Divina Commedia.  Inferno canto XXIII.

Carmelo Bene - Dante, Inferno XXXIII (La Bocca).
Vittoria Gassman- Dante, Inferno XXIII.
Vittorio Sermonti- Dante, Inferno XXIII.

Inferno XXIII [disquiet0529]

habitat

Based on
https://soundcloud.com/encym/neat-disorder-layer-3 
by @encym

My right-panned track was made using the following: piano by Olafur Arnalds Stratus on the Looped Rhythms setting, then fed through the following plug-ins: Puremagnetik's Small Winters; Chow Tape Model's TC-260 setting; and Valhalla Supermassive's 80's Mod Room reverb.

A note from encym (creator of the original layer, 0636, panned left): "This week's Junto project has always been one of my favourites -- so I recorded the first third of what will eventually become a trio. 

"I played it on my Tele through a simple, straightforward signal chain of Chase Bliss Mood (the main sound), fed through a Dark Star and a Polymoon to add space and variations in terms of timbre. No further editing in the DAW. I went for as sparse a track as I could, to provide as much space as possible for my potential collaborators. My hope is that you feel inspired by my "almost crumbling to pieces" vibe, and I look forward to hearing what you will be adding over the coming weeks for it to become a trio recording."

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

#disquiet #disquietjunto #disquiet0637 #ambient

'Neat Disorder' by Wodwo and encym--disquiet0637--2of3

Disquiet Junto 0637 

                                                              Right 2 of 3 

 

The Assignment: Record the second third of an eventual trio. 

DAW: Ableton 12 

Key: C minor/F minor? 

Time Signature: 4/4 

Length: 1:14 seconds 

Randomly chose track #47 by zoundsabar 

https://soundcloud.com/user-189958162/cowherd-tone-disquiet0636-zoundsabar?utm_source=llllllll.co&utm_campaign=wtshare&utm_medium=widget&utm_content=https%253A%252F%252Fsoundcloud.com%252Fuser-189958162%252Fcowherd-tone-disquiet0636-zoundsabar 

Dropped his .wav file into Granulator 3 in Ableton 12 then played some notes into the track while listening to the original track. Notes were an octave lower than original track and panned to the right.

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

disquiet0637 - Right (2 of 3)

sound art for disquiet0637

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

idiophones (disquiet0637) w/ xhg

únbekannt

I used the wonderful track Marsh Bones by Raincat - many thanks! - and added a right channel to it. Some of it is 56 BPM. My addition consists of alto recorder (a.k.a Altflöte), bells, industrial noises from a factory and a synth note (C1).

Left track by @raincat-306596410

Note: this sounds awful on headphones because of the strict left/right mix.

Disquiet0637 - Marsh Bones Factory (with Raincat)

Disquiet Junto Project 0639: Path Ways (4 of 3)

My second piece is a cross between points 2 and 3.
As a starting piece I chose the piece by encyn, a true gem of this compilation.
I recovered what was originally supposed to be my 637, then abandoned because the track had already been chosen. In this case without channel limitations.
Starting from this 636 I followed the family tree and chose some 637s and 638s to mix on the starting track.

'Neat Disorder' by Wodwo and encym--disquiet0637--2of3
https://soundcloud.com/user-364196783-552705040/neat-disorder-disquiet0637-layer-1-by-encym-layer-2-by-wodwo

2024-03-15 Ataxophobia, Right? by encym & Jimmy Lem (disquiet0367)
https://soundcloud.com/blisterpop/2024-03-15-ataxophobia-right-by-encym-jimmy-lem-disquiet0367

Diluted Disorder - with encym (disquiet0637) by ray_cobley
https://soundcloud.com/ray_cobley/diluted-disorder-with-encym-disquiet0637

disquiet 0638.5 by Andreas_Kitzmann 
https://soundcloud.com/andreas-kitzmann-27370936/disquiet-06385

4WAY (disquiet0639paths)

Reaktor Generative Ensembles.
Strings and percussiv Pianos.

Il Dilemma, quasi sempre, è una forma simulata (e ormai largamente dissimulabile e dissimulata) di falsa coscienza e ipocrisia piccolo borghese. La realtà è una costruzione sociale. Come tale implica precise domande e altrettanto precise risposte. Chi non vede, non capisce o si astiene, si delegittima e delegittima. Dal Pithecanthropus Erectus all`Homo Sapiens, inteso come nuova forma di progetto culturale e ideologico lontano dalle ipocrisie/false coscienze degli ultimi decenni.
Dal Piccolo Mondo Antico alla Rivoluzione Permanente.

Il Grande Dilemma (naviarhaiku534)

Marco Lucchi : organ, piano and synthesizer
*idematoa* : synthesizers

Marco Lucchi & *idematoa* - Omnia florent

Every now and then, we encounter a piece of music that transcends the conventional boundaries of sound, and blurs the lines between what we hear and what we feel. Such is the case with my electronic composition titled “Space – Equations”. A symphony of audio innovation, this track represents an aural interpretation of space and the unique equilibrium it holds within our daily existence. 

Created in Ableton, the popular digital audio workstation that is revered by music producers globally, “Space – Equations” ventures into the world of sound design to create a soundscape that is as enthralling as it is unexpected.

The Unconventional Instruments

While it may seem surprising, the key ingredients in the construction of “Space – Equations” were nothing other than everyday tools: chisels and a hammer. The decision to use such unconventional materials was driven by the desire to craft a truly original sound – an acoustic signature that would not only distinguish “Space – Equations” from other electronic compositions but also challenge the typical understanding of what constitutes a musical instrument.

The sounds these tools produced when interacting with various materials created a myriad of acoustic responses that were carefully recorded. These raw sounds were then imported into Ableton, where they underwent a transformation as they were manipulated, distorted, stretched, and layered, resulting in a soundscape that is both diverse and immersive.

Continues on: https://lumlux-art.com/the-creative-journey-behind-space-equations-a-sonic-gateway-into-uncharted-realms/

#experimental #experimentalmusi #electronicmusic #noise #electronic #contemporaryart #lofi #synth #abstractart #psychedelic #ambientmusic #avantgarde #electronica #digitalart #design #industrial #experimentalart #newmusic

Space-Equations

Space - Equations (exp)

...Nada más llegar al apartamento, Rosell se sentó ante el piano e interpretó fragmentos de piezas de Chopin, Turina, Mompou y la serie de Obstáculos Sonoros, como él los llamaba, que iban abriendo el tema musical dominante de Buster Keaton y su novia. Cerró la tapa del piano satisfecho de sí mismo....

Albert Rosell

El Pianista, Manuel Vázquez Montalbán 1985.

Inferno XXIII [disquiet0529]

Ostacoli Sonori

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