+ MAY 2024 PART II

Following ‘Jump For Joy, Pause For Peace,' Joey Mercedes and Brandon Markell Holmes return, teaming up with Brooklyn phenomenon Dee Diggs. Diggs' debut production and first appearance on the label arrives around a slew of much-anticipated gigs and appearances at Dekmantel Festival, Boiler Room, and many more.  Her debut brings lush pianos and synths together with skipping drums under Brandon Markell Holmes’ gorgeous vocal performance

Follow Joey Mercedes :: https://joeymercedes.com/
Follow Dee Diggs :: https://ra.co/dj/deediggs
Follow Brandon Markell Holmes :: https://brandonmarkell.com/
Follow toucan sounds :: https://www.toucansounds.com

It Goes On (at the Afterparty)

Joey Mercedes, Brandon Markell Holmes, & Dee Diggs - It Goes On (at the Afterparty)

Bosca Bosca / Bosco Bosco

Bosco Bosco (Drums For Life)

Taken from the 'Spirit of Akasha' soundtrack, out now.

Recorded live at Perth Arena May 13, 2014.

http://facebook.com/pondling
http://spinningtopmusic.com

Colouring The Streets (Live In Perth)

Rent Free

Enhancer

Found a Job

Dig (feat. Rhian Teasdale)

'Grim Iconic...(Sadistic Mantra)' (Release Date: August 2, 2024)
Order / Stream Now: https://music.subpop.com/jrcg_grimiconic

J.R.C.G.: 
Bandcamp: https://jrcg.bandcamp.com
Instagram: https://www.instagram.com/j_r_c_g
TikTok: https://www.tiktok.com/@j_r_c_g_music
Spotify: https://open.spotify.com/artist/4aNwMw5llWDwwA67i4sO7J?si=I7qEgPr5RzWnwzbZcr1eqw
On Tour: https://www.subpop.com/artists/j_r_c_g
 
Sub Pop Records: http://www.subpop.com
MegaMart: https://megamart.subpop.com
Twitter: https://twitter.com/subpop
Facebook: https://www.facebook.com/subpoprecords
Instagram: https://www.instagram.com/subpop
YouTube: http://www.youtube.com/user/subpoprecords
SoundCloud: http://soundcloud.com/subpop
Podcast: http://subpop.fm

Grim Iconic...(Sadistic Mantra)

Dogear

J.R.C.G. - Dogear

STREAM 'JUST WANNA GET TO THE OCEAN' - https://found.ee/justwannagettotheocean

PRODUCED BY THOM SOUTHERN
WRITTEN BY THOM SOUTHERN/STEVIE SCULLION

FOLLOW 'THOM SOUTHERN':
https://open.spotify.com/artist/3YGkI2PubCC6INbbtcpglJ?si=ZTEeFucoThGMT533f_YckA
https://www.instagram.com/thomsouthern__/?hl=en
https://www.facebook.com/thomsouthernmusic/
https://soundcloud.com/thom_southern
https://www.youtube.com/@thomsouthern
https://twitter.com/thomsouthern
https://www.tiktok.com/@thomsouthern

JUST WANNA GET TO THE OCEAN

From the forthcoming album Endorfinika Splendara, slated for a 2025 release.

Words & music by d.iorio. Recorded, mixed, performed and produced by d.iorio. All rights reserved 2025.


endorfinika splendara

odryannah

i hope you enjoy<3
(also out on all platforms)

All Platforms

silhouette

Résistance

Ici Bas

first single from debut LP, 2nd, out now.

For more platforms: http://smarturl.it/iunjv1

Label: https://www.dpimusic.com/grace-ives

Grace Ives never pursued music in the traditional sense like many of her peers. Instead, it followed her like a common thread that connected her various dwellings over the past few years. Whether living in Brooklyn with her parents, or in Baltimore while briefly studying at MICA, or the three years following at SUNY Purchase, Grace made music irrespective of setting or ambition. She made pop songs inspired by the sounds of Brittany Spears and Rihanna while surrounded by “punk-er” friends in Maryland, bought and MC 505 to emulate the sound of MIA while surrounded by guitar noodling when the cult of Mitski still loomed large over the SUNY Purchase campus, and opened so many shows to audiences of one, maybe two, that she cannot even think to count. But along the way she won people over, almost literally one-by-one, until audiences began to grow in number. Now, living in Astoria, Queens, Ives regularly leaves home with a blue Ikea bag full of her musical equipment to play shows all over the metro area—to audiences of increasingly insatiable fans.

As for her writing process, her melodic ideas simply do not leave her alone. She is always singing. Much of her work stems from simple and relatable nuggets of experience. It is almost as if putting her thoughts to a melody are a way of processing the world as she sees it unfold around her. These humble origins of her ridiculously catchy songs are, she says, result of a “keep it simple, stupid” approach, one that she pulls off with the fire-y confidence of artists such as Bratmobile or Minutemen.

As Grace would have it: “I’m a man of few words, or just the same words over and over again. Everything about me is very laid back, my music is just supposed to be fun, danceable. I write songs so that they get stuck in people’s heads. I follow a formula. Butterfly is two notes, Mansion is six. I’m trying to keep it minimal, just so I can get this idea out and listen to it. I just try to crank these out, not so I can do something else, like sleep, drink, or go to a party, but so I can do more. I’m relatable, I shop on a budget, I’m your friend, and I want to write songs for you… to dance to. And I’m a great cook—I make a killer bolognese.”

Dig (feat. Rhian Teasdale)

Orlando Weeks

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