#Techno#

3024-023 LEON VYNEHALL - "OPEN EP"

I first met Leon Vynehall in Berlin before a gig at the amazing About_Blank. We had a fun conversation and he played a really good set that night. Much later I realized I had been playing one of his tracks ("Total S") for ages!  We stayed in touch and I asked if I could hear some of his new music. He sent me five tracks and I signed four, that's a pretty good score if you ask me! Smart and conscious about his music and his output, I think this EP is really only the beginning for Leon Vynehall. I'm glad I'm able to give it a platform and share these amazing tracks with you. Also special props to D&M for doing a great mastering job on these..

Clone's 3024 Shop

Leon Vynehall - Step Or Stone (Breath Or Bone) (3024-023)

Tobias. | Cursor Item Only (Peter Van Hoesen Remix)

Release date 8/25/14 (tbc)
3024-KJL2
Doms & Deykers

Doms & Deykers - Fonts for the People (3024 - KJL2)

Release date: September 22, 2014

A1. Depths
B1. Seers

Preorders available at:
http://iceehot.bigcartel.com/product/ih009-roche-depths-seers-12

Roche "Depths" / "Seers" (IH009 preview)

New EP on my new label.

Vinyl date : 1st September
Digital : 15th September

PRE-SALE www.juno.co.uk/products/ejeca-nebula-ep/545508-01/
EJECA www.ejeca.co.uk / www.facebook.com/Ejeca
EXPLORIS www.explorismusic.co.uk / www.facebook.com/explorismusic
CONTACT info@explorismusic.com

A gritty, genre-bending, techno introduction to Exploris, ‘Rick Flair’, ‘Skitter’ and ‘Protoype’ cut together direct, big room driving bass, with heavy synth and bouncier electro. Each track nods to the eclectic taste that will lay the foundations of the label, all the while giving a clear indication to the dynamic output that is soon to come. As the harder tones present Ejeca’s musical development, with labels like Pokerflat and BPitch taking note, Exploris’ sound can expect to evolve from release to release with collaborations on the way from friends and new, undiscovered talent.

The EP has already seen widespread acclaim, with radio support from nationally recognised BBC Radio One DJs like Skream, B.Traits, Monki and Toddla T, as well as exceptional feedback from DJs such as, Steve Bug, Catz N Dogz, Bicep, Eats Everything, Dusky, Nick Curly, GERD, Tim Sweeney and Phil Kieran.


EJECA - Protoype (Clip) EXP001 - - - B2

Tresor resident DJs LNS and DJ Sotofett have for some years been developing a style at the club's Globus floor, and their new EP is a die cut of exactly the classic techno, electro, and house music they play. Here are no productions drenched in reverb, no hi-fi obsessions or generic algorithmic patterns – this is Globus Trax, the duo's third release on Tresor Records, four tracks consisting of real TR-909 workouts, rude and driving basslines, live runs through the mixing desk, and a Blake Baxter cover version with LNS on vocals. 
 
LNS & DJ Sotofett programmed an EP to perfectly fit their warehouse style of DJing, bringing out colour and variation in a spectrum more similar to a club compilation than a dogmatically reduced concept. With a single repeated vocal sample, Globus Trax opens bombastically with ClickClickClick, a dub-infused UK garage house track anyone in the world can easily describe in the course of a second.
 
Following this comes Gearbox which is a hefty slab of big room electro featuring a centerpiece arpeggio and the warmest harmonic pads on the EP's four tracks, which not-so-subtly makes reference to the pioneering band that shares a name with Globus and Tresor's home, the Kraftwerk. 
 
The house vibe returns on Destination 909, which is nothing but a manifesto for the TR-909, where the beloved drum machine's jacking beats meet galactic strings and synthetic bass, only to be ripped apart in a slamming break that sees the machine take centre stage as it cuts in-and-out of the mix, again a clear nod to the duo's sets in the club.
 
LNS steps up on vocal duties and DJ Sotofett keeps the 909 running for their final cut, taking a deeper dive into the realms of classic techno and paying tribute to "The Prince of Techno" Blake Baxter by covering his Reach Out originally released on Tresor Records in 1995.
 
The 12" was cut by DJ Sotofett himself at Manmade Mastering, where he resurrects the lost art of late-90s loud cuts with sonic presence and punch, optimal for the club-focused 12" format, and is the first to come in the new Tresor Sleeve, boasting an embossed logo on either side.

BANDCAMP

LNS & DJ Sotofett - Destination 909

13. Wallace - Pivot Point

16. Gallegos - PAXMAN

9. Verraco - youngblood (la verdad mix)

1. Efdemin - a thousand shades of green

7. Fadi Mohem - Submerge

18. Hard Ton - Misled

10. Virginia - Project Vochlea 1

15. Jinjé - Idiome feat. Yolanda Wyns

Preorder now on Juno: https://www.juno.co.uk/products/jakojako-hardwired-vinyl/1094322-01/?utm_source=soundcloud&utm_medium=premiere&utm_campaign=soundcloud

Berlin-based JakoJako has meticulously compiled this new compilation for Air Texture with the aim of spotlighting the deep bonds among hardware-focused producers. Featuring standout tracks from top dogs like Rødhåd, Acid Pauli and The Field, the collection reflects a shared musical language built through machines and their ability to convey the emotions of their human users, often with a rough, dusty edge that makes them all the more realistic. Drawing on the metaphor of a hardwired synthesiser that is pre-connected and instantly functional, the release celebrates unspoken creative kinship between the two with everything from deep, heads down late night dancers from Regent to more lithe and elastic rhythms from Mareena alongside JakoJako herself.

More from the label: https://www.juno.co.uk/labels/Air+Texture+US/?utm_source=soundcloud&utm_medium=premiere&utm_campaign=soundcloud

PREORDER

PREMIERE - Mareena & JakoJako – ‘ah’ (Air Texture)

RELEASE DATE: 16 JULY 2012

JACQUES GREENE

A) READY
B) PRISM
C) DAKOU (Digital Only)

A new name takes the helm for 3024-019 – one of a handful of artists that's stood out from the overwhelming renewal of interest in House music the last few years have seen, we've followed Jacques Greene for some time and are very pleased to be present his Ready EP to the world.

From early releases with LuckyMe and Night Slugs via high profile remixes and on to the recent formation of his own Vase imprint the Montreal native has been at the front of his home town's rapidly snowballing acclaim as a creative incubator of unusual quality, fusing R&B's raw emoting to House and Techno's sleek propulsion. The Ready EP is a further refinement of the sound he's made his own, going further down the rabbit hole than before but always balancing aerodynamic efficiency with the unusually organic emotion.

Lead track 'Ready' made it's debut on Martyn's Essential mix earlier in the year and the ensuing months of low res Youtube play have failed to tarnish what begins supremely understated. Shuffling breaks and aquatic subs support staggered wood blocks before a serrated ascending acid line helps the arrangement flare into a storming 4x4 pattern, sporadically lit up by that increasingly frayed acid melody until caving in on itself and rattling off into the distance.

By contrast 'Prism' makes it's true intentions clear immediately, a metronomic pulse in place as soon as the track opens, quickly joined by enveloping Energy Flash plates of bass and signalling the tracks arrival proper. A wisp of night flight melody snakes it's way over the surface, partnered with a secondary hook's wordless androgyny and what was monolithic bass shifts up into an altogether more limber pattern as a competing vocal presence and gemstone arpeggio combine before leaving hissing percussion and the ever present kick in a cloud of steam.

Closing track 'Dakou' is perhaps closest to the sound that Greene has become known for. Stacked with treated vocal loops and keening synths, a reprise of 'Ready's driving but organic drum programming powers the track thought with a finely balanced momentum as a deceptively simple melody weaves between the spaces left by the choir of loops. Just as things settle into a seemingly pleasant groove a supremely ragged acid line breaks the rhythmic mill pond, billowing, swelling and circling the track and becoming more over driven by the bar, before finally flickering out of view for a coda of of chiming synth pads, clockwork breaks and ambient workshop atmospherics..

Once more providing the perfect visual foil to our audio content, Erosie's artwork again plays a central role in 3024's aesthetic, stripping his collage series down into a contrast of monochrome and primary colours in perfect symmetry with the Ready EP's balance of warehouse murk and radio yearn.


Jacques greene - READY 3024019A clip

Contact / demos policy: https://www.ostgut.berlin/label/contact/

Tobias. | Cursor Item Only (Peter Van Hoesen Remix)

Ostgut Ton | A-TON | unterton

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