Another great track man,never heard anything mediocre from you.Pure talent.

I was carried away by this... into a reverie. Thank you so much for sharing.

This emotion is exquisite. I am lifting up and falling down

Listened again: very nice relaxing piece!

いつも素敵な曲を、Ko chi ra ko so - A ri ga to <3

“This song is inspired by late 90’s US Rock/00’s Pop-Punk and 00’s British Indie Pop. It is about anxiety. Musically it is an attempt to showcase the storm and calm that anxiety can create in daily life. Lyrically it is about wanting to reset emotions and be free from worry and self doubt - to be yourself; a self without anxiety. This is a kind of conceptual art record.” 

A song about anxiety - “Be My Somebody”

Let me take, take what I need to take
Let me think what I need to think, meditate it away
Sometimes the world around me feels like I live in hell 
I treat everyone better than I treat myself

I’m chasing freedom while you are chasing me 

Stay away from me anxiety
Get away from me anxiety
Get outta my head
Get outta my body
Take me back to the start so I can be my somebody
Stay away from me anxiety

Getting caught up inside my head
Can you figure it out? 
Taking the torch away from the world
Goodbye reality
Don’t forget that this will pass 
Be your best friend 
Feelings come and feelings go 

© Heart House Records 2023

Written, recorded, performed, produced and mixed by Heart House Records
Mastered by DOLBY

Inspired by:
#FooFighters #blink-182

BE MY SOMEBODY

This recording is a completed work of Wild Christopher's work "Jolene (Ever Find Your Forever Man)" with my guitar playing. "Jolene" is based on "Let Me Know", one of the "Paploviante Open Collab" pieces.
I received warm compliments and words of welcome from both of them. I am very grateful.I would like to thank them from the bottom of my heart for including me in their wonderful work.

This work is over 6 minutes long. My guitar playing starts with a low volume and rhythm. About a third of the way through, my guitar starts playing to complement Christopher's great singing.

Below are links to each work.

Wild Christopher-Jolene (Ever Find Your Forever Man) - Paploviante Open Collab
https://soundcloud.com/neon-blur/jolene-ever-find-your-forever-man-paploviante-open-collab

Let Me Know - Offer Open Collaboration 80 Bpm(Paploviante and friends)
https://soundcloud.com/paploviante-and-friends/let-me-know-offer-open-collaboration-80-bpm

"Let Me Know" by Paul (one of the "Paploviante Open Collab" pieces)
A few days after the release, he received a number of really excellent works. I was really surprised by the ability of the artists to finish such amazing works in such a short period of time.

Results Offer Open Collaboration Let Me Know(Paploviante)
https://soundcloud.com/paul-racle/sets/results-offer-open

Chord= A ,E
Key = E

After listening to the above works, I realized immediately. Simplifying the scales that form the melody, assuming the case of playing the guitar, it was divided into the case of  Cm/E pentatonic, and the case of  Cm/E and Em/G pentatonic. I thought, ``This is a great exercise for me. For example, putting four songs together on one track, listening to them all in order, and playing the guitar along with each scale is a very useful daily practice. I could imagine that this would be useful not only for myself, but also for most people who are learning to play the guitar.

For example, alternately play the following:
1)Cm/E　Pentatonic scale(Key = E)
2) Cm/E, Em/G Pentatonic scale(Chord = A7,E7)
2) '  Am/C,Cm/E,(Em/G) Pentatonic scale

It's easy to envision it that way, but first, what do I do with the first one? So I started playing guitar while listening to Wild Christopher's "Jolene".
I found it possible to use two chords, A and E7, and finish off with some rock'n'roll backing, but it's too simplistic a way to spice up Christopher's cool and passionate vocals. 

So I took the plunge and tried using the A7 and E7 chords to make a blues rock song. And I was convinced that depending on the way I played, I could proceed without discomfort. An image of the rough blues rock of the early 1970s came to mind. However, I was conscious of keeping the taste of the country blues that was popular before that.

I thought that Wild Christopher's wonderful singing voice would suit slightly rough guitar playing based on precise rhythm composition. A playing style that many great guitarists and predecessors have developed over the decades. I hope that people who come across this piece will want to listen to it again and again :))

Wild Christopher - Jolene - Paploviante Open Collab ft.JUNZO on electric guitars

Wild Christopher - Jolene - Paploviante(Let Me Know) ft.JUNZO on electric guitars

Dreamless Elyana

Embark on a mesmerizing sonic voyage with "Celestial Serenade: A Flight of Dreams," a transcendent composition that effortlessly blends the realms of jazz and classical music. As a nomadic multi-instrumentalist and composer, I've woven a tapestry of sound that captures the essence of dreamy wanderlust and propels you into a soaring, weightless flight through the cosmos.

Guitars take center stage, their melodic tendrils intertwining with the pulsating thump of the beat, creating a rhythmic foundation that's impossible to resist. Intense synths sweep in like solar winds, adding an otherworldly dimension to the sonic landscape, while complex harmonies weave an intricate cosmic web that ignites a sense of bewilderment and wonder.

In the heart of this sonic odyssey, a breathtaking guitar solo emerges, painting vivid arcs of euphoria across the starlit canvas. The guitar's plaintive cries evoke the emotional hunger of a traveler yearning for the unknown, yet simultaneously celebrating the journey itself.

As you journey deeper into the composition, guitar accompaniments play like constellations, guiding you through a realm where the boundaries of jazz and classical music dissolve, and a distinct sci-fi ambiance takes hold. The interplay between the instruments invokes a sense of paranoia, a lurking mystery that adds an exhilarating edge to the ethereal soundscape.

"Celestial Serenade" is not just a song; it's a sonic exploration of the universe within and beyond. It invites you to bask in its dreamy expanses, embrace the thrill of flight, and revel in the complexity of harmonies that mirror the boundless complexity of the cosmos. Let the music carry you on a journey where euphoria meets hunger, and where wonder and paranoia dance in an exquisite, harmonious ballet.

Celestial Serenade: A Flight of Dreams

and now for something completely different…
This song had been half-finished for an age and in a spirit of new-found whimsy I have faux-finished it 😊.  I had rather a lot of fun singing the pixie backing vocals!  Written sung, made and played by Emma.
 *  *  *  *  *  *  *  *  *  *  *  *  *  *  *
i saw mermaids, real live mermaids
swimming in that little bay
the secret one where dreams allow us
freedom yet for breathing

i saw elves, the wood-elf kind
when i was walking through the forest
green and golden sunshine drifts through
leaves and i feel magic

i feel magic in the air, i know i am alive at last
i can taste it on my tongue, it feels so.... it feels so....
i don’t know how i’ve been living here so long and never...
o... it’s magic

i saw serpents real live serpents
swimming in the backyard creek
twining tangle shadow waters
i can feel you calling – and the sun on water sparkles

i saw lights in many colours
i was holding out my hand to
gather in the pieces of you
floating on the water

i feel magic in the air, the endless possibilities, 
i taste them hold them on my tongue
run wild as all the colours run
over me now, over and over and over -  it’s magic....

i feel magic in the air...

"The impossibility of penetrating the divine scheme of the universe cannot, however, dissuade us from planning human schemes, even though we know that these are provisional."

"La imposibilidad de penetrar el esquema divino del universo no puede, sin embargo, disuadirnos de planear esquemas humanos, aunque nos conste que estos son provisorios".
Jorge Luis Borges

First There Was Chaos Then Came The Cosmos

This song is a little thank you to the MRI technician, who was not happy with me, she wanted me to keep still but the electronic sounds were so fabulous and I found it very difficult not to move.

https://youtu.be/4nG-2tyw2Ao

Resonance is majestic
It sure knows how to thrill
Moombahton, juke n'breakbeat
Occasionally deep chill
Girl behind the console
Said I must act more responsible
I need you to keep still

Lay still upon that flatbed
Diagnostics take their time
The protons in the molecules
Need time to realign
The protons in the molecules
They follow scientific rules
Every single time

Moombahton, juke n'breakbeat
A little bit of house
Shot from the anaesthetist
The lights, they just went out
Shot from the anaesthetist
To help with the analysis
Of the Administer of Grime

Lay still upon that flatbed
That is what she said
Lay still upon that flatbed
When I moved, well she saw red
Lay still upon that flatbed
She said that every time
The Administer of Grime

The Administer Of Grime

Recorded in Modesto, Ca. Featuring Steve Roy, Bass (Drummondville, Canada) Featuring Gibson 335 Electric Guitar solo. Fender Rhodes Electric Piano solo. Trumpet solo. Acoustic Bass. Roland Synthesizer Bass. Acoustic Piano Rhythm. Trap drum set. Percussion Congas, Bongos, Cowbell, Timbales, Zildjan Crash cymbal.

Dreamless Elyana

Orlando51

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