ich finde gut, dass ihr als label nicht den einfachen musikalisch weg geht

A 90s/early 2000s video game inspired IDM track.

All audio was made from a single sample on the Elektron Digitakt for a one sample challenge on the EZBOT Discord server.

ELLIPSIS

My set at Voodoo in the Factory 010 / Rotterdam

The Haze @ Voodoo - Factory 010

Surrender! return for La Bombe’s 30th release. After a brief hiatus the duo have graced us with a brand new 3 track EP, entitled “Voyage”. Known for a unique blend of electro and nu-disco it’s no surprise that this latest endeavour is a testament to their customary style.

artist: @surrenderofficial
title: Voyage
cat#: LABOMBE0030

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Surrender! - Centaur (OUT NOW)

artist: @ninetyninemusic
title: Only Vitriol
cat#: LABOMBE0031

Coming Soon...

Ninetynine - Only Vitriol (EP Sampler)

Free Download: https://theartistunion.com/tracks/64cb53
Facebook : www.facebook.com/djforehead

AnaVitória & Tiago Iorc - Trevo (Tu)(Forehead Remix) {FREE DOWNLOAD}

Listen in full at @zweikommasieben: https://www.zweikommasieben.ch/en/phillip-sollmann-aka-efdemin-more-than-the-night-pre-listen-monophonie/

Following 2019’s ‘New Atlantis’ LP under his experimental techno alias @Efdemin, Phillip Sollmann’s ‘Monophonie’ is a project dedicated to uniting different strands of utopian music. His approach: combining and recontextualizing rare historical instruments of sonic research of Hermann von Helmholtz (19th century) with the self-designed, microtonal instruments of Harry Partch and metal sound sculptures of Harry Bertoia.

The result is a psychedelic investigation into just intonation – alternative tuning systems that create unique sets of harmonics not found in conventional scales. ‘Monophonie’ recasts these sounds into new rhythmic environments where epic kosmische, polyrhythms, acoustic techno and microtonal glow are interwoven into a rare music.

Over nine tracks, the album explores multiple forms of minimalism, from unwavering repetition to paired-down chords and sparse sonic environments. But it also seeks to expand the sound spectrum of Partch’s custom built organs and melodic percussion instruments as well as Bertoia’s sonambient singing metal rods into an atmospheric otherworldliness.

‘Monophonie’ was first composed in 2016 and premiered at Berlin’s Volksbühne theatre in 2017, before it went on to the renowned Ruhrtriennale and Kampnagel in Hamburg. It was performed by one of Germany’s premier neue musik collectives Ensemble @Musikfabrik together with Sollmann himself on von Helmholtz’s original double siren, with set design by Michael Kleine and wardrobe by Peter Kisur of Honeysuckle Company.

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Phillip Sollmann | Mono

Phillip Sollmann | U / O

In the current episode of the Telekom Electronic Beats podcast, former TEB editor-in-chief Derek Opperman talks to director and photographer Vincent Haycock, who has been involved in projects with Paul McCartney, Johnny Depp, Florence and the Machine and Lana Del Rey, among others. Now the 41-year-old Californian is releasing the film on the Gen-Z initiative #whatwedonext together with Billie Eilish and Deutsche Telekom. In his opinion, all generations can learn a lot from each other in their diversity, since they all grew up under very different conditions. While the young digital natives were born with social media as a matter of course, he spent his childhood without the Internet and networked technologies. In an interview, he reveals that in his school days, punk rock was his personal salvation from numerous pitfalls of the small town. The almost brutal emotionality that unfolds in punk culture continues to influence his artistic work and his life, which has hardly followed any precise paths, to this day. Besides working with numerous celebrities, he regularly casts people on the street for his works. When creating his films and music videos, Haycock likes to dive deep into the real life and emotional world of his protagonists and thus create unique images. Corona has completely turned the advertising and music film industry, in which he works very successfully, upside down. In this sense, he also talks about his individual privileges and how he would like to behave in order to positively influence the future. The fact that the world is currently going through phases of enormous pain in many places occupies him on the one hand, but on the other hand he also looks at the potential of many good developments and how we can all internalize them together.


#whatwedonext campaign: https://whatwedonext.electronicbeats.net/

Vincent Haycock: 
Instagram: https://www.instagram.com/vincenthaycock/
Website: https://www.vincenthaycock.com/

Vincent Haycock - film, the world of emotions and interactions

"New York nightlife stops for no one." In the newest edition of Ode To The Night, counterculture journalist Michelle Lhooq recalls the New York club resurgence of the 2010s, a period that saw the city's scene go from DIY underground to rave superpower.

Read: electronicbeats.net/ode-to-the-night-michelle-lhooq-losing-my-religion/

Read by Ava Burnes
Audio editing by Caroline Whiteley

Losing My Religion

Contact / demos policy: https://www.ostgut.berlin/label/contact/

Phillip Sollmann | Mono

Ostgut Ton | A-TON | unterton

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