TR161 - Rob Lye - 'Brace'

track 5 from stay here for a moment

youtube: ://www.youtube.com/@andrew35music
spotify: https://open.spotify.com/artist/5k8JI9DoxpWKkVc5Hb4ETA?si=xkxfM2A3Q3yNh7hIAARg4A
apple music: https://music.apple.com/ca/artist/andrew/1787733681
instagram: https://www.instagram.com/andrew35music/

after you

Recorded, mixed & mastered on 12 Sep 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Synth, samples, effects.

This original version of "Let's Eat Right To Keep Fit” was submitted as part of Naviar Haiku 610: Dropped Glass.

dropped glass -
its ring
outlasts the fall

by: Darren Bourne

halF unusuaL is "an evolving space inspired by play in the spirit of ‘hai’ (meaning “fun” or “unusual” in the word haiku). Here, improvisation connects the unexpected, mining the boundary between music and non-music to shape sound worlds that feel oddly familiar in their oddity."

You can find Darren’s music on Soundcloud - https://soundcloud.com/half-unusual and Youtube https://www.youtube.com/channel/UCb2bmRZgyBACkW6lnkTWHSw , and check out his website - https://www.halfunusual.com to find out more about his publications and merchandise.

Photography/Art - Jim Lemanowicz, 21 Oct 2020, Manhattan, NYC, USA

Music & art © 2020, 2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see www.naviarrecords.com/haiku-music-challenge

Let's Eat Right To Keep Fit (naviarhaiku610)

From the double LP, Mirvariates

TTT066

@metasplice

Mirvariates

TTT SHOP

Metasplice – Teleric

https://soundcloud.com/vaagner

https://vaagner.bandcamp.com/album/surging-waves

memento mori [Vaknar]

Guest mix for faitiche's radio show on LYL - Temple of Faitiche, Nº20, 27 March 2020 

https://lyl.live/episode/temple-of-faitiche-20/

Hanno Leichtmann – Selbstbespiegelung
Else Marie Pade – Syv Cirkler
Andrés Lewin-Richter – Study No. 1
Fracture Mechanics – Pendentive
Katrine Ring – Den Politiske Håndvask 1
Boris Hegenbart – Wasser Studie
Marja Ahti – Chora
Hideki Umezawa – Still | Steel
Marcus Schmickler – Wabi Sabi (Part 4)
Boris Hegenbart – Wasser Studie
Nicola Ratti – Bn2
Daniel Majer – Tu Lip
Jan Jelinek – Framework 10 (Remix)
Mads Emil Nielsen – Buchla Sketch
Riviera Tape Stash – Strong Arm Baby
Ahnnu – Dovetail
Boris Hegenbart with Stephan Mathieu – S Anode M
David Moss – Terrain 3
James Sey / James Webb – Book Of Imaginary Wavelengths: Book 5
Mads Emil Nielsen – Framework 3 – 3
Andrew Pekler – Tuanahe

https://faitiche.de/blog/2020/03/25/temple-of-faitiche-march-2020

Temple of Faitiche 20 - guest mix

Radiophonic work in 10 parts, duration - 30min.
Production: Radio Television Serbia - Radio Belgrade 3
Produced partly in Electronic Studio Radio Belgrade using EMS Synthi 100
Premiere: May 30, 11:10PM, Radio Belgrade 3
Artwork (sculpture): Goran Stojčetović - Art Brut Serbia
Photo: Milan Milutinovic - Black Sheep Produkcija
VIDEO: https://youtu.be/7bu6HcFKI1k
*Winner of the Serbian most prestigious composition prize "Mokranjac" for 2020

Post-excavation activities (teaser)

16 July 2020

July 3, 2020  Live at VOID   (Rehearsal Demo)

First track of my new record 'Titania Moon' on Ultra Eczema !
https://ultraeczema.bandcamp.com/album/titania-moon?fbclid=IwAR1_8jUkSTF6u2G1KM1_wjE4iK1XOQOUPzDrIjndulPsEXIfmlmDK_l-tSQ

Melting Ice Giant

a quick test of the nlc dp filter (headphones recommended):

a bunch of chopped up noodles from a doepfer system stuck inside a squid salmple, the mix of which is randomly addressed, reduced, and crushed, then sent to the dpf, and plays alongside a main sine noodle from an a-143-9. the diode half of the dpf has a high-ish q setting (which is kinda tame compared to other filters) and a low cut off, and later is modulated by a low rate of digital noise from the a-117 and a sine lfo from a second a-143-9. the transistor side (which has no input and is internally fed by the diode side via photo-couplers) has a maxed out q  and an even lower cut off, and its cv2 is randomly assigned the 2 oscillators section from the a-117 808 source via a switch, which gives it that wild feedback sound. the output of the dpf is monitored from the sum output, and a tiny bit of reverb is added in ableton.

this filter is very  touchy, and depending on how its built, can have a very narrow range on control (as mine does,) and the transistor ladder only really gets fired up if the diode ladder is hot enough (mine uses MCT9001 photo-couplers,) so you can get all these really interesting 'edge of breakup' sounds, to use the dirt-pedal/guitar amp parlance of the day...and its quite nice if you can dial it in, but it does takes some patience.

it also gets *real* bonkers when you start swapping the q path and monitoring different outputs...but i haven't really figured out how to bend any of that to my will yet...

Melting Ice Giant

Orphan Fairytale

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