@warriorknox: Thanks bud...the folks in Germany I did it for had been hosting it, but their account went pufff.

postet https://www.facebook.com/pages/GROOVE-ARCHIVE/267077930018220

Love me some All Natural! Big up Family Tree

Osmose Vinyl Disco Mix Sessions

Listen every Tuesday from 21 till 22 (Moscow time) Jazz FM (radiojazzfm.ru)

Subscribe in iTunes: https://itunes.apple.com/ru/podcast/funk-and-beyond-weekly/id1063844118?mt=2

for more details please visit beyondfunk.ru

1. Will Hatcher - What Is Best For Me Is Better For You
2. Grover Mitchell - What Hurts
3. The Spinners - Mighty Love
4. Gary Bartz - Music Is My Sanctuary
5. Boeing - Dance On The Beat
6. Frankie Beverly - Before I Let Go (JM M&M Remix)
7. Louis Ramirez - Do It Anyway You Want
8. Esther Williams - I'll Be Your Pleasure
9. Neo Experience - Human
10. Golden Flamingo Orchestra - The Guardian Angel Is Watching Over
11. Avenue B Boogie Band - Bumper to Bumper
12. Pleasure - Straight Ahead
13. Third Stream - Gettin' It Together
14. L.T.D. - (Every Time I Turn Around) Back In Love Again
15. Tim Maia - Sossego
16. Lisa Hill - I Am On The Real Side
17. Esperanto - Kailua

Funk and Beyond Radio Show (Dec.26.2023)

Djoon Radio - Le Rotary Club

07 - Kold

In quiet spaces between thought and reflection, shadows hold the memory of what once was. Light fractures and transforms, revealing traces of hidden fires and paths forged in silence. Breaths resonate between symbols that endure beyond their meaning, while rhythms gently beat, guiding the way through moments lost and found. Everything tends toward a wordless understanding, revealing a stillness both fragile and infinite.

Syntax Error

Bohemia presents episode #082 of our international Lovelyfriday Podcast.

This time in the bohemia studio with Osmose from Atlanta, Georgia who laid down a special vinyl only set for y'all. Osmose brings nice vibes to your events. He can play straight up vinyl sets up to 4 hours with his big collection of records. If you have the chance to see him play live, go there! And if you want to book him dm him on soundcloud or twitter.


Vinyl Releases: www.discogs.com/artist/2623067-Osmose-3
Twitter: https://twitter.com/djosmose

Enjoy your friday!

Bohemia Ethical Streetwear - https://www.facebook.com/BohemiaStreetwear

Downtempo VINYL

Bohemia - Lovelyfriday Podcast - Osmose vinyl mix

Lovecast Episode 135 - Jimpster

Download Mix & Read Interview on MI4L.com:
http://musicis4lovers.com/?p=32305

★ MORE LOVECAST EPISODES ★
soundcloud.com/musicis4lovers/sets/lovecasts-episodes

Connect with Jimpster:
SoundCloud: https://soundcloud.com/jimpster
Facebook: https://www.facebook.com/jimpster.freerange
Twitter: https://twitter.com/JamieJimpster
Beatport: https://pro.beatport.com/artist/jimpster/2553

Stay connected with Music is 4 Lovers:
Soundcloud: @Musicis4Lovers
Twitter: twitter.com/Musicis4Lovers
Facebook: www.facebook.com/Musicis4Lovers
Instagram: @ Musicis4Lovers
Blog: www.MI4L.com

DOWNLOAD // INTERVIEW

Lovecast Episode 135 - Jimpster [Musicis4Lovers.com]

Keep On Moving Instrumental

Mixed live and direct to disc on 2 x Tech 1210MK5s + E&S DJR400 mixer + Vermona Action Filter 4

- Hotmood “The Camel“ Whiskey Disco
- Osmose “Disco Pagen Fantasy” Smokecloud Records
- Parisian Soul “Billy Who? Rework” Parisian Soul
- Opolopo “American Promise (Opolopo Rebounce)” Version Galore
- Evil Smarty “This Is“ Disco Fruit
- Osmose “Get It Straight” Smokecloud Records
- Phyllis Hyman “You Know How To Love Me (Joey Negro Extended Disco Mix) Z Records 
- YAAP “Haschich Parmentier” D-Mood Records
- Sune “Pistachio Sour” Kyoku Records
- Sartorial “Gimme That” Tropical Disco
- DeGaMa “Yebo” Samosa Records
- Alex Zuiev “Afro Magic” Whiskey Disco
- Mozez “Run River (Ray Mang’s Extended Vocal Version)” Mangled
- Los Amigos Invisibles “Stay (Ray Mang’s Disco Instrumental)” Apersonal Music

Vinyl

Out On The Floor 5 - Vinyl Mix

Chapter 1 of my new crate digging series covers treats from a recent dig in Tennessee.  This was a fairly large haul so another episode will be coming very soon.  Also this is not a club style DJ mix, but more like what you would hear on a radio or podcast.  If you stumbled on this by mistake and were looking for the latter please check out one or more of my other mixes at the links below:

Vinyl DJ Mixes
https://soundcloud.com/osmose/sets/disco-heaven-all-vinyl-dj

Vinyl Mixes For Other Folks
https://soundcloud.com/osmose/sets/vinyl-mixes-for-other-folks

Couple of things to note:

There will be not be a download of this and no tracklist.  I will ID some cuts per comment requests but will probably steer clear of cuts that have been reworked , edited and remixed already so as not to exposure my fellow associates, friends, and other DJ/ Producers.

Give thanks for listening.

Recorded live direct to disc on 2 x 1210MK5 Turntables + E&S DJR400 + Vermona Action Filter 4

Osmose vinyl

Digging  - Chapter 1

Chapter 2 -  more selects from a recent dig in Tennessee. 

No Download
No Tracklist

Drop a comment if you wanna know what something is and I'll try my best to recall.

 Also this is not a club style DJ mix, but more like what you would hear on a radio or podcast. If you stumbled on this by mistake and were looking for the latter please check out one or more of my other mixes at the links below:

Vinyl DJ Mixes
soundcloud.com/osmose/sets/disco-heaven-all-vinyl-dj

Vinyl Mixes For Other Folks
soundcloud.com/osmose/sets/vinyl-mixes-for-other-folks

Give thanks for listening.

Recorded live direct to disc on 2 x 1210MK5 Turntables + E&S DJR400 + Vermona Action Filter 4

Digging - Chapter 2

Deodato  “Are You For Real? (JohNick / Sting International Brooklyn Mix)”  Brooklyn South
Glowing Palms  “I Don't Wanna Come Daan”  Ruf Kutz
Trailer Limon feat E-Live  “Love Don't Pay The Bills”  Austin Boogie Crew Records
Phil Gerus  “Stop! Let's Slow Down”  To Rack & Ruin
Leon Haywood  “Out To Catch Rework (Osmose edit)”  Smokecloud Records
Alister Johnson  “Do It Again”  Jex Opolis Dub Remix  Do It Right! Music
Diamond Ortiz  “NBC (Nothin' But Cuties)”  Austin Boogie Crew Records
Qwestlife feat Jacqui George  “Give Me A Minute (Dubbed Out Version)”  Glitterbox
The Whispers  “Keep On Loving Me / Still Loving You (Loshmi edit)”  Disco Fruit
Phil Gerus  “All Pleasures, All Pains”  Lumberjacks Boogie
Dazz Band  “Swoop (I’m Yours) / Wsoop Wsoop (Loshmi edit)”  Disco Fruit
Uptown  “(I Know) I'm Losing You (Instrumental)”  Oak Lawn Records
Uptown  (I Know) I'm Losing You”   Oak Lawn Records
Karen Young  “Hot For You”  Sunshine Records


Recorded LIVE Direct to Disc by Osmose on 2 x 1210MK5 Turntables + E&S DJR400 (#1026) + Vermona Action Filter 4.

Osmose boogie 7 inch "Boogie & Beatdown" - https://www.discogs.com/Osmose-Boogie-Beatdown/release/10233821

Osmose boogie 12 inch "Edits With Love" - https://www.discogs.com/byDesign-Osmose-Edits-With-Love/release/4129567

“Quality Music For Forward People”

All Vinyl All The Time -

Osmose boogie 7 inch

I Believe In The Boogie 3 - Osmose Vinyl Mix

Mixed live and direct to disc on 2 x Tech 1210MK5s + E&S DJR400 mixer + Vermona Action Filter 4

-  All Vinyl All The Time -

Out On The Floor 6 - Osmose Vinyl Mix

To tie-in with my 200th blog post, this was the last mix I ever tape edited, putting it together on my original Revox B77 reel-to-reel, which I’d bought 14 years earlier, back in 1982. See the post with accompanying images at the blog:
http://www.gregwilson.co.uk/2012/11/the-monastic-mix/ 

THE MONASTIC MIX:
‘The Monastic Mix’ was very much a labour of love, gradually assembled in stages, as I bounced between reel-to-reel and DAT in order to add further textures. I did it in collaboration with a young DJ from Liverpool, Matt Shannon, who was into the Trip Hop / D’n’B vibes of the time, which I really liked myself, but didn’t have any of the records (I was, as you might say, on the bones of my arse brassic back then, so I wasn’t in the position to be buying anything other than the bare essentials). We fused Matt’s tunes with mainly older stuff from my own collection for the mix, which appeared on one side of a free cassette that was given away to everyone who attended the launch of 'The Monastery', an experimental monthly club night on Merseyside (plus a couple of Wednesday specials at London's 'Mars Bar' in conjunction with Microdot, the design company ran by Brian Cannon). We made things particularly difficult for ourselves, holding the night on a Sunday, and choosing an off the beaten track venue, Stairways, a Birkenhead Rock club, to which we bussed people through the Mersey Tunnel from Liverpool, as well as attracting others from The Wirral. However, despite all the drawbacks, we somehow managed to keep things afloat for the best part of a year, enjoying some great memories and much musical mayhem along the way.

‘The Monastery’ brought together a collective of DJ’s and musicians who were largely disillusioned with the local dance scene - Derek Kaye, Bernie Connor, DJ Trix, Phil Jones, Desa, Girls On Top, Phil Melia, Kerry Harrison, Ciaron Bell, Matt and myself all played our parts, doing it for the love rather than money, with Martin O’Shea (who, as it would work out, went on to manage the successful girl group, Atomic Kitten) promoting the nights. The basic premise was that we didn't go down the four-on-the-floor path, as this was being played pretty much everywhere else at the time, concentrating instead on groove-based music from the 60's to the 90's.  

Featuring Soul, Funk, Electro-Funk, Hip Hop, Indie-Dance, Trip Hop, Drum & Bass and more, ‘The Monastic Mix’ became cult listening for many of the people who got hold of the cassette, although I’m sure that others found it a bit too eclectic for the time and never gave it a second hearing. I’ve been told that it’s quite a demanding mix to listen to, dark in places and somewhat ‘druggy’ (‘one for the heads’ being a comment made about it back then). 

It’s close to my heart because it reflects my state of mind at the time it was made, which was pretty turbulent. Since my production work had ground to a halt a few years earlier, I was very much in no man’s land, completely detached from the music scene and with no means of expressing myself. I was still totally illiterate as far as computers were concerned and I remember feeling old and out of touch. There were moments when I wanted nothing more to do with the music industry, being punch drunk from the knocks I’d taken during recent years, but, having never had a ‘proper job’ in my life, I was pretty much in a catch 22 situation. I had no money and no prospects, life was passing me by and I was more or less washed out creatively. Suffice to say it was a very bleak period for me.

It was during this time that my friends, seeing how much I was struggling, were urging me to get back into deejaying, telling me that I could make good money by trading on my reputation of old. However, there was a big catch, which was that I’d have to decide what area of dance music to specialise in, which was an alien concept for me, having made my name playing the best of a whole range of styles, rather than just one narrow area. Thankfully (and I can only say this with hindsight) I resisted the temptation to take this option, which would have amounted to selling my DJ soul for a quick cash-in.

The idea behind The Monastery was planted in my mind by my friend, Kermit, who, following on from the Rap Assassins, had hooked-up with former Happy Mondays mainman Shaun Ryder to form the band Black Grape.  Just before they were about to do the final mixes on their debut album, ‘It’s Great When You’re Straight…Yeah’ (which would subsequently top the British charts), Kermit came to see me in Liverpool with a cassette of all their tracks. I was blown away with what they’d come up with, but it also served to highlight my own shortfallings. I commented that he’d done so much while I’d been wasting away at home doing nothing, but he told me that the time I was spending, in relative seclusion, with my music, books and videos, would prove to be time well spent. He likened my existence to being in a monastery – a comment that very much resonated within me and somehow gave me renewed hope for the future.

The following year, when the idea of a putting together a club night was put to me, I suggested it should be called The Monastery, with the music policy and presentation completely unlike anything else that was happening, combining DJ’s with live musicians. When it came to putting the mix together, I wanted to reference as many of my musical influences as I could, even if it only be a tiny snippet. I managed to cram a lot of them in and I can guarantee that, even after numerous plays, you’ll still recognise new elements hidden away in there. There’s a lot of stuff going on in the detail and, listening back to it later down the line, I became aware of a definite autobiographical slant that didn’t seem so obvious then, reflecting the struggle and soul searching that summed up my life at the point it was made. A mix will, obviously, always have something of yourself within it, but this is undoubtedly more personally revealing than anything else I’ve done – there’s some kind of twisted narrative in there, and I can hear me talking to myself via some of the samples I chose (for example, when you hear the words ‘does anyone remember who I am?’, I really meant it, trapped in obscurity as I was). Even the discordant parts, the bits that jar with me now, show me exactly where my head was at.

It was an important personal step for me, and I thank Matt Shannon for what he brought to the table – I didn’t have all the ingredients myself, and he was also pretty handy on the decks, so Matt was, of course, key to this. He no doubt reads it in a different way to me, but I know it has its own special symbolism for him, especially given he never followed the DJ route, and instead carved out a rewarding career working in the computer, rather than in club realm. 

‘The Monastic Mix’ very much informed what I did later, especially the Teenage DJ project, which built on that autobiographical slant I’d stumbled across. It’s echoes can also be heard via my use of samples in a live context - people who know my mixes from more recent times will, no doubt, recognise many of the samples I’ve subsequently used, which are spun from the same tape, but in a different context – from another time and place.

I think it’s a mix that’s most conducive to a chilled-out environment (and state of mind). I might have given the impression that it’s pretty heavy-going, but you’ll find lots of familiar stuff throughout (it makes for a great game of spot the sample) and I’m sure it’ll raise a smile, and perhaps even the spirit, here and there. 

Greg Wilson - November 2012

THE MONASTIC MIX (by greg wilson and matt shannon for the monastery 1996)

original c90 tape recordered live at Cap Creus in Imola in 1994, the Cap Creus was a very big club, in order to understand was a real discoteque , every friday it was crowded with more than 1000 people dancing on a real dancefloor all night long without fear of 80-90bpm, it was magic ! pure club culture!

Ltj live at Cap Creus, Imola 1994

somewhere... something incredible is waiting to be known.

Trujillo's Mix February 2013

Your Download and tracklist via donation here:
https://ko-fi.com/djsupermarkt

Tough times for musicians, DJs. I had my last DJ gig on march 9th! You can make it possible for me to survive (and continue to do what I do...) in these crazy times by helping out with a little coffee-money on ko-fi

This mix was a guestmix for the great @discoholicsanonymous radio show "Hot To The Touch".

donate to download

DJ Supermarkt / Too Slow To Disco: Laidback Disco Edits - Guestmix for Discoholics Anonymous

"Quality Music For Forward People"
- ALL VINYL ALL THE TIME -

-----------------------------
✨ On 36 vinyl releases to date 🎶 Smokecloud records,  Whiskey Disco, Magic Wand, Wax Digits, Editor's Kutz, Honey Disco, Morgan Ave Edits, Friendly Monster Records, Pizza Night Records, Masterworks Music  & Wall Of Fame.
-----------------------------
Vinyl DJ // Audio Engineer 
-----------------------------
GIGS:

9/20 Saturday DC
Mercy Me
https://www.instagram.com/mercyme.dc/
Housey Disco / Deep House
7-11pm [no cover]

9/27 Saturday DC
Cana
https://www.instagram.com/barcanadc/
Latin / Afro / Disco / House
10p-1:30a
-----------------------------

Bohemia - Lovelyfriday Podcast - Osmose vinyl mix

Osmose

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