The third week of June 2020.
Oslated Mix Episode 205 - Toki Fuko

* This live set includes only his original works.

Affin, Silent Season
Lipetsk
Russia

Toki Fuko music can be described as mechanical signals are structured in a hypnotic substance. Their constant musical experimentation actor perceives as an analysis of the surrounding world.

Deep techno groove and rhythm sequences, such as information a way of thinking meditative space.

Most unique experience in research in the field of sound was obtained through to his hometown, where the predominant form of various mechanisms: the sounds of machines, plants, industrial costing; and together with the unique nature.
In an attempt to combine these components, it uses electrical impulses and field records, transforming them into musical pictures.

"I always liked the tactile writing music and I've always wanted to control the electric wave by using drum machines locking them into a chain.
And it was hard to get results with the use of virtual instruments, and then decided on the purchase of his first synthesizer.
As a result, it has become a unique experiment in the search for new forms and race for the best sound in order to achieve better results. "

Nowdays Toki Fuko most of his time work in his laboratory of sound, actively cooperates with Russian and foreign artists, and every day are discovering new insights into the modulation sound.

Toki Fuko 의 음악은 최면적 물질들로 구성된 기계적 신호로 묘사된다. 그의 지속적인 음악 실험 행위소들은 세계에 대한 분석으로 여겨진다.
명상적 공간에 대한 사유로서, 딥 테크노 그루브와 리듬 시퀀스들을 나타내고 있다.
그의 음향 분야 연구에서의 가장 독특한 경험은 기계 소리, 식물 소리, 산업적 소리 등 다양한 메커니즘의 지배적인 형태, 또한 그의 고향의 독특한 자연으로부터 얻어졌다. 
이러한 요소들을 결합하기 위한 시도로, 그는 전기적 임펄스와 현장 녹음을 사용하여 음악적인 묘사로 변형시킨다.

"나는 항상 촉각적인 음악을 좋아했고, 항상 드럼 머신을 사용하여 그것들을 연계하는 드럼 머신을 통해 전파를 제어하고 싶었다.
이러한 작업에서, 가상  악기를 사용해서는 결과를 얻기 어려웠고, 첫 신시사이저 구입을 결정했다.
그 결과 더 나은 결과를 얻기 위해 새로운 형식을 찾고 최고의 소리를 얻기 위한 과정들에서, 그것은 독특한 실험이 되었다. "

최근 그는 대부분의 시간을 그의 음향 실험실에서 작업하며, 러시아, 해외의 아티스트들과 적극적으로 협력하고 있으며, 매일같이 변조적 소리에 대한 새로운 통찰력을 발견하고 있다.  

Discography
Toki Fuko - Spring Ray [2019 / Silent Season]
Toki Fuko - Caesia [2019 / Blind Allies Digital]
Toki Fuko - Archives [2019 / Affin]
Toki Fuko - Floating [2018 / Affin]
Toki Fuko - Sept (Tagir Edit) [2017 / .elliot.project.]
Corvum & Toki Fuko - Experiment EP [2017 / Att Series]
Toki Fuko - Radial Magnetization [2016 / Space Of Variants]
Toki Fuko - Strontium [2016 / Affin]
Toki Fuko - Immersion EP [2010 / Pong musiq]
Toki Fuko - Click EP [2008 / DP-6 Records]

https://soundcloud.com/tokifuko
https://www.facebook.com/toki.fuko
https://www.instagram.com/tokifuko
http://twitter.com/tokifuko
https://www.residentadvisor.net/dj/tokifuko

- Translated by Taegyun Yoon
- Artwork by Clément Davout

Oslated Seoul.
http://www.oslatedseoul.com
https://soundcloud.com/oslated
https://www.facebook.com/oslated
https://www.instagram.com/oslated
https://oslated.bandcamp.com

Oslated Mix

Oslated Mix Episode 205 - Toki Fuko

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oh-rw Y3)(:: ::)(.2 ·

· MUSIC 

There are the species of scales who space from a tonic value. Like the (dor-fri) mode on Dm where the tonal value E is missing. You can simple achieve this feeling using all the notes except E. So it works off the mood. I can hear a missing scale too.

Do you  eat musik? Best price?

*)componentes(♥
digamos que bult es (4;1,1,1,1) donde 4; es índice y 1,1,1,1, (00) es la tara sujeta al valor delíndice de otra forma calculando sobre ladualidad deun tema en desarrollo sobre 2D la dualidad, 1 ^ m): se puede ver .C9314 como í + í ^ m si todavia estamos buscando anuestros Hermanys dale gracias a mamemimomu por darle a todos de recho aamistad y poliamor T8 n 2.m

gran aficionado y amante de la música electrónica,y del tecno más oscuro y mental .

Oslated & Huinali Recordings. Independent labels sharing one platform, born on the peaceful island of Jeju, South Korea.

“There are two different types of people in the world, those who want to know, and those who want to believe.”

Luis Flores's Upcoming Gigs
Sat 14 May, 16 
Trommel, District , Liverpool, United Kingdom

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Sound> Classifying Flores’s sound is a difficult feat, and that is precisely the  point. His personality and experience are present in every track he produces, resulting in a dark, groove driven sound. Luis’s interaction with the machine becomes the listeners’ interaction with auditory landscapes of eeriness, altered states and paranoia. A minimal use of elements results in a rich spectrum of textures and a dark and trippy dance floor pull. Live shows, improvisational in nature, can last anywhere from 2- 5 hours, resulting in a hypnotic exploration of the possibilities of electronic production.

Bio> In the more than 17 years he has been producing electronic music, Luis Flores has not only made a name for himself but has been at the forefront of a movement that made the city of Guadalajara, Mexico, a hot spot for electronic music production and events. At the center of this movement was Nopal Beat Records, a label he ran from 1998 to 2006. At the same time, he also worked with the city’s cultural bureau to produce a string of massive, free public events that could bring electronic music to a wider group of people and provided a stage for local producers.

In 2007, he returned to the studio focused once again in his techno roots which quickly yielded results like his enduring relationship with L.A.’s Droid Behavior or the demand for his live shows.

In 2009 the release of the “Damage” EP on Droid Recordings, established Flores as an international artist with its immediate success, making the charts of artists such as Speedy J, The Detroit Grand Pubbahs and Chris Liebing’s Best 10 of 2009. In 2010, Dietrich Schoenemann’s Hidden Agenda released “Pain + Prosthetics”, an EP which among other things includes a collaboration with Canadian: Vitamins 4 U.

Flores published “Love Your Machine” under the German imprint Micro.Fon the following year. Further exploring the audiovisual aspect of his music, he created the video teaser for the single using J.G. Ballard’s “Crash” as reference and inspiration.

In 2012 he returned to Droid for the release of “New Flesh” which included remixes by label owner Drumcell and CLR’s Brian Sanhaji. This year was also marked by people's interest in his sound with remix requests for legendary names like Jam n Spoon and The Advent.

2013 began with his first collaboration with Berlin based producer Material Object and the release of the “Crowd Control” EP under the Impact Unit moniker for the French label Silent Steps and in 2014 he released “Rituals of Submission” on Detroit’s Blank Code, “Test Pattern” EP in the Spring for CLR and the “Metal” remix for Black Asteroid under EDLX.

He began 2015 with the the release of “43” on Alex Bau’s Credo compilation and with his 3rd release for Droid Recordings, the “Static Forces” EP.

Luis has represented México at the Meet in Beijing, ADE in Amsterdam, Borderline Festival in China, Brussels BEMF, among others.