originally released february 2nd 2024, now on soundcloud (august 2025)

https://countrysideraveartprojectrecords.bandcamp.com/album/ossidi

For our first tape, the Icon of Sin presents to you 8 post-industrial society techno-electro tracks perfect for the Neo-Feudalist workhouse!

Undoubtably our bleakest release yet, they’ll really get you going (to work past a reasonable retirement age) in their grim and grey grooves, baby!

Futuristic and technologically led past the point of return, drowning in a muddy ancient river; the album conjures a world of firing pistons, frightened people and automated production lines.
The downtempo doomsday soundscapes are at once Detroit Electro, London Hardcore, Norwegian Black Metal and (dare I say it) Berlin Techno.

Here's a blurb from the icon himself:

“I wrote this album over a short period of time (about one week) in 2021. At the time I was living in Hackney central, in a relatively small and cold flat next to the loud Mare Street. I was going through a particularly dark and hopeless period of time due to isolation and post lockdown depression.
The windows of the flat were paper thin, vibrating loudly, too often. I had a lots of sleepless nights, which resulted in this record. I worked in a bottling line at the time, the industrial and repetitive, almost dehumanising environment definitely influenced this album.

The music was written fully on my Octatrack (apart for the track “Benders” which was performed with my modular rack). Everything has been recorded in one take as it comes out from the machine, with minimal mixing and mastering and no post production.
The sonic palette features a couple eurorack modules, sampling from Italian television and whatnot; but most importantly a lot of field recording of machineries I found in the factory I was working at, as well as random captures of environments around me - including Hackney’s busy streets - all mangled and arranged in the Octatrack.

Enjoy!” - Matteo, 2024

C.R.A.P.013/C.R.A.P T.001 
credits
released February 2, 2024

The Icon of Sin - Bottom of the Sea

oh wait can't say that a lot of ground | untitled project 001 sessions | ambient atmospheric psyche drone jungle industrial horror WIP | shifty 5.1 ma 30 bpm take 1 81625

HYSTERIA!!!

Concordia

Buy-Beatport

Ferus Advenit [Concordia EP/ Labrynth]

Juno:
https://www.juno.co.uk/products/tolga-baklacioglu-dee-grinski-remixes/731991-01/

deejay.de:
https://www.deejay.de/Tolga_Baklacioglu_%26_Dee_Grinski_Your_Secret_Face%E2%80%99_remixes_VENT018_Vinyl__931973

VENT018 Tolga Baklacioglu & Dee Grinski - Remixes vinyl release will be out on May 27th.

Following the release of Tolga Baklacioglu & Dee Grinski's album "Your Secret Face", VENT presents a remix package featuring Samuel Kerridge, Svreca, Ryo Murakami, and Isabella, who are some of the artists who have most inspired and supported the duo's music. These exceptional artists' interpretations refract the industrial rhythms and harrowing vocalisations of the original tracks into caleidoscopic tunnel visions with each remixer's individualistic expression.

Tolga Baklacioglu & Dee Grinski - Order From Chaos Of The Death (Samuel Kerridge Remix) (VENT018)

Here's the 2nd track off the 17th RIOT Radio Records release available on limited edition vinyl 12" and digital download NOW!

Only 250 vinyl copies printed.

Available @ https://riotradiorecords.bandcamp.com/album/tormentor & https://riotradiorecords.com/store/dave-tarrida-tormentor/

All release tracks are uploaded in low quality audio for promotional purposes only*

Tormentor

The Suffering (Subjugation Mix)

Buy @ RIOT

RRR017 - Dave Tarrida - The Suffering (Subjugation Mix)

Fragmentation

Sepsis

Pathogenesis

Onset

Corridor (Live)

Olam presents Rory St John. From early days of hardcore and hard dance, Rory‘s interest was always focused on producing unique and new sonic spaces, which has taken him through a range of styles and faces over the years, with key releases on labels, Singularity and Acroplane. After an extended hiatus under his artist-name- by-birth, Rory St John is back to where he left off, creating rhythmic racket which often spans genre or tempo. Influenced by the purity of the techno sound, releases under his own name con- centrate on expression as a form of self-purge. Absolution over resolution. Discharge, recharge, better out than in.

https://soundcloud.com/rory-stjohn

Rory St John

No.14 - Rory St John

Worldwide booking: clara@acheron-booking.com

www.orphx.com
www.orphx.bandcamp.com
www.facebook.com/orphx
www.residentadvisor.net/dj/orphx
www.last.fm/music/Orphx

One of the most highly respected acts in both techno and industrial circles, Orphx (Rich Oddie and Christina Sealey) have been refining their signature fusion of hypnotic rhythms and experimental noise for many years. They began in the early 90s with a raw sound inspired by old school industrial but soon began incorporating elements of dub, techno and electro into their work. Orphx built up an international following as one of the pioneering acts within the European "rhythmic noise" scene. More recently their work has come to the attention of techno fans through a series of acclaimed releases on the Sonic Groove label, collaborative work with the likes of Ancient Methods and Justin Broadrick, and remixes for many artists including Front Line Assembly, Oscar Mulero, Perc, and Conrad Schnitzler.

Oddie and Sealey have performed around the world at celebrated venues like Berghain and Tresor, and festivals such as Berlin Atonal, Movement, Mutek, and Unsound. They are renowned for their improvised performances, combining software with modular synthesizers and other hardware. Building on a sprawling back catalogue that stretches across industrial, ambient, and techno, their recent output has demonstrated that Orphx are both pioneers and innovators in the fusion of rhythm and noise.

Pathogenesis

Orphx

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