Deep,Dub,Ambient,Minimal 5

Never to see the light of day on streaming sites but you guys have your fun

https://soundcloud.com/dwellsnyc on the original mashup 🙌

Free Download

Take Off Everything - Dwells (nimino Remix)

https://blkvsn.bandcamp.com/album/nachtmusik

Nachtfahrt

Just got a Volca Sample and squeezed this awful techno track out of it. Uploaded for personal needs, but it kinda goes to show what sounds you can make with this little badboy.

This Is Awful

FULL VERSION ON SPOTIFY / iTUNES - Due to labels etc I can't have the full version on here, sowwy :'(

Very happy to share my official remix of the massive Disclosure and Lorde collaboration 'Magnets'.

If you haven't checked out their new album 'Caracal' yet, I recommend that you do so right away, as the whole album is incredible! 

Magnets ft Lorde
iTunes - http://po.st/MagnetsSGLewis1 
Spotify - http://po.st/SGLewisSpotify

Shivers EP
Spotify – http://po.st/IsaacStream
iTunes – http://po.st/IsaaciT
Amazon – http://po.st/IsaacAm
Google – http://po.st/IsaacGplay

CARACAL
Download on iTunes: po.st/Caracal1
Listen on Spotify: po.st/CaracalSpotify



Listen in full here.

Disclosure - Magnets ft Lorde (SG Lewis Remix)[CLIP]

In this first episode of the Deep Space Series we present to you, the Italian based Ness!

His pure, mind shifting sound is exactly the direction we want to go in on this new podcast platform. 

Ness has worked with labels like Phorma (Sweden), Synewave (USA), Dynamic Reflection (The Netherlands), M_Rec Ltd. (Italy), Informa (UK), Prologue (Germany), etc. and collaborated with artists like Claudio PRC half member of The Gods Planet, Deepbass, Attemporal, Rasmus Hedlund, etc. 

Currently he is running TGP - an independent platform established since 2010 with Claudio PRC.

Ness his sound can be defined as an exploration of wide range of deep and hypnotic techno and ambient soundscapes.

DSS 001 | Ness

Luigi Tozzi doesn't need much of an introduction at the moment. For a year and a bit now hes been a key figure in techno production amongst some circles. With regular releases on all sort of Labels including Hypnus and Kabalion, sister Labels from NTOGN's swedish outfit. An amazing rise from another subsekt-dweller that remember seeing on the forum asking for advice on sub-bass production on one of his very early works. Really amazing to see him do so well in the scene.

Ive been looking forward to having him on the series for sometime, and theres not much better ways to start a new year. An excellently warm and vibrant mix.

TRACKLIST 

Sebastian Mullaert – In The Blurry Mist Of Yourself (Wa Wu We Remix)
Efdemin – Nothing Is Everything
Efdemin – America
Eduardo De La Calle – A2
Edanticonf – Planet
Dino Sabatini & Edit Select – Urania
Edit Select & Dino Sabatini – Survivors Of The Pulse
Luigi Tozzi – Quetzalli
Etapp Kyle – Luna	
Efdemin – Night Train
Etapp Kyle – Lyrae
Wata Igarashi – The Summon 
Dino Sabatini – My Second Life
Michal Wolski – Bells 
R.H.X - Xtension

https://soundcloud.com/luigitozzi
https://www.facebook.com/L.TOZZI9/?fref=ts
http://www.subsekt.com/



T034 - Luigi Tozzi

MORTEN - Beautiful Heartbeat ft. Frida Sundemo(RAC Mix)
Out Now: http://prmd.co/beautifulHeartbeat

Intro To RAC: http://smarturl.it/RACINTRO
RAC Discography: http://smarturl.it/RACDISCOGRAPHY

Follow RAC
http://rac.fm
http://twitter.com/rac
http://facebook.com/remixartistcollective
http://instagram.com/rac
http://soundcloud.com/rac

FOLLOW MORTEN 
https://www.facebook.com/MORTENofficial/ 
https://www.instagram.com/mortenofficial/ 
https://soundcloud.com/mortenofficial 
https://twitter.com/MORTENofficial 

FOLLOW PRMD MUSIC
https://www.facebook.com/prmdmusic/ 
https://www.instagram.com/prmdmusic/ 
https://soundcloud.com/prmdmusic

PRE-ORDER THE NEW ALBUM EGO: smarturl.it/RACEGO

RAC ON TOUR - smarturl.it/RACTOUR
SEP15 - Neumos, Seattle, WA
SEP16 - Wonder Ballroom, Portland, OR
SEP17 - The Imperial, Vancouver, BC
SEP20 - The Fonda, Los Angeles, CA
SEP22 - Life Is Beautiful Festival, Las Vegas, NV
SEP24 - Bluebird Theater, Denver, CO
SEP26 - Trees, Dallas, TX
SEP27 - Mohawk, Austin, TX
SEP29 - The Republic, New Orleans, LA
SEP30 - The Basement East, Nashville, TN
OCT1 - Terminal West, Atlanta, GA
OCT2 - Cat’s Cradle, Carrboro, NC
OCT4 - Paradise Rock Club, Boston, MA
OCT5 - Black Cat, Washington DC
OCT7 - Coda, Philadelphia, PA
OCT8 - Brooklyn Steel, Brooklyn, NY
OCT11 - Mod Club, Toronto, ON
OCT12 - Newport Music Hall, Columbus, OH
OCT13 - Metro, Chicago, IL

RAC MERCH - smarturl.it/RACSTORE

MORTEN - Beautiful Heartbeat ft. Frida Sundemo (RAC Mix)

Godspeed

put on ya party shoes tonight boys have 1 for me!

LTWHT011  Forthcoming March 2017

Donny Blew It

Soundcloud: @thomascarmody
Facebook: facebook.com/thomas1carmody
Mixcloud: mixcloud.com/thomascarmody/
Bandcamp: https://thomascarmody.bandcamp.com/
Country: Belarus

TL:
01 Thomas Carmody - Zero (ft. Khlev)
02 Parastic - The Cave Underneath My Garden
03 Ekstendia - Tokk (Forteba Remix)
04 Oscar Mulero - Rotar
05 Havantepe - Half Full
06 Ruthit - Funky Sid
07 Sven Weisemann - Light Sway
08 P.Laoss - Bamboo mat
09 Martin Schulte - Pillow (Marko Fürstenberg Remix)

YINYANG Blog - vk.com/yinyangblog
YINYANG Instagram - instagram.com/yinyangblog_/

YY podcast #030

YY podcast #030 by Thomas Carmody

Having invited Sven to play at Corsica Studios for one of our London parties, it's a pleasure to now feature him on our First Play series. This track is quintessential Weisemann - Deep, dubby and incredibly well produced. As such, it is a perfect fit for the mighty Echochord, the Copenhagen-based label boasting an impressive 16 years of releasing music.

Released: 08/09/2017

Check: 
https://soundcloud.com/svenweisemann
https://www.facebook.com/svenweisemann
https://soundcloud.com/echocord

Bilateral Relations EP

Pre-order

First Play: Sven Weisemann - Bilateral Relations [Echocord]

Under the Sea - Single

Under the Sea

Under The Sea

Acclaimed UK electronic musician Kevin Richard Martin (The Bug, King Midas Sound) releases a stunningly powerful rescore of Andrei Tarkovsky’s seminal 1972 movie Solaris on Phantom Limb.

In May 2020, British musician Kevin Martin was invited by the Vooruit arts centre in Gent, Belgium to compose a new score for a film of his choice. Having been long inspired by pioneering Soviet filmmaker Andrei Tarkovsky, Martin tells us that his 1972 masterpiece Solaris was the “natural choice”. The film is an unattested giant, not only of science fiction and Soviet film, but also in the annals cinematic history. And its original score, composed by regular Tarkovsky collaborator and early Soviet electronic musician Eduard Artemyev, is a magnificent work of haunting majesty, a key element to the film’s brilliance. Martin’s challenge was great: “it was with a certain amount of trepidation I stepped into such large footprints,” he writes.

The results - an all new score entitled Return to Solaris - are breathtaking. The film is intense, psychologically devastating and bleakly compelling. Interweaving themes of love, horror, sorrow, nostalgia, memory and dystopia, Martin’s score expertly mirrors this expansive breadth of psychic weight, from existential dread to heartbreaking poignancy, with immense emotional gravity. Drawn to its “narrative struggle between organic, pastoral memories of a lost past, and the harsh, dystopian realities of a futuristic hell,” Martin employs atonal noise, simmering waves of distorted synthesis, undulating drones and otherworldly, astronomic sound-design to crushing effect. Subtly submerged recurring motifs - reflections of individual characters - rise and fall amidst the fog, occasionally illuminating the doom like motes of starlight, before settling back into the density of space.

Album opener “Theme for Kris'' begins with a shimmering, alien tone, mimicking a disembodied, metallic choralsong that creeps and snakes about an unsettling frequency range. Ghosts aboard a deserted space station. The hissing, technological dystopia of subsequent track “Solaris'' sends evaporating torrents of steam through bulging, clanging, echoing chords, while later on the record, “In Love With A Ghost” revisits these same passages of seething doom, but now refocused into billowing, droning clouds of noise.

Determined that his score should retain the eerie, dreamlike mood of the film and authenticity to its era and origin, Kevin mined his analogue lab for suitable instruments and recording equipment, favouring antiquated, hands-on hardware over computer-based production techniques. With Voorhuit’s help, he acquired an original Pulsar 23 drum machine, created by cult Russian synth builders SOMA Laboratory. Appropriately, much of his rescore is centred around its spectral, strung-out sounds.

The project represents many firsts for Kevin: his first commissioned soundtrack; his first composition to picture; his first work in his new Belgian home after a move from Berlin; his first live performance to film screening. On completion, he performed Return to Solaris to picture over sold out two nights in October 2020, in the beautiful Voorhuit concert theatre of Gent, Belgium. And, with huge personal significance, this was his first public performance of the Covid era. He performed to a socially distanced crowd, many of whom unaware of his existing profile, “which made the rapturous reception and incredible feedback to the performance all the more memorable,” he writes.

Tarkovsky’s Solaris won the Grand Prix Spécial du Jury at the 1972 Cannes Film Festival and was screened for an incredible fifteen years uninterrupted in the Soviet Union. It is placed highly in “greatest movies of all time” lists published by Empire and the BBC, among others. Steven Soderburgh directed a Hollywood remake in 2002, starring George Clooney, and scored by Cliff Martinez.

Godspeed

oscon

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