Videoclip : https://www.youtube.com/watch?v=-oZL_1ly7dA

Adieu l'enfance

Adieu l'Enfance

01 Flavien Berger - Mars Balnéaire

Feu! Chatterton reprend "Je t'ai toujours aimée" de Polyphonic Size, en Mouv'Session (lemouv.fr/videos). 
Prise de son : Jean-André Giannecchini / Réalisation vidéo : Fabrice Crénel, Flavien Cors-Mata / Coordination Live & Sessions : Olivier Pellerin

Feu! Chatterton - Je t'ai toujours aimé (reprise de Polyphonic Size)

Le Carnet à Spirale (William Sheller cover)
mixed and mastered at home by Maethelvin

Thanks to Abigaïl Aïnouz x Les Inrocks Lab. 

© Jour Après Jour Après Jour Records

Le Carnet à Spirale (William Sheller cover)

Video : https://www.youtube.com/watch?v=Py3_6bSxWfY
Paroles et musique : Jean-Jacques Debout
Version originale chantée par Chantal Goya (1966)
Arrangements/Production : Antoine Graugnard

Tu M'as Trop Menti (Chantal Goya - Cover)

"Bar de nuit"

Paroles et Musique : Sandor
Arrangement et production : Maxime Steiner
Mastering : Lad Agabekov
Artwork : Lara Défayes
Photo : Calypso Mahieu

EP 4 titres "Bar de nuit" ©SANDOR-2017
Album "Sandor" OURAGAN2019

Bar de nuit

Mastering : Labomatic Studios.
Merci à Abigaïl Aïnouz, Laura Le Baron et Bénédicte Schmitt.
En mémoire des victimes des attentats du 13 novembre 2015 et leurs proches.

http://www.lesinrocks.com/lesinrockslab/news/2015/11/paris-tape-playlist-de-reprises-feter-paris/

Gare De Lyon (Barbara)

A Kiss

Written by Christophe & Christophe Van Huffel
Vocals by Laurie Darmon & Maud Nadal
Taken form Christophe's new LP " Les Vestiges Du Chaos"
Remix & Additional vocals by Mansfield.TYA
Mixed by Shelter Studio
(c) & (p) Capitol Music France 2016

CHRISTOPHE - Tu Te Moques - (MANSFIELD.TYA Remix)

Comme si tout était plus clair...
✿ vinyle → j.mp/Lesbateaux_VINYLE
☂ streaming → http://smarturl.it/PEPITE_Lesbateaux

☀ « Les bateaux » : le premier disque de Pépite, publié le 7 octobre 2016 chez microqlima records. 
  ~ http://fb.com/banlieupepite
  ~ http://fb.com/microqlima


°


Ce soir
comme si tout était plus clair, 
et revenir enfin sur terre

Dans les
vapeurs et la fumée 
je crois je t’ai aimée mais 
trop tard 

Mieux vaut 
éviter les naufrages 
et renter tôt 

Et tout 
tous ces souvenirs 
pour capter un regard 
trop loin 

Mieux vaut 
éviter les naufrages 
et rentrer tôt 

Facile 
facile d’inventer 
n’importe quelle histoire 
qui se termine tard le soir 



☼

Les bateaux

Éviter les naufrages

acheter le vinyle — ☀

PÉPITE — Éviter Les Naufrages

Petit Fantome - Peio

The practice of a meticulous craft, a fascination for ambitious compositions, a strong attachment to the art of songwriting, a desire to set a palette of emotions to music, ranging from assumed melancholy to contagious euphoria, openness to the world and more: Orouni shares so many values and desires with December Square that his presence within the family seems self-evident.

While some pursue experimental research reserved for experts and others lose themselves in their mad quest for global success, Orouni has long since decided not to choose. Or rather, to capture the best of both worlds. Record after record, he proves to us that intelligence and efficiency, quality and accessibility, requirement and emotion, can still co-exist in music.

Finally, things haven’t changed much since his first uncertain attempts on the family piano: even without a miracle recipe, he is always searching for a melody that is worthy of interest. The result: complex and singular, but instantly memorable pop songs that are both sophisticated and immediate with very communicative energy.

Vigorously creating music for both the ears and the brain, the heart and skin, Orouni differentiates between beliefs and certainties: he permanently questions himself, making the best out of each one of his projects. Passionate about architecture, a fan of cinema and literature, the 2011 winner of the Inrocks Lab is naturally attracted to original musical structures. Never taking the easy road and with great respect for his listeners, his mastered art of nuance allows listeners to enter his world by the door of their choice and gives them the time to discover its many subtleties; each of his pieces is a small world in itself.

From his solo debut at a festival in Aalborg (Denmark) to the success of Grand Tour, Orouni has never strayed from his convictions: the pleasure of imagining a song is as unique as the emotion of listening to the music of others. In Orouni’s music, the Kinks dance with Chassol, Belle & Sebastian dance with Dylan and Malian music plays with the Beatles. His already extensive discography makes room for melodies, whether vocal or instrumental, complex harmonies, and instruments that are rarely used in contemporary pop music (balafon, kalimba, mbira…) A luminous, organic and extremely caring music, with a little extra soul that makes all the difference.

In his fourth album, Partitions, recorded with his faithful musicians and Guillaume Jaoul as engineer, Orouni places his ambition a step further, making no compromise with pleasure or emotion.

Gare De Lyon (Barbara)

Orouni

Recent comments

Bina k.

*Paris Police 1900 / Pilou . Paris (FR)

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