po łące pląsa człowiek bez wąsa

Adam Bartier - Kiedy Byłem ( Paweł Szukiz Gitara & Adam Bartier Vokal )

Condi - Little Lovin

this high energy track with blazing conscious lyrics and resonating vocals leave you shaking, movin and grooving.

Kamikaze ft. Lady Roshack

I finally finished this one after listening to it over and over again. The beat is part of Cymatic's King of Beats contest. I got second place! Thank you all for the support and nice words. It's really awesome to see my work being appreciated! 
https://remixcontest.cymatics.fm/contests/king-of-beats-song-contest/entry/5da070008b4ba-dico-clockwork-king-of-beats-song-contest


When going into this, I wanted to make something that wasn't just some drums and a melody repeating. I thought "what better way to do that than to mix genres?". As soon as I implemented the tempo-shifts I knew that this was it. The beat turned out to become more of an experience than just a trap beat. Hopefully you'll feel the same way. If you really enjoyed it, don't do anything ;) Just enjoy it. Thank you for listening.

VOTES CLOSED

CLOCKWORK

Gitarkę nagrał dla mnie mister The Fender. Dziękuję :)

.

Hulay-driver jeden

https://www.instagram.com/kuba.mmmmmm/
https://soundcloud.com/kubekmusic
https://www.facebook.com/kubekmusic/

naked mind

kubek - naked mind

I composed this soundtrack for the Adam Audio Competition 2020. The rules were simple: 30 seconds long, I could use any sound (without violating copyrights) with the purpose of telling a story based on "Nighthawks", this breathtaking masterpiece painted by Edward Hopper in 1942.
Here is a brief description of my soundtrack choices:
[CONTEXT] It's late at night. The streets are empty and the city lights are off. Just a few weeks ago Pearl Harbor was brutally attacked by the Imperial Japanese Navy Air Service. Since than, everyone is paranoid by the eventuality of another attack.
[SOUND EFFECTS] Inside "Phillies" Bar there are only few silent customers. The barman is patiently preparing their drinks. On the radio you can hear the news about the attack. In the background there is a clock sound giving us a sense of rhythm.
[TIME SIGNATURE] There are 7 stools in front of the counter, so 7/8 time signature was an obvious choice, emphasising the feeling of incompleteness.
[HARMONY] The soundtrack is in the scale of Ebm, I liked the idea of using all the black keys of the keyboard to give a sense of darkness. The piano never plays the i chord, it never brings us "home". That gentleman is sitting on the second stool, so the piano plays a constant high Eb note always on the second beat, reminding us of where "home" is.
[STRUCTURE] The soundtrack is divided in 4 sections. In the first 3 sections we have a feeling of build-up, emphasised also by the action strings playing in 7/8, which reminds us of a military march. The build-up goes louder and louder until arriving on the climax where everything suddenly stops playing, everything but that high Eb piano note in the last 4th section, leaving us with a final sense of "home", nowhere to be found.

Nighthawks

Nighthawks - Adam Audio Competition 2020

Piter - The Last Can Of Petfood

NIE WIEM

Miron Białoszewski - Ballada od rymu

Dwaj panowie stateczności 
umknęli w cudzej samochodowości. 
Zapuścili motor, brody. Ciach! 
I jak po chiromancji drogą życia 
wjechali in medias res. 
Zaznaczy ich za to kres 
wiśniowy.

Medias — miasto zero trzy 
rynek zdobny w pie-ękno, 
w głębi idzenie muzułmanów 
do synekdochy 
raz na miesiąc — — —

grzdyle
chamciucie
struple
— to ci byli w tle
— to ci rzucali na nich spojrzenia 
i nieludzkie strucle.

Wybiegli podeszli w wieku. 
Odległość.

O Mekku! mekku!
Piętrzą się trudności!
We dwóch rynek pękł — ! —
O dwaj panowie nudności — — —

! Tatarzy ! Bitwa ! Kotlecenie! 
Od synekdochy huk żyrandoli ! ! ! 
Dopiero tłum zza węgła wyłoni 
bohaterkę sanskryckiego rodowodu:

ta cichaczem
na majchrze
podpełza
a opatrzona tradycją yogów
a na czarakach
lajkonikom brzuchy rżnąć!
w gazecie być sławną nazajutrz;
tam tytuł paneuropą
„tu padło sto tysięcy
kup loos”.

Mańka Szpryncer
— bo ona to była — 
owoców nie myła 
ona tępiła.

Gdy świt
blady jak kij
który ona chwyta
i po ścianach klip!
do wieczora
późnego jak abstrakcja.

Lecz oto we drzwiach dwaj witacze.
Proszą o nocleg i o jeść.
Jedzą muchami nadziewacze.
Ona im ściele z patosem
i mówi nawet nie tak pod nosem:
„pójdą w kimono w białą ściel
„reinkarnacja savitri!
„zarżnę ich nożem jak woda po psie
„radża yoga savitri!
„dwa słoje z sokiem
                            wi-sien
                            wi-sznu
                            wi
                               —
                                  sien — —”

I masz ci los:
Mańka Szpryncer
spełniła swoją kołysanicę.
Mucha nie kuca nic.
I jeszcze żyła Sanskrytka sto lat!!!
A po nich
przelew krwi
zbladł gorzej pestki
i wypran.

Ortalio - Ballada od rymu

Laboratory closed. That is all, folks, from my site. :)

(Polszczyzna się zaciera. Przedstawiam ją. 
W rytmie.

Electronic music producer from Poland. Groovy beats, alternative mood. Polish vocal and lyrics.)

Ortalio - Ballada od rymu

ortalio

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Pierre-Marie Cœdès

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