis:
http://www.instagram.com/knekelhuis_/
http://www.facebook.com/knekelhuis

Music video by Amelia Besseny & Cooper Bowman, recorded in the area of Newcastle, Australia.
© + ℗ 2021 Knekelhuis, under exclusive licence to Knekelhuis Records.

Oak Corridor

Balancing Arc

A1 - Troth - Balancing Arc

Ma participation chanvrée à cette cool compilation: https://vastechoses.bandcamp.com/album/vastechoses-22-vastedub-vol-ii-future-smoke

HLM38 - Rockers

Lives in the northern part of Germany. A hopeless dreamer. Sings lines from forgotten songs and is constantly awake too long in a city where it doesn't smell like the ocean but where he sees faces from his youth. They call him Julian. "Julian! Turn that trash off, your music sucks" they always say. Julian collects movies and books and sometimes he paints with his fingers in the clouds. Hopeless dreamer...

Created for "Night Travel on a Blanket"

www.lyl.live/episode/night-travel-on-a-blanket-12


★De Ambassade - Verwijder Jezelf
★J'imme Hooligans - Reap Tha Rewards
★Karl kave - Someone
★Victrola - Tenderface
★Олексій Дьячков - Я зітру свою пам'ять
★Zipper - Hamburger
★Cosey Mueller - Immer das gleiche
★Durch Null - Ich Hab Gewartet Auf Die Nacht
★ukryte zalety systemu - Dzień przyjaźni pozaziemskiej
★YORCHH - A veces tal
★Landowner - Feel Strongly
★Sistema de Entretenimiento - Uzumaki
★Aude Vaisselle- Hommes en blanc
★Jeunesse Fantome - Ksiezyc
★Locked in Blue - What a Nice Day
★Superstudio - Steve McCurry
★Neon Lies - Woods
★X - Beliebig - Ha
★Совпоэт / Soviet Poet

Night Travel on a Blanket - A story by ZartBitter

Strapazen und Genesung

A1. Geier aus Stahl - Wendeltreppe

MITSUBISHI (DMRD010 V​/​A BRUINE PERSISTANTE II) DEMORD ENREGISTREMENTS

Une année qui commence sous les radars pour Hilo Rojo avec Ortie Dancing, une invitée bien mystérieuse...
&ampquot;voici une petite ballade dans ma sauvagerie, en quête de lumière à cloche pied en plein solstice d&amp#39;hiver... &ampquot;


HILO ROJO w/ Ortie Dancing (06/01/24)

minimal synth, minimal wave, minimal electronics, synth pop, synth-pop, italo disco, cold wave, new wave, wave, post punk

Visée - 2015 - [Polytechnic Youth ‎– PY71 - UK]

https://www.youtube.com/watch?v=R4Oaehf58a8

OUT ON the Various Artists - Destination Earth LP ..   Featuring:  Floris Vanhoof, Orphan Fairytale, Tave Exotic, Liquid Slug, New Root Canal, Superskin, Hantrax, Francesco Cavaliere and more.... available from alien friendly record shops all over the planet..

DE comp B

Tav Exotic - The Connection

Finem

Taken from Gavilán Rayna Russom - The Envoy LP/Download [ELP047]

• Solo debut album of pulsing, beat-less urges by NYC transdisciplary artist Gavilán Rayna Russom
• Includes guest appearance by industrial and downtown figures Cosey Fanni Tutti and Peter Zummo 
• Cut at D&M, Berlin

Transdisciplinary NYC artist Gavilán Rayna Russom beautifully comes into her own with a distinguished solo debut album statement including the voice of Cosey Fanni Tutti and brass arrangements by downtown legend Peter Zummo

After decades exploring her sonic personality in various projects inspired by her deep immersion in NYC’s club and avant-garde scenes, Rayna uses ‘The Envoy’ as a vessel to firm up and convey her personal conclusions on intersections of gender and electronic music. Enriched with complex human experience and key influence from sci-fi writer Ursula K. Le Guin’s novel ’The Left Hand of Darkness’ - a book that strongly resonated with her due to its descriptions of an alien race with multiple sexual characteristics - the album is intended to realign misconceptions of Russom’s prescient early work such as 2005’s ‘The Days of Mars’ LP for DFA, which arguably foreshadowed a rise of beat-less and more ambiguous urges that are now commonplace in contemporary dance music, yet were at the time lumped in with retro-fetishist trends. With ‘The Envoy’ Russom returns to a 2019 music scene that’s better prepared with the politics of an emerging new world, and thus readied for her ideas to take hold in the public consciousness.

Entwining Russom’s perspectives on gender, the occult, and spirituality, and how they relate to the body and music’s healing properties, ‘The Envoy’ clearly yet ambiguously expresses the artist’s concerns in nine interrelated parts. Practically devoid of percussion, but full of body-moving polyrhythmic pattern, the pieces spill out of the lines of any typically imposed “grid”. Within this loose context, porous to the chaos of noise, Russom smudges a blend of analogue and digital synths to connote an elusive sense of self, encouraging the listener to navigate the music’s curves and silhouettes by instinct. 

Employing the fluid potential of electronic music at its most fundamental in a way that loops right back to the glyding suspense of her prized early work, even literally incorporating elements of long form solo recordings made in the late ‘90s in the wake of Russom’s psych/noise band Soma.

Unanchored by kicks, yet pulsing in its own ways, the album flows with an underlying elegance from Cosey Fanni Tutti’s spellbinding recital of Russom’s text in ‘Kemmer’, set to an organic, orgiastic writhe of arps and stressed noise, and on thru the free-floating organ scape of ‘Envoy’, to acknowledge more grimly industrial impulses with ‘Strength out of the Dark’ and also a towering highlight of the album in ‘Discipline of Presence’, where Russom’s throbbing mass is hauntingly illuminated by plangent brass arrangement from Peter Zummo (key Arthur Russell collaborator). The 10 minute ‘Winter’ then wraps it all up under a titular reference to Ursula K Le Guin’s novel, placing Russom as a filament of solo piano-playing light within the cold expanse of NYC.

Finem

Orinoko

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