Name: Whispered to God (Trap Version) by Orkhan Aliyev
Duration: 3 min 17 s
Description: i originally composed this as a piano piece called Whispered You To God – and now it’s back in a new form. same melody, but now with a rap twist. felt like the emotion was still there… just needed words this time.

Music & Lyrics: Jan Schonander

Not stripped, but certainly not very well dressed, and with a few tweaks.

FOR YESTERDAY

Yesterday felt so easy
Yesterday felt so good
Yesterday felt so easy
Yesterday felt so good

Walked to the gate
Not a worry in the sky
Turned to my baby and I waved her goodbye
Saw her through the window
Sweet tear in her eye
Oh I long for yesterday
I long for yesterday
Yesterday
I long for yesterday

I picked up the phone
Dialed a memorized number
Told her I love her didn’t talk about the weather
Sat at my desk
Wrote the first of many letters
Oh I long for yesterday
I long for yesterday
Yesterday
I long for yesterday

It was so easy
It was so good

I went to the bar
Started talking to my neighbor
Nobody thought I was a sicko stranger
Didn’t think twice
I gave my name and number
Oh I long for yesterday
I long for yesterday
Yesterday
I long for yesterday

It was so easy
It was so good
It was so easy
It was so good

For Yesterday Scantily Clad

When You Wake In The Morning

See also: 
Spotify: https://open.spotify.com/intl-de/album/0bREnowKOP8TeEFgWd0MWe?si=1TSN2KDZTLu3LRi1pxYHYA
Youtube (with Scores): https://youtu.be/OEr_OsCbRMg

This laid back song takes its course without many surprises, just like a afternoon where you have nothing specific to do. Your mind wanders around from here to there, not really resting on a specific topic but without haste thinking about this and that.

Compositionwise: Most of the song plays with a delay of an eigth beat between the left and the right hand. Typically, the right hand follows the left hand thus creating a relaxed and laid back feeling. However, at times, the delay when playing shifted quarter beats in the left and right, leads to the music sounding more agitated though both hands have actually relatively slow metrums. (e.g. @ 0.35 or @ 1:20). The main motive arrives three times in the song in different variations with a relatively long (@ 1:10-@ 2:40) middle part that touches on  prelude-like as well as song-like elements. 

The track has been recorded on a Roland FP-90 and mastered in Cubase relatively puristically by just adding  reverb and fiddling a bit with the EQ. I currently find that other effects such as Compressor or Stereo Enhancer do not necessarily improve the sound. But might change that opinion again when I gain more experience ... :-)
The picture was created with Stable Diffusion.

Silent Tuesday (Solo Piano)

My Lovesong To You

If i were a rich man
I'll tell what I'd do
I'd bring all my treasures to you
If I were the king
I could make you a queen
With a beautiful, crown on your head

But I aint got diamonds
And I aint got gold
My gifts coming straight from the heart
And this is my hymn to you
It's the best I can do
This is my lovesong to you

If I were a sailor
Out on the sea
The wind would send my love to you
No matter if you
Are so far away
I always, stand by you, some way

Years may go by
And the time my fly
But darling, my love never dies
And this is my hymn to you
It's the best I can do
This is my lovesong to you

(bouzouki solo)
(chorus2 repeat)

This is my hymn to you
It's the best I can do
This is my lovesong to you
This is my lovesong to you



Words and music written by Patrik Eriksson
Production and performance by Patrik Eriksson

My Lovesong To You

Greg Hurley: Composition / Arrangement, Lyrics, Vocals, Slide guitar, Guitar, Keys, Bass and Drum programming, mix and mastering.
If you have the time.... Please repost!

**"Gold Boulevard"**

In the city of razor tongues and neon lights,
Where laughter hides the poison and the fights,
There walks a man with wry smile upon his face,
In a sardonic friendship, no one can trace.

Sardonic friendship, a dance of deceit,
A two-step of laughter, but hearts incomplete,
Fools Gold Boulevard, where the jesters reign,
In a world of illusions, we forever remain.

Beneath the facade of witty banter and charm
Lies a twisted allegiance, doing no harm
But the cynics and jokers, they understand
The allure of Fools Gold Boulevard's hand in hand.

Sardonic friendship, a dance of deceit
A two-step of laughter, but hearts incomplete
Fools Gold Boulevard, where the jesters reign
In a world of illusions, we forever remain

Solo

Beneath the surface, beneath the veils
Lies the truth we dare not to unveil
The bond of humor, the bond of pain
In Fools Gold Boulevard, we remain

So raise a toast to the friends we pretend
In the shadows of laughter, in the echoes of the end
Fools Gold Boulevard, a timeless masquerade
In this sardonic friendship, our secrets are laid

Gold Boulevard

THE TEMPEST

Ambient Journey

A Moment in Time

A Moment In Time

https://soundcloud.com/michele-ansani/sunday-derby-extended-version-michele-ansani-manuel-pietra: here the extended version, with the contribute of Manuel Pietra (https://soundcloud.com/mozartwolfy81)

For those (like me) born in the late 1950s and raised in Milan in the 1960s, Sunday of derby (AC Milan vs. FC Internazionale) was the most beautiful and most feared day of the year.
As it's clear in the end of the piece, my team won the match that time (so many years ago ...)

Cover image: a card of San Siro stadium from 1965 (or thereabouts).

------

Composed by Michele Ansani (2021).
Posted on SoundCloud: 2024, June 15.

Sunday derby (draft) *

Mysteries Under The Southern Cross

Who Wears My Skin

i originally composed this as a piano piece called Whispered You To God – and now it’s back in a new form. same melody, but now with a rap twist. felt like the emotion was still there… just needed words this time.

Whispered to God (Trap Version)

How could masterpieces exist without the element of pain?

Whispered to God (Trap Version)

Orkhan Aliyev

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